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Dear Clients
Due to restrictions related to Covid 19, We work by prior arrangement.
Information by phone 5159196
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Dear customers !!!
Due to summer vacations, we are only open by prior arrangement from 01.07.2021 to 01.08.2021
Information and agreements tel. 5159196 OR by e-mail [email protected]
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - PA 64.
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Description:
Black felt-tip pen, paper
44 x 60
Lower right - P.A. 77.a.
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - PA 64.
During his career on the basis of the Atlantic fishing fleet, P. Aavik reached the coast of Africa. The ship "Paranu" was not given a "city ticket" for sailors, therefore, among the artist's numerous traveling paintings, there are only 4 African motifs. These exotic motifs were quite rare in Estonian art of the time.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Brown felt pen, paper
49,4 x 64,7
Lower left - Kohtla - Järve
Lower right - P.A.. 66.a.
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Description:
Colored chalk, paper
44,4 x 60,4
Lower left - P.Aavik. 68 Lohusalu
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - Priidu Aavik 64. Nigeria
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Description:
Brown felt pen, paper
42,8 x 60
Lower right - Priidu Aavik 64. Nigeria
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Description:
Felt pen, chalk paper
23,1 x 20
Lower left - Rannakividel
Lower right – Priidu Aavik 82 a.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Black (grey) felt-tip pen, paper
60x44
Lower right - P.A. 77.a.
One of Priidu Aavik's favorite subjects was the harbor with ships, cranes, and working people.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Light brown felt-tip pen, paper
44 x 60
Lower right - P.A. 77.a.
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Description:
Brown felt pen, paper
42,2 x 52,7
Lower right - P.Aavik. 65 Rootsi rannik.
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Description:
Felt pen, pastel, gray paper
60,5 x 44,3
Lower right - P.A. 77.a.
One of Priidu Aavik's favorite subjects was the harbor with ships, cranes, and working people.
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Description:
Felt pen, chalk paper
23,1 x 20
Lower left - Abistajad I
Lower right – Priidu Aavik 82 a.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School "Pallas", in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Sepia, light brown paper
40 x 29,7
Lower left -
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 8,1
Lower right
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Description:
Pencil, colour pencil, cardboard
15,1 x 9
Lower right
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Description:
Colour lithography, paper
62,5 x 36,8
In the middle of the left - P. Aren
Peet Aren, an outstanding Estonian artist. In 1923, the "AGU" magazine was published and P. Aren made a poster for him.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Indian ink on paper
19,5 x 13,5
Lower right - P.Aren 29
Graduated from the St. Petersburg School of Art in 1913 – studios of N.Roerich, I.Bilibin and A. Rylov. From 1926 to 1930 Peet Aren had been teaching at the "Pallas" Art School. Emigrated in 1944 to Germany, then the U.S.A. Died in New York. At the end
of the 1910s and in the 1920s influenced by the Expressionism that can been seen in this design of a book-cover, too. P.Aren has designed a lot of books.
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Description:
Engraving, paper
13 õ 22,9
Lower left - Puugravüür, 39/100
Lower right- H.Arrak 1967
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Description:
Linocut, paper
Lm 29,2 x 23,6
Lower left - Vaade Toompeale, liinool
Lower right - H.Arrak 1977
Graphic designer, was born in 1930 in Tallinn. Studied at ERKI since 1957, graduated in 1963 with a degree in book graphics. The figurative status in the illustrations has emphasized the peculiarity of the drama and characters of the situation (R. Sirge "Earth and People").
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Description:
Woodcut, thicker paper
Lm 30 x 19,7
Lower left - Vesiveski Võhandu jõel.Puugravüür, 39/100
Lower right - H.Arrak 1979
Graphic designer, was born in 1930 in Tallinn. Studied at ERKI since 1957, graduated in 1963 with a degree in book graphics. The figurative status in the illustrations has emphasized the peculiarity of the drama and characters of the situation (R. Sirge "Earth and People").
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Description:
Linocut, paper
32 x 36,8
Lower left - Kaks kalurit. Linoollõige, 4/25
Lower right- H.Arrak 1961
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Description:
Linocut, paper
40,9 x 52,2
Lower left - Suured ja väiksed laevad Linoollõige
Lower right- H.Arrak 1963
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Description:
Ink, paper
19 x 14
Lower right - Gv Bochmann 6 ten April 87
Born in Nehatu manor. G. Von Bochmann studied in 1868-71 in Düsseldorf at the Academy of Arts and worked then in Düsseldorf as a liberal painter until 1895, when he became professor of academy. He is still very appreciated in Germany and in whole word as a master of Düsseldorf School. He has participated in most of exhibitions in Düsseldorf, Munich, Vienna, Dresden, and Berlin. He has lots of medals. Bochmann imaged on his paintings his homeland- Estonian’s motives, more than once foreground of forges, because he loved and was able to image horses and their movements. He possessed watercolors, what is also improved with this work. His works are represented in in Düsseldorf’s Museum of Art, Berlin National Gallery, Dresden Art Gallery, München New Pinotek, Tretjakov Gallery in Moskow, and Estonian Art Museum in Tallinn.
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs "Leningrad in days of blockade", "Moscow invincible", "Storm of Berlin".
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Description:
Linocut, paper
Km13,8 x 20,1
Lower left -PB
Paul Burman studied in Estonia in 1905 and 1906 (Ants Laikmaa`s studio), in Moscow in 1909 and 1910, in Riga in 1911, in Paris in 1912 and 1913.
Works of Paul Burman are very seldom available.
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Description:
Etching, paper
19,3 x 24,5
Lower left – E. Dücker.
Dücker was one of the first to cultivate etching work in Düsseldorf. This is Dücker's first known work in Estonia.
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Description:
Etching, paper
19,6 x 27,6
Lower left – E. Dücker.
Such simple landscapes are characteristic of the turn of the century, its symbolic aspirations. Here only the earth and the sky, as a trace of human activity - rails carrying carts. Despite its simplicity, seeming asceticism, the picture contains many beautiful nuances, it fascinates, as usual, the landscapes of Dücker, the accuracy of the transmission of light, the state of nature. This landscape helps to understand why Dücker as a professor was so prized by the students of the Düsseldorf Academy of Arts.
Eugen Gustav Dücker was born in Kuressaare and graduated from the St. Petersburg Academy of Arts in 1862. with a large gold medal. His dissertation is on permanent display at the Tretyakov Gallery in Moscow. From 1872 he was professor of landscape painting at the Düsseldorf Academy of Arts. Influenced by the impressionist painting in the open air, he was appreciated during his lifetime, but also now.
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Description:
Etching on paper
21,2 x 15,5
Lower right - E. E. 57
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Description:
Lithography, thin cardboard
27,5 x 22
Lower right - H. Eelma 83.
The graphic artist Herald Eelmaa studied at the ERKI from 1953 to 1959 and made illustrations for the first part of A.H. Tammsaar's novel Truth and Justice. After graduation, the artist devoted himself mainly to high-tech printmaking.
Until the beginning of the 1970s, he practiced mostly linoleum cut in free graphics, expanding the possibilities of expressing this technique in Estonian printmaking. The prevailing realistic realism in earlier works receded in the mid-1960s towards a more decorative approach (Flowering, 1968). The transition to drawing was revolutionized in creation, and the virtuosic drawing skills characterize most drawings of the 1970s.
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Description:
Charcoal on paper
38 õ 27
Lower right - E. Einmann 1951
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Charcoal on paper
52,2 x 39
Lower right - E. E.51
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Description:
Charcoal on paper
39 x 29
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38 x 26,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
52,8 x 37,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,5 x 36,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,8 x 44,3
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
57,2 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
54,1 x 37,9
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,2 x 34,6
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,5 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38,5 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1953
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Description:
Pencil on paper
63,5 x 43,5
Lower left - Ed. Einmann 1943
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Description:
Felt-tip pen, paper
32,4 x 46,6
Upper right - Ed. Einmann 1952
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Description:
Sangini, paber
40,4 x 28,9
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Description:
Charcoal, paper
49.8 x 35.3
Lower right - Eduard Einmann 1953.
Lower left - Selja jõe org Rutjal
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Description:
Watercolour, charcoal, paper
43 x 33,5
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Description:
Charcoal, paper
59,2 x 41
Lower right - MEinmann
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Description:
Colour lithography, paper
42,6 x 33,8
In the middle of the left - Eisvald
A. Eisvald-Ristimägi studied in 1921 A. Laikmaa, 1940/41. and 1942/43. During the school years, "Pallas" Art Schools (K. Mäe Higher Art School and Tartu Higher Visual Arts Courses). 1944 moved to sweden In the past, creativity was influenced by this expressionism. 1923 The "AGU" magazine, which has just begun to appear, is a well-crafted and rare publication.
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Description:
Graphics, paper
Lm 48 x 35,5
Km 30,1 x 32,3
Lower left - Ziema
On the centre - litograafija 3/100
Lower right - J. Elgerts -81
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Description:
Ink, paper
25,0 x 17,4
On the reverse - Margarete Fuks.1946
Illustratsioon lk.89.
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Description:
Watercolour, paper
28,7 x 19,1
On the reverse - The text confirming authorship. The textbook has not been published.
The aquarellist M.Fuks was born in 1921 in Leningrad, same year the family has moved to Estonia. The aquarellist. Has finished in 1935 in Tallinn начальую school. In 1940 –Comprehensive school graphic and an applied art on a specialty "Set dresser". 1940-41 it was trained at School of an applied art of J.Koort, and with 1942 for 43 of – pupil N.Mej and E.Haamer at the Tallinn School graphic and an applied art. Worked in Синди, Tallinn in Studio Myttus, 1944-83 – in"Ars". A member of the Union of Artists of Estonia with 1955. Has illustrated and has issued set of books for children and youth, and also textbooks, magazines and newspapers. Created posters, wrote city landscapes, still-lifes and portraits. In 1947 became the author of the sketch of a badge and a breastplate (together with A.Hojdre) the Holiday of a song First in the Estonian Soviet Socialist Republic.
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Description:
Engraving on wood, paper
23 x 30,5
Lower left - E v Gebhardt
Lower right – G. Heder&Kirmse X.A.
Lower in the centre - E. Von Gebhardt – Christus in Bethanien.
Eduard von Gebhardt, a professor of the Düsseldorf Academy of Arts, was born in the village of Järva-Jaani in Estonia. He reworked the style of German religious painting by visualising evangelistic scenarios in Lutheran surroundings. His works are also of substantial interest as paintings in themselves. This gorgeous, strongly and sappily modelled characteristic portrait of a person in a bright gown of the style dating back to the Reformation (16th century).
The painter Eduard von Gebhardt, studied in the St Petersburg Academy of Arts professor of Düsseldorf Academy, whose works of art have been compared to the great masters of renaissance.
Exhibitions: Tallinn, Berlin, Dusseldorf, Brussels, Dresden.
One can see the reproduction of this work in A.Rosenberg monography (1899 of page 88, repr. 87), and K.Griezi's monographies (1995. And 121).
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Description:
Lithograph, paper
34 x 60
Lower left - 11/200
Lower right - E. Haamer.
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Description:
Charcoal, paper
64,1 x 46
Lower left – Haamer
On the reverse - pihlakaoks kobaraga
Outstanding artist Erik Haamer has finished the Maximum Art School "Pallas" in 1935, under N.Triik's manual. Erik Haamer worked as the teacher painting, drawing and anatomy at the Tallinn School of an applied (1941-44). In 1944 has immigrated to Sweden where the most part of time, was the free artist. Wrote large figurative compositions, illustrated "Kalevipoeg". Works of the artist are available in many museums of the world
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Description:
Charcoal, paper
41,6 x 54,7
Lower right - E. H 66.
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Description:
Watercolour, Indian ink, paper
34,7 х 29,2
Lower left – RH Venedig
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Description:
Colour etching on paper
35,7 x 25,5
Lower right – RH
R. E. von Hoerschelmann was born in Tartu, a university professor of classical philology in the family, began his art studies at Tartu continued in Munich.
Hoerschelmann created as a writer, illustrator, cartoonist and graphic designer a versatile plant, Illustrations for about 40 books and magazines Simplicissimus, Die Jugend, Youth and Flying leaves , numerous wood and paper cutouts, watercolors and bookplates and poster designs . His drawings featuring a brisk, impressionistic stroke. The hitherto neglected art form the silhouette got through Hoerschelmann a new significance in the book illustration. The book illustrations Hoerschelmanns are influenced by different creative periods of the graphic artist Alfred Kubin, by Max Slevogt . With Kubin Hoerschelmann shared a penchant for fantasy .
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Description:
Engraving, paper
Lm 28,9 x 37,4; km 20 x 26,7
Lower left - monogramm
Lower right
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Description:
Sanguine, a paper
45 x 35
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Description:
Ink, pens, brushes, paper
51, 7 x 34
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Description:
Charcoal, paper
61,5 x 43,5
Lower right - R. Kaljo 62
Beautiful work of a famous woodcut.
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Linocut, paper
Lm 41,4 x 54
Km 30,5 x 43
The right - Richard Kaljo 63
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Description:
Charcoal, paper
53,3 x 38
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Description:
Charcoal, paper
70 x 50
Lower right- R. Kaljo 22IV60
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Description:
Charcoal, paper
69,5 x 49
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Description:
Charcoal, paper
69 x 49,5
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
70 x 49
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
71 x 49
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
70 x 49
Lower left - R. Kaljo 73
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Description:
Charcoal, paper
70 x 50
Lower left - R. Kaljo 73
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Description:
Charcoal, paper
53,3 x 38
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Description:
Charcoal, paper
60 x 41,5
Lower right - RKaljo
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Description:
Charcoal, paper
59 x 34,5
Lower left - III Rkaljo 62
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Description:
Charcoal, paper
59 x 34,5
Lower left - RKaljo
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Description:
Charcoal, paper
61 x 31
Lower right - RKaljo 62
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Description:
Charcoal, paper
53 x 37,5
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Description:
Charcoal, paper
53,8 x 38
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Description:
Charcoal, paper
59 x 41,5
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Description:
Charcoal, paper
59 x 41
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Description:
Engraving on wood, paper
Km 27 x 21
Lower right – RKaljo
Lower left - "Eeden" puugravüür 1967
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Engraving on wood, paper
Km 24,8 x 17,8
Lower right – RichКaljo
Lower left - “Lenin kõnelemas” puugravüür 1948
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Description:
Engraving on wood, paper
Km 24 x 23,5
Lower right – R.Кaljo -1942
Lower left - Tartu kivisild
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
61 x 43
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
46 x 62
Lower left – RKaljo 23.sept. 46. Bzhnis
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Engraving on wood, paper
25,5 x 32,5
Lower right – RKaljo
Lower left - Dessant Saaremale. puugravüür 1951
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Description:
Engraving on wood, paper
Km 24,2 x 18,3
Lower right – RKaljo 61
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
Work is fixed and reproduced in the catalogue of a personal exhibition of 1964 nr. Repr. 54
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Description:
Charcoal, paper
37,5 x 50
Lower right – RichKaljo 8.sept46
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Pencil, paper
29,3 x 45,7
Lower right – R.Кaljo 24.9.46
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Description:
Etching on paper
29,4 x 39,7
Lower left – Armeenia turul Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Linocut, paper
32,4 x 49,4
Lower left – Rünnakul Linoollõige 1945
Lower right - RichardКaljo
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Description:
Linocut, paper
36,6 x 51
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Description:
Linocut, paper
25 x 37
Lower right – RKaljo 63
Lower right on the plate - RK
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Description:
Etching on paper
32,1 x 41
Lower left – Suur ja väike Ararat Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Engraving on wood, paper
32,6 x 25,5
Lower left - proovitrükk 1950
Lower right – RichKaljo
A typical example in art, during the personality cult. The monument was in 1950, later the monument to Stalin was demolished, and a monument to the December 1 uprising was erected in front of the Baltic station. A small comic nuance, how different people look at the monument.
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Description:
Charcoal, paper
61 x 43
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Description:
Indian ink, paper
41, 4 × 55,7
Lower left – Sõjapõgenikud
Lower right – R.Кaljo 1966
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Description:
Etching on paper
32,9 x 24,6
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Description:
Etching on paper
21 x 28,6
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Description:
Engraving on wood, paper
Km 14,5 x 11,1
Lower right – RKaljo 1939
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
51 x 42
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
59,5 x 35
Lower left - RKaljo62
Richard Kaljo is one of the most virtuoso painters of the naked woman in Estonian art.
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Description:
Linocut, paper
29,5 x 22,9
Lower right – RichardКaljo - 1939
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Description:
Charcoal, paper
65 x 44,5
Lower left - RKaljo73
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Linocut, cardboard
32,4 x 49,4
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
34 x 45
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Description:
Graphics, paper
25.7 x 36.6
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
49 x 32
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Description:
Graphic, paper
34,5 x 45,5
Lower left – Täispurjes. (söövitus)
Lower right - Paul Kamm 1974
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Description:
Graphic, paper
26 x 35
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
46 x 30,5
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Description:
Graphic, paper
24,5 x 18
Lower left – Tuulik (söövitus)
Lower right - Paul Kamm
Paul Kamm known Estonian artist.
In 1953, Paul Kamm for the first time took part in an exhibition of amateur artists in the city of Kärdla. Years of work bore fruit and the artist was awarded the first prize. In 1961, the State Art Institute of the Estonian SSR took it under special control. His mentor was the famous graphic artist Olev Soans. In the same year, Paul Kamm was already in Moscow at the exhibition of amateur artists. There he received a diploma. In 1963 he became a member of the Union of Artists of the Estonian SSR.
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Description:
Graphics, paper
33,2 x 49,7
On the centre – Elukeskkond II. Kõrgtrükk
Lower right - Esta Kamsen 1982
E. Kamsen one of the 1980s emerged charts (she graduated from the Academy of Arts in 1977).
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Description:
Ink, paper
Lm 17,1 x30
Km 8,1 x 24,3
Lower right - Tervishoid ja kehakultuur
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Description:
Linocut, paper
25,9 x 34,1
Lower left - JK-79 "Lahemaa neet" (linool)
Lower right - J.Kangilaski 1979.
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Description:
Linocut, paper
28,8 x 34
Lower left - JK-70 "Viljandi järv" (linool)
Lower right - J.Kangilaski 1970.
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Description:
Two-color woodcut, paber
19,8 x 15,8
Lower right - Ott Kangilaski 40
Ott Kangilaski rarely painted portraits.
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Description:
Pencil, paper
Km 9,2 x 7,3
Satiric - humorous engravings are a separate page in the creation of a well - known graphic artist. In this work, the author smiles benevolently over the happiness of a young couple.
Ott Kangilaski graduated from the “Pallas” Art School in 1943, studio of Ado Vabbe, Aino Bach and Arkadi Laigo. Participated in exhibitions since 1929. Was awarded the “people’s artist” title in 1975. The artist is better known for graphic works.
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Description:
Etching, paper
Km 18,4 x 12,3
On the centre - Ott Kangilaski
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Description:
Lower left – AKasemaa
Lower right - 1966. a.
Kasemaa Andrus was born in 1941 in Tallinn. In 1962-1967 he studied at the Tartu Art School and the 1968-1972 years of the Academy of Arts. From 1974-1993 he headed the art department of the University of Tartu. In 1993-1995 he lived and worked in Australia. Since 1985 Kasemaa member of the Union of Artists.
Andrus Kasemaa known as a cartoonist, and in this area is the most powerful and original Estonian artists.
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Description:
Graphics, paper
23,2 x 58,5
Lower left - 14/25 Vasknõud
Lower right - Avo Keerend 1967
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Description:
Graphics, paper
20 x 18
Lower left - Tallinn. linool 1957.
Lower right - Avo Keerend
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| Article: 3664 |
(*) new work of art |
Description:
Linocut, paper
20,8 x 16,8
Lower right on the plate - AK 58
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
Graphic artist. In 1935–1941 studied at the State School of Art and Design, in 1940-41 at the State School of Applied Arts. Jaan Koorta, in 1941-43 at the Tallinn School of Fine and Applied Arts. Since 1947 he has been a member of the Union of Artists. Keerend is one of the most prominent and prolific Estonian graphic artists. Early work is characterized by an academic approach to nature and the use of engraving techniques. Since 1957, he began to cultivate the technique of engraving on linoleum. In the early 1960s, Keerend began creating geometric-constructive compositions.
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Description:
Graphics, paper
31 x 42
Lower right - Avo Keerend
Lower left - Tallinn Toomkirik. linool (1958).
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Description:
Etching, paper
Plm 15,4 x 19,5
Lower in the center
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Description:
Etching, paper
Plm 15,5 x 19,5
Lower in the center
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Description:
Ballpoint pen, paper
19 x 13,1
Lower left - EK. 15.XII 71.
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Description:
Linocut, paper
10,5 x 15
Lower left - Leesikmäe (linoleic plastic film)
Lower right - Ago Kivi 67
Ago Kiwi graduated from the State Art Institute in 1960, the graphics department. Then he graduated from training courses at Tallinn Pedagogical Institute.
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Description:
Linocut, paper
16,5 x 19,5
Lower left - 200- aastane Tartu Raekoda (plastikaatlinool)
Lower right - Ago Kivi -86
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Description:
Etching, paper
49,7 x 35,3
On the plate, lower right - 1934
Lower left - 1/112
Lower right - Koch Ernö
Ernö Koch graduated from the Hungarian Academy of Arts in 1921, then studied at the Leipzig Academy of Graphics and Books. In 1926 he came to Estonia and worked as a freelance artist in Tallinn. The works of Koch, of the Estonian period, consist mainly of urban works in Hungary, and from there to Bavaria. Since 1949 he lived in the United States. In America, Koch became a church interior designer, where he had many orders in Chicago, San Francisco, New York, as well as in Mexico and Canada.
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Description:
71 x 51
Graphics, paper
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Description:
Offset – litho, paper
78,5 x 58,5
Lower left – The Belly Dancer. Offset – litho 6/60 1970
Lower right - Endel Kõks
Endel Kõks – painter and graphic artist, student of Ado Vabbe, PALLAS Art School.
One of the most remarkable Estonian artists abroad. Kõks emigrated in 1944, but already at that time he was highly appreciated by art critics and connoisseurs. Endel Kõks traveled a lot and on the basis of the painted drawings, were made in the studio large-format colorful graphic sheets.Unfortunately works by Endel Kõks are rare in Estonia.
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Description:
Offset – litho, paper
44,7 x 61,8
Lower left – The Ram’s blower wailing-wall. Offset- litho 23/50 1972
Lower right - Endel Kõks
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Description:
Ink on paper
24 x18
"Of a Revolt A Jurje night 1343".
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Linocut, paper
lm 37,3 x 23,7
km 29.3 x 18,9
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
Lower left – Linoollõige
Lower centre – Vana Tallinn – (Kieck in de Kök)
Lower right - EKollom 62
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Òriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Woodcut, paper
21,5 x 30
Lower left - Harjumaa I 41/100
Lower right - EKollom 1968
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Woodcut, paper
14,8 x 23,2
Lower left - EKollom puugravüür
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Description:
Linocut, paper
lm 32,5 x 38,5
km 26 x 28
Lower left – Vana Tallinn. Tornide väljak.
Lower right - EKollom
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Description:
Woodcut, paper
km 24 x 26,5
Lower left – Puugravüür
Lower centre – Vana Tallinna panoraam
Lower right - EKollom 58
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Description:
Engraving on wood, paper
27 x 29,5
Lower centre – Tartu kivisild
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
Lower right - EKollom 37.a.
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Description:
Woodcut, paper
18,5 x 25,7
Lower left - Puugravüür – Tartu Riikliku Ülikooli Raamatukogu
Lower right - EKollom 1945.
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Description:
Black watercolour, paper
32,6 x 23,8
Lower right - EKollom 52.a.
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Тriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Charcoal and coloured chalk, a paper pasted on a cardboard
35 x 48,5
Lower right - F Koppel 1936
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Description:
a. 19 etudes from 16 to 17th century Russian ojaloo themed paintings.
pencil, paper 35,5 x 40
c. Three studies of women's fashion, the Biedermeier era
d. pencil, paper 43,7 x 31
Born in Tallinn, Kozakovskiy, he studied in 1871-73, at the Tallinn Huber Gymnasium (at T.A. Sprengel's studio). Then in the Petersburg Academy of Arts from 1880 to 1885. Received medals: in 1877 - a small and large incentive; In 1878 - a small incentive; In 1882 - 1 silver. In 1885 he graduated from the scientific course and was awarded the title of class artist of the third degree.
Since 1883, Sprengel lived in Tallinn. In the Art Museum of Estonia there is his landscape. There are also historical sketches (pencil drawings "The Episode of the Times of Ivan the Terrible" and "The Dying Prince" 1877).
In addition, two drawings made by A. Gusev
1) Reclining woman 1896. pencil, charcoal 23,2 x 17.9
2) The posthumous drawing of Johan Kohler 27 XII 1889 Pencil 17,8 x 21.7
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
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Description:
Ink on paper
22 x 20
Lower centre - WvK
On the reverse - label with the inventory numbers and data about the artist.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Etching, paper
44 x 44,5
Lower left - Järvesaar (ofort)
Lower right - Kuks 74.a.
Graphic artist Viive Kuks was born in Tallinn in 1951. Received her initial art education at the Tallinn Technical School of Light Industry with a degree in Artistic Design of Fabrics, from 1966 to 1970. In the same year, Kuks began studying graphics at Tallinn University of the Arts, where her main teacher was Evald Okas. In 1976 she graduated as a freelancer and moved to Võru. Viive Kuks is a member of the Union of Artists since 1984. She began to participate in exhibitions since 1977. The theme of Viive Kuks's works is nature and man (portraits), the artist created large-scale, detailed, realistic landscapes. In addition to graphic works (etching, drypoint), the artist also used pastels, watercolors and oil paintings.
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Description:
Two-color linocut, paper
30,1 x 21,1
Lower left – Müürivahe tänav (linool)
Lower right - T. Kulles 64.
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Coloured linocut, paper
34 x 28
Lower right - T. Kulles 1969.
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
24 x 28,5
Lower right – T. Kulles
Lower left "Järve rand" (linool)
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Description:
Linocut, paper
33 x 23,5
Lower right – T. Kulles 70
Lower left – "Hoov Vene tänavale"
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Description:
Colour lithograph, paper
26,5 x 35
Lower right - T. Kulles 64
Lower left - "Metsatukk" (lito)
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Description:
Linocut, paper
37 x 31
Lower right – T. Kulles
Lower left – Kiek in de kök.1958.
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Description:
Ink, gouache, paper
Lm 27,4 X 28
Km 22,9 X 24,5
Lower right
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Description:
Ink, paper
Lm 25 x 35
Lower right
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Description:
Chalk on paber
Lm 20,9 x 29,8
Km 17,5 x 24
Lower right T. Kulles – 62.
Lower left - Vaade Toompeale (kriit)
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Description:
Linocut, paper
35,5 x 26,5
Lower right – T. Kulles 70
Lower left – "Laboratooriumi tänav" (linool)
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Ink, gouache, paper
Lm 34,5 x 25,5
Km 28,8 x 21,5
Lower right
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Description:
Ink, gouache, paper
Lm 35,6 x 28
Km 28,8 x 22
Lower right
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Description:
Ink, gouache, paper
Lm 27, 3 x 37,2
Km 20,3 x 30,1
Lower right - T. Kulles - 64.
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Description:
Lithograph, Paper
42 x 60
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Description:
Linocut, paper
30 x 23
Lower right – T. Kulles 69
Lower left – "Rataskaevu tänav"
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Description:
Pencil, paper
Lm 37,5 x 26
Lower right 4 jaan 1958 TK
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Description:
Colour linocut on paper
27,5 x 38
Lower right – T. Kulles 64
Lower left – Tallinna vaade
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Description:
Linocut, paper
30,5 x 21
Lower right
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Description:
Linocut, paper
30 x 23
Lower right
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Description:
Charcoal, paper
21,6 x 27,4
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
35 x 48
Lower right – T. Kulles 60
Lower left – Vällämägi Lõuna - Etsti. (linool)
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Description:
Ink, gouache, paper
Lm 27,1 x 18,9
On the reverse - T. Kulles
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
Initial works to etchings Toivo Kulles.
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Description:
Etching, paper
23,9 x 28
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Lõuna- Eesti"
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Description:
Pencil, paper
14,5 x 19,5
Lower left - Kihnu saar
Lower right - A.Kütt 1957
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Description:
Graphic, paper
Lm 28 x 35
Lower right - A.Kütt 63.a.
Lower left - "Park"
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Description:
Graphic, paper
Lm 19,5 x 31
Lower right - A.Kütt
Lower left - "Siga"
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Talv"
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Description:
Color gravure, paper
27,2 x 21,8
Lower left - AP 2
Lower right - A Kütt
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| Article: 3663 |
(*) new work of art |
Description:
Colored linocut, paper
21 x 16,5
Lower left on the plate - AK 58
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Pencil, paper
24,4 x 17,6
Lower left - A Kütt
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Pencil, paper
24,5 x 33,9
Lower right – 1949
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Description:
Lithography, paper
40 x 27
Lower left – Litoograaf Jul. Männik
Lower right - Kütt
A rare portrait
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Description:
Lithography, paper
46,5 х 31,1
Upper left, images - Kütt 48
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Watercolor retouched lithography, paper
33,3 x 42,8
Lower right – Kütt Kütt II krs
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Description:
Aquatint, paper
46 x 60
Lower left - “Kiirus II” Akvatinta proov
Lower right - A.Kütt 79a.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Etching, paper
26,5 x 35
Lower right - A.Kütt 65 a.
Lower left - "Talu" (linool)
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Description:
Pencil, paper
25 x 23
Lower right - A.Kütt. 57 a
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Description:
Etching, paper
22 x 30
Lower right - A.Kütt 67 a.
Lower left - "Metsajärv" (linool)
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Description:
Ink on paper
14 x 11,9
Lower right - A.Kütt. 76
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Description:
Linocut, paper
17,4 x 25,5
Lower left - Saaremaa Linool
Lower right - A.Kütt 69
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Description:
Pencil, paper
20,4 x 14,6
Lower right - A.Kütt
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Description:
Etching, paper
18 x 24
Lower right - A.Kütt 64 a.
Lower left - "Otepää" (lito)
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Description:
Aquatint, paper
25 x 48,5
Lower left - "Süvendaja" (akvatinta)
Lower right - A.Kütt 62 a.
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Description:
Colour pencil, paper
27 x 39
Lower left - A.Kütt 61 a.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-color gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Colour pencil, paper
27 x 39
Lower right - A.Kütt 61 a.
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Description:
Colour pencil, paper
27 x 39
Lower right - A.Kütt 61 a.
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Description:
Colour pencil, paper
39 x 27
Lower right - A.Kütt 61 a.
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Description:
Graphic, paper
41 x 52
Lower right - A.Kütt 59a.
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Description:
Graphic, paper
41 x 52
Lower right - A.Kütt 60a.
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Description:
Pencil, paper
27 x 39
Lower right - A.Kütt 54.
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Description:
Engraving on paper
27x 39
Lower right - A.Kütt 65a.
Lower left - Põhjarannik. söövitus
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Description:
Etching, paper
29 x 32
Lower right - A.Kütt 60
Lower left - "Toila rand"(ofort)
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Description:
Brown pencil, paper
21 x 21
Lower left - A.Kütt.
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Description:
Graphics, paper
42 x 36
Lower right - A.Kütt 62 a.
Lower left - "Toompea" 18/20 (lito)
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Description:
Ink, pens, brushes, paper
19,9 x 27,8
Lower right – Osvald 60. 9pt.
Oswald Lääne one of the most talented Estonian artists.
For personal circumstances surrounding, Lääne could not finish Art School Pallas, where he studied for two years in the studio of A. Vardi. His works were exhibited at 13 art exhibitions.
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Description:
Watercolour, ink, paper
33,1 x 23,6
On the reverse - Märt Laarman. Noodikaas. 1945. "Eesti kiirjakunst"
Agraphic and painter, Myart Laarman was also occupied with teaching and literary work. In the twenties he studied at A.Laikmaa’s school, then continued his education during trips to Northern countries (Finland, Germany, Denmark and Sweden). Was a member of the Estonian Cubists and Constructivists Group, in the thirties he changed to rather realistic motifs.
Typical of his works is the laconic and decorative style in the use of colours and reserved lyrical interpretation.
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| Article: 3665 |
(*) new work of art |
Description:
Woodcut on paper
17,5 x 11,9
Lower on the right on the plate – ML
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
A very rare woodcut
Well-known graphic artist, painter pedagogue and writer Mart Laarman.
In 1920, A studied for a short time at the Laikmaa studio school. In the 1920s and 1930s, he improved himself on study trips in the Nordic countries (Finland, Germany, Denmark, Sweden). In the 1920s, the Estonian Artists Group were the most consistent developers and promoters of the cubist and constructivist trends. At the end of the 1930s, he began to treat motifs realistically. His works are characterized by austere and rather generalized decorativeness and color in the distribution of paintings on the surface, modest and restrained lyricism in the interpretation of images.
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Description:
Lino-cut, paper
20 x 15
A graphic and painter, Myart Laarman was also occupied with teaching and literary work. In the twenties he studied at A.Laikmaa’s school, then continued his education during trips to Northern countries (Finland, Germany, Denmark and Sweden). Was a member of the Estonian Cubists and Constructivists Group, in the thirties he changed to rather realistic motifs.
Typical of his works is the laconic and decorative style in the use of colours and reserved lyrical interpretation.
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Description:
Woodcut, paper
12,1 x 9,1
Lower right - Ark. Laigo-36
Woodcut reproduction in the catalog of personal exhibition Arcadio Laigo (Tartu 1961-62) nr.52; in the catalog Arcadio Laigo - Hando Mugasto (Tallinn 1982) № 61.
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Description:
Coloured woodcut on paper
19,5 x 16,5
Lower right - AL
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Description:
Engraving on wood, paper
16,0 x 21,1
Lower right - A.Laigo
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of a cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given ксилографии.
Works Laigo were recognized at domestic and foreign exhibitions. His(its) strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
15,9 x 21,1
Lower left- A.L
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given.
Works Laigo was recognized at domestic and foreign exhibitions. His(its) strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
16 x 21,1
Lower right - A.Laigo
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given.
Works Laigo was recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
32,7 x 24,5
Lower left – Ark. Laigo
Lower right - Natüürmort
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933.
Works Laigo were recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
15 x 19
Lower right - Arkadio Laigo-35
Laigo Arkadio studied painting in "Pallas" from 1922 to 1927,by N.Triik and P.Aren. In the first years the artist mainly painted compositions, still lives, landscapes. at first in the style of New Objectivity, later - influenced by the French late Cubism and Art Déco. His manner was quite refined, nevertheless he abandoned painting and chose xylography about 1933. He was the most outstanding wood engraver in the art of 1930s beside Hando Mugasto. In 1935 the artist, living in a little town Võru, edited the portfolio "Xylographs" . The present print derives from the portfolio, the mature example oh his vigorous style in this kind of art, reflecting the common interest of "Pallas" school in the suburban life.
i
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Description:
Woodcut on paper
19,5 x 16,5
Lower right - AL
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of a cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933.
Works Laigo were recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
16 x 21
Lower right - ALaigo 36
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Description:
Engraving on wood, paper
Lm 22,8 x 30,1
Lower left
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Description:
Linocut, paper
38,3 x 28,4
Lower left – Kassari (linool)
Lower right - H. Laretei 1963.
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Description:
Linocut, paper
44, 9 x 31,7
Lower left – Mees suure kalaga (linool)
Lower right - H. Laretei 1965.
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| Article: 3662 |
(*) new work of art |
Description:
Linocut, paper
16,1 x 22,3
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
Heldur Laretej is an Estonian graphic artist and book illustrator.
Heldur Laretej studied with Paul Luhtein and Evald Okas at the Faculty of Graphic Arts of the Estonian State Institute of Art, from which he graduated with Peeter Ulas, Gerald Elma, Sylvia Luiberg and Olav Maran in 1959. Laretheus' dissertation was represented by a series of woodcuts for Shakespeare's Hamlet. In the 1960s and 1970s free graphics were cultivated in Estonia.
Heldur Laretey is known as a book graphic artist who illustrated about fifty books.
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Description:
Serigrafia, paper
37 x 27
Lower left - Vilivere maastik. Serigraafia 17/32
Lower right - M. Leis 1987.a
Studied at the Estonian State Art Institute in 1961 – 1967. Malle Leis is a popular Estonian painter due to her unique flower pieces. Hers is the beautiful world of green valleys, rainbows, fruit, children and horses. Her works can be found in museums in Poland, Hungary, USA., and Russia. Two paintings were sold at Sotheby's.
One of known Estonian artists Malle Leis has made and a lot of fine, in unique creation serigrafia in what her extreme decorative talent also is shown. Serigrafia are executed very much in small circulations.
Outstanding achievements
In 1979, the Moscow publisher Sovetski Hudožnik released the album "Malle Leis. Flowers and Rainbow 'with a print run of 33,000.
Art Publishers in 1988 gave out Evi Pihlak book "Malle Leis. Painting , serigraphy , watercolor 'with print number 15,000.
Estonian TV ready in 1980. Peter Urbla documentary "Malle Leis. Võru County IX ”.
Between 1982 and 2003, Malle Leis was a member of the British Society of Botanical Artists (SBA), the only one in Eastern Europe.
In 1988, two paintings by Malle Leis were sold at the world's most prestigious auction company Sotheby 's. Leis is the only artist living in Estonia whose land has been sold there.
In 1989, a 60-person personal exhibition of Leisi took place in Pennsylvania , USA . Obviously, this is the biggest exhibition of an artist from Estonia that has been in the USA. Exhibition
Malle Leis has had five personal exhibitions in the US, including a museum exhibition in New York at the Nikolai Roerich Museum.
The work of Malle Leis has been purchased by 14 museums.
Malle Leis has a total of 52 personal exhibitions.
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Description:
Coloured graphics, paper
21 x 10,2
Lower right
Recognized theatre costume designer and creator of floral compositions. In emigration circles Silvia Leitu was widely known as a distinguished master of watercolours. Works by Silvia Leitu are original in style and of high artistic value.
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Description:
Coloured graphics, paper
20,9 x 10
On the reverse - Silvia Leitu Akvarellskiss Folkdräkt frän Jämtland
Recognized theatre costume designer and creator of floral compositions. In emigration circles Silvia Leitu was widely known as a distinguished master of watercolours. Works by Silvia Leitu are original in style and of high artistic value.
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Description:
Coloured graphics, paper
20,9 x 10,1
Lower left – Sleitu
Upper right - Harjumaa – Hageri
Recognized theatre costume designer and creator of floral compositions. In emigration circles Silvia Leitu was widely known as a distinguished master of watercolours. Works by Silvia Leitu are original in style and of high artistic value.
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Description:
Lithograph, watercolour, paper
Vm 59 x 20,5
Lower right - Silvia Leitu
Lower left - 260/500
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Description:
Lithograph, watercolour, paper
Vm 59 x 20,5
Lower right - Silvia Leitu
Lower left - 421/500
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Description:
Pencil, paper
50,5 x 35
The date is based on the artist's sketches for the 1947 Grandfather's "Oath mosaic", made on the same paper, in the same format, in the same style and technique. The opera "Eugene Onegin" was staged several times in Estonia in the post-war years.
Valli Lember-Bogatkina is one of the most famous Estonian watercolorists, as well as one of the most prominent artists of decorative and monumental painting.
Valli Lember-Bogatkina graduated from the State School of Art and Design in 1940 under Roman Nyman, Erik Haamer and August Jansen with a degree in decorative and monumental painting.
From 1940 to 1941 she worked for the architect Meyer as an interior designer, mainly painting imitations of glass and mosaics. In 1941 she continued her studies at the Tallinn Art University, while working for the decorator Voldemar Haas at the Estonian Theater and as a decorator at Plaza Variety. In 1942, at the invitation of the sculptor Anton Starkopf, she entered the Higher Courses of Fine Arts in Tartu. In the same place, Lember-Bogatkina performed for the first time with her watercolors, at the autumn exhibition.
In 1943 she returned to Tallinn, where she began working at the Applied Art Studio.
Member of the Union of Artists since 1944. In 1949 she married the artist Vladimir Bogatkin.
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Description:
Pencil, paper
50 x 36
Lower right - V Lember 1947
Valli Lember-Bogatkina is one of the most famous Estonian watercolorists, as well as one of the most prominent artists of decorative and monumental painting.
Valli Lember-Bogatkina graduated from the State School of Art and Design in 1940 under Roman Nyman, Erik Haamer and August Jansen with a degree in decorative and monumental painting.
From 1940 to 1941 she worked for the architect Meyer as an interior designer, mainly painting imitations of glass and mosaics. In 1941 she continued her studies at the Tallinn Art University, while working for the decorator Voldemar Haas at the Estonian Theater and as a decorator at Plaza Variety. In 1942, at the invitation of the sculptor Anton Starkopf, she entered the Higher Courses of Fine Arts in Tartu. In the same place, Lember-Bogatkina performed for the first time with her watercolors, at the autumn exhibition.
In 1943 she returned to Tallinn, where she began working at the Applied Art Studio.
Member of the Union of Artists since 1944. In 1949 she married the artist Vladimir Bogatkin.
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Description:
Pencil, paper
50 x 38,7
Lower right - V Lember 1947
Valli Lember-Bogatkina is one of the most famous Estonian watercolorists, as well as one of the most prominent artists of decorative and monumental painting.
Valli Lember-Bogatkina graduated from the State School of Art and Design in 1940 under Roman Nyman, Erik Haamer and August Jansen with a degree in decorative and monumental painting.
From 1940 to 1941 she worked for the architect Meyer as an interior designer, mainly painting imitations of glass and mosaics. In 1941 she continued her studies at the Tallinn Art University, while working for the decorator Voldemar Haas at the Estonian Theater and as a decorator at Plaza Variety. In 1942, at the invitation of the sculptor Anton Starkopf, she entered the Higher Courses of Fine Arts in Tartu. In the same place, Lember-Bogatkina performed for the first time with her watercolors, at the autumn exhibition.
In 1943 she returned to Tallinn, where she began working at the Applied Art Studio.
Member of the Union of Artists since 1944. In 1949 she married the artist Vladimir Bogatkin.
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Description:
Pencil, paper
50 x 39
Lower right - V Lember 1947
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Description:
Pencil, paper
50 x 33,7
Lower right - V Lember 1947
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Description:
Pencil, paper
50 x 40
Lower right - V Lember 1947
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Description:
Pencil, paper
50 x 40
Lower right - V Lember 1947
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Description:
Pencil, paper
28,7 x 20,2
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Description:
Aquatint, paper
35 x 51
Lowe right - Esko Lepp
Lower left -"Vetepiiril" akvatinta 1971
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Description:
Ink on paper
23,9 х 13,8
Lower right - EL 61
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Description:
Ink on paper
28,7 x 20,3
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Description:
Engraving, paper
Lm 36 x 48,6; km 27 x 39,8
Lower left – "Metsaserv" linoollõige 1967 12/50
Left right - Esko Lepp
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Description:
Engraving on wood, paper
27,5 x 32
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Description:
Aquatint, paper
27 x 33
Lowe right - Esko Lepp
Lower left - "Rannavaade" akvatinta 1970 1/50
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Description:
Aquatint, paper
32 x 40
Lower left - "Rannavaade" akvatinta 1970 18/50
Lowe right - Esko Lepp
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Description:
Aquatint, paper
29 x 31
Lowe right - Esko Lepp
Lower left - Marjulised Akvatinta 1955
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