| Dmitri Dobrovolsky 55! |
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Dear art lovers! You are invited to our new exhibition dedicated to the 55th anniversary of the famous Ukrainian artist Dmitry Dobrovolsky. The exhibition is open from 10.04 to 05.05. Mon-Fri 10-18
Saturday by arrangement, tel. 5159196
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| Information by phone 5159196 |
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Dear Clients
Due to restrictions related to Covid 19, We work by prior arrangement.
Information by phone 5159196
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - PA 64.
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Description:
Black felt-tip pen, paper
44 x 60
Lower right - P.A. 77.a.
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - PA 64.
During his career on the basis of the Atlantic fishing fleet, P. Aavik reached the coast of Africa. The ship "Paranu" was not given a "city ticket" for sailors, therefore, among the artist's numerous traveling paintings, there are only 4 African motifs. These exotic motifs were quite rare in Estonian art of the time.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Brown felt pen, paper
49,4 x 64,7
Lower left - Kohtla - Järve
Lower right - P.A.. 66.a.
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Description:
Colored chalk, paper
44,4 x 60,4
Lower left - P.Aavik. 68 Lohusalu
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Description:
Brown felt pen, paper
44,4 x 60
Lower right - Priidu Aavik 64. Nigeria
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Description:
Brown felt pen, paper
42,8 x 60
Lower right - Priidu Aavik 64. Nigeria
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Description:
Felt pen, chalk paper
23,1 x 20
Lower left - Rannakividel
Lower right – Priidu Aavik 82 a.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Black (grey) felt-tip pen, paper
60x44
Lower right - P.A. 77.a.
One of Priidu Aavik's favorite subjects was the harbor with ships, cranes, and working people.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Light brown felt-tip pen, paper
44 x 60
Lower right - P.A. 77.a.
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Description:
Brown felt pen, paper
42,2 x 52,7
Lower right - P.Aavik. 65 Rootsi rannik.
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Description:
Felt pen, pastel, gray paper
60,5 x 44,3
Lower right - P.A. 77.a.
One of Priidu Aavik's favorite subjects was the harbor with ships, cranes, and working people.
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Description:
Felt pen, chalk paper
23,1 x 20
Lower left - Abistajad I
Lower right – Priidu Aavik 82 a.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School "Pallas", in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Sepia, light brown paper
40 x 29,7
Lower left -
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 8,1
Lower right
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Description:
Pencil, colour pencil, cardboard
15,1 x 9
Lower right
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Description:
Etching, aquatint, paper
34,8 x 25,1
Lower left – На темы старофранцузского фабио II "О соколе "
Lower right - офорт акв Е. Антимонова
Jelena Antimonova - outstanding graphic artist and water-colour painter. In 1971 graduated from Latvian Academy of Arts, Department of Painting. Seascape painter E.Kalninsh was her diploma work supervisor, she studied serigraphy at the graphiс artist Joseph Elgurt. In 1976, she was accepted to the Latvian Union of Artists.
Jelena Antimonova participated in exhibitions from 1969 and held personal exhibitions in Riga, (1974,1982,1990,1991,1992,1993), Tartu (1978), Poland (1978), Jurmala (1983, 1986), Venice (1991). Antimonova's works are known in Switzerland, Finland, Japan, Germany, Denmark, France.
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Description:
Steel engraving, paper
Lm 15,6 x 23. Km 11,5 x 17,3.
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Description:
Colour lithography, paper
62,5 x 36,8
In the middle of the left - P. Aren
Peet Aren, an outstanding Estonian artist. In 1923, the "AGU" magazine was published and P. Aren made a poster for him.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Indian ink on paper
19,5 x 13,5
Lower right - P.Aren 29
Graduated from the St. Petersburg School of Art in 1913 – studios of N.Roerich, I.Bilibin and A. Rylov. From 1926 to 1930 Peet Aren had been teaching at the "Pallas" Art School. Emigrated in 1944 to Germany, then the U.S.A. Died in New York. At the end
of the 1910s and in the 1920s influenced by the Expressionism that can been seen in this design of a book-cover, too. P.Aren has designed a lot of books.
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Description:
Engraving, paper
13 õ 22,9
Lower left - Puugravüür, 39/100
Lower right- H.Arrak 1967
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Description:
Linocut, paper
Lm 29,2 x 23,6
Lower left - Vaade Toompeale, liinool
Lower right - H.Arrak 1977
Graphic designer, was born in 1930 in Tallinn. Studied at ERKI since 1957, graduated in 1963 with a degree in book graphics. The figurative status in the illustrations has emphasized the peculiarity of the drama and characters of the situation (R. Sirge "Earth and People").
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Description:
Woodcut, thicker paper
Lm 30 x 19,7
Lower left - Vesiveski Võhandu jõel.Puugravüür, 39/100
Lower right - H.Arrak 1979
Graphic designer, was born in 1930 in Tallinn. Studied at ERKI since 1957, graduated in 1963 with a degree in book graphics. The figurative status in the illustrations has emphasized the peculiarity of the drama and characters of the situation (R. Sirge "Earth and People").
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Description:
Линогравюра, бумага
45 x 61,7
Lower left - Torso Linoolõige AT
Lower right - H.Arrak 1968
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Description:
Linocut, paper
32 x 36,8
Lower left - Kaks kalurit. Linoollõige, 4/25
Lower right- H.Arrak 1961
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Description:
Linocut, paper
40,9 x 52,2
Lower left - Suured ja väiksed laevad Linoollõige
Lower right- H.Arrak 1963
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Description:
Graphics, thick paper
64.8x50
Lower right - Bachmann 40/90
Hermann Bachmann was a gifted and virtuoso painter, repeatedly stylized as a painter for artists. This is understandable given his great respect among friends and fellow artists.
Hermann Bachmann was born in 1922 to the sculptor and painter Hermann Bachmann. Between 1936 and 1941 he studied at the College of Applied Arts in Offenbach am Main. In addition to his studies, he took private drawing and painting lessons from the artist Otto Fischer-Lamberg. From 1949 he was in contact with the artists Max Pechstein and Karl Hofer. In 1952, his work was shown for the first time in Berlin, and so he decided to move there in 1953. In 1957 he received the Berlin Art Prize. In the same year he began teaching at the Hochschule für Bildende Künste in Berlin, where he received the title of professor in 1961.
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Description:
Brown, gray sepia, paper
30 x 37,1
Lower centre - sehr schönes Original von Baron von Stengel nr. 14
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Description:
Ink, paper
19 x 14
Lower right - Gv Bochmann 6 ten April 87
Born in Nehatu manor. G. Von Bochmann studied in 1868-71 in Düsseldorf at the Academy of Arts and worked then in Düsseldorf as a liberal painter until 1895, when he became professor of academy. He is still very appreciated in Germany and in whole word as a master of Düsseldorf School. He has participated in most of exhibitions in Düsseldorf, Munich, Vienna, Dresden, and Berlin. He has lots of medals. Bochmann imaged on his paintings his homeland- Estonian’s motives, more than once foreground of forges, because he loved and was able to image horses and their movements. He possessed watercolors, what is also improved with this work. His works are represented in in Düsseldorf’s Museum of Art, Berlin National Gallery, Dresden Art Gallery, München New Pinotek, Tretjakov Gallery in Moskow, and Estonian Art Museum in Tallinn.
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Description:
Lithography, paper
64,2 x 46,3
Lower right - V. Bogatkin
1945 - 47. During the years, a documentary lithographic cycle was completed from the front line of the Soviet troops to Berlin.
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs « Leningrad in days of blockade », "Moscow invincible"-"Storm of Berlin".
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs "Leningrad in days of blockade", "Moscow invincible", "Storm of Berlin".
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Description:
Graphic, aquatint, paper
28 x 52
Lower in the centre, on the plate -MOSCOW Publish`d by R.Bowyer, Pall Mall, 1814.
Published by R. Bowyer in his book "An Ilustrated Record of Important Events in the Annals of Europe, during the Jears 1812, 1813, 1814 & 1815: Comprising a Series of Views of Paris, Moscow, the Krermlin, Dresden, Berlin, the Battles of Leipsic, etc. Etc.together with a History of Those Momentuous Transactions."
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Description:
Lithograph, Paper
67 x 50
Upper in the centre - Bernard Buffet 57
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Description:
Linocut, paper
Km13,8 x 20,1
Lower left -PB
Paul Burman studied in Estonia in 1905 and 1906 (Ants Laikmaa`s studio), in Moscow in 1909 and 1910, in Riga in 1911, in Paris in 1912 and 1913.
Works of Paul Burman are very seldom available.
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Description:
Lithograph, paper
28,7 x 42
Lower right on the plate – A. Calame f
Upper centre – Lower centre – Etudes progressives
Lower centre - Nr. 31 Imp. Lith Cattier rue de Lancry. 12
Lower left – Paris. Jeannin Place du Louvre.20
Lower right - Eoupil et Vibert, B. Montmartre. 15 et m. de Lancry.7.
Among the most celebrated Swiss landscape painters of the 19th century, Alexander Calame made a particular speciality of Alpine mountain scenes. Despite losing his right eye as a child, he was determined to make a career as an artist, and studied with the landscapist François Diday between 1829 and 1832. From 1828 he began producing vues pittoresques suisses in gouache, intended for sale as autonomous works of art, which allowed him a measure of financial independence. He first came to the attention of French collectors and connoisseurs at the Salon of 1839, where he exhibited a view set in the Bernese Oberland, entitled A Thunderstorm in Handeck. The painting was a great success in Paris, and was purchased by public subscription by the city of Geneva for the Musée Rath. At the Salon two years later one of his paintings, a View of the Valley of Ansasca, was purchased by the King, Louis-Philippe. By this time Calame’s success was assured. His paintings, worked up from oil sketches and drawings made sur le motif, were in great demand, and were purchased by collectors throughout Europe, and particularly in Russia. In 1854 he published a number of landscape drawings and studies in lithographic form as Leçons de dessin appliqué au paysage.
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Description:
Sepia, ink, paper (XVIII century).
15,6 x 19,9
On the reverse Record started XX centuries - Canaletto, from collection Oldekopp.
Oldekopp was the most serious collector in Estonia at the end of XIX beginning of XX century.
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Description:
Colour lithography, paper
39 x 64
Lower right - H.C. 11
German artist - animal painter. He worked in Germany and Russia.
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Description:
Colour lithography, paper
39 x 64
Bottom left - H.C. 11
German artist - animal painter. He worked in Germany and Russia.
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Description:
Colour ithography, paper
48 x 62
Lower right - H.C. 12
German artist - animal painter. He worked in Germany and Russia.
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Description:
Colour ithography, paper
48 x 62
Lower right - H.C.
German artist - animal painter. He worked in Germany and Russia.
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Description:
Coloured lithography, paper
58 х 44,5
Lower right - Dali
Lower left - 290/300
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Description:
Lithograph, Japanese paper
75,5 x 54
Lower a pencil - XVII / L
Lower right a pencil - Dali
Upper right - Dali's calligraphic signature
Valuable authentic work of interesting shape. Dalí's cycle is inspired by the novel Gargantua et Pantagruel by the French writer of the 16th century Francois Rabelais. The black and white lithographic series was printed in 50 copies.
Series "Mischievous Dreams of Pantagruel" - the most limited edition - 50 copies, signed and numbered personally by Dali.
"Mischievous Dreams of Pantagruel", published in 1973, is considered one of the best series among all the works of Dali-graphic artist.
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Description:
Coloured woodcut, paper
32,8 x 26,3
Lower n the centre - Dali
In the early 1950's, the Italian government commissioned Dali to illustrate a special commemorative edition of The Divine Comedy in honour of the upcoming 700th anniversary of Dante's birth. Dali was selected despite the controversy at the time over the choice of a Spanish artist to illustrate the work of Italy's greatest poet. What fascinated Dali most about Dante was his "angelic vision of being" and the "cosmic" side of God, invisible to humans, but reflected on the face of angels. Dali's illustrations apply his own extraordinary sense of analytic realism to the supernatural visions described by Dante. Dali's interpretation of Dante's work emphasises the many influences in the artist's life: from Giorgio de Chirico to the Dadaist movement, with traces of modern psychology, philosophy and aesthetics. The 100 illustrations were created originally as watercolours, and later turned into wood engravings.
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Description:
Colour lithography, etching, paper
40,5 x 56,6
Lower left – 63/195
Lower right – Dali (in pencil)
On the centre - Spoon on crutches
The work of Salvador Dali (1904-1989) is associated with the surrealist movement of the 20th Century. A diverse and multi-talented artist, Dali is considered one of the most collected artists today, and his works offer an incredible opportunity for enormous appreciation in value. Many of his works are held in prestigious museums, private and public collections around the world.
The German publishing house Taschen released the legendary book with recipes and illustrations by Salvador Dali in 1971.
136 recipes with illustrations by the author are collected in 12 sections.
Dalí’s subtle combination of a mermaid with a fish head is an illustration for an entrée in the cookbook. The artist’s original conception of this idea dates back to the “Dream of Venus” pavilion constructed during the 1939 World’s Fair. Dalí proposed that for the outside of the pavilion a colossal reproduction of Botticelli’s The Birth of Venus be installed. Dalí stipulation was that Venus’ head would be replaced with that of a fish head on the classic representation of ideal beauty.
The book Les Diners de Gala is dedicated to Dali's wife and muse Gala. By the way, as a child, a famous artist wanted to become a cook.
https://theartofplating.com/news/les-diners-de-gala-salvador-dalis-rare-surrealist-cookbook/
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Description:
Steel engraving, paper
Lm 19,7 x 29,5. Km 10 x 15,4
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Description:
Steel engraving, paper
Lm 19,8 x 29,5.Km 10,1 x 14,7
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Description:
Etching, copperplate engraving, paper
39,8 x 28,8
Lower on the right, on a plate - J.Daulle Sc.
Lower on the left, on a plate - Rembrandt Pinx
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Description:
Steel engraving, paper
Lm 15,4 x 23.Km 9,5 x 15,7
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Description:
Steel engraving, paper
Lm 19,4 x 29,8. Km 9,5 x 14,6
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Description:
Steel engraving, paper
Lm 19 x 28,8. Km 10,3 x 15,4.
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Description:
Etching, paper
19,3 x 24,5
Lower left – E. Dücker.
Dücker was one of the first to cultivate etching work in Düsseldorf. This is Dücker's first known work in Estonia.
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Description:
Etching, paper
19,6 x 27,6
Lower left – E. Dücker.
Such simple landscapes are characteristic of the turn of the century, its symbolic aspirations. Here only the earth and the sky, as a trace of human activity - rails carrying carts. Despite its simplicity, seeming asceticism, the picture contains many beautiful nuances, it fascinates, as usual, the landscapes of Dücker, the accuracy of the transmission of light, the state of nature. This landscape helps to understand why Dücker as a professor was so prized by the students of the Düsseldorf Academy of Arts.
Eugen Gustav Dücker was born in Kuressaare and graduated from the St. Petersburg Academy of Arts in 1862. with a large gold medal. His dissertation is on permanent display at the Tretyakov Gallery in Moscow. From 1872 he was professor of landscape painting at the Düsseldorf Academy of Arts. Influenced by the impressionist painting in the open air, he was appreciated during his lifetime, but also now.
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Description:
Lithograph, Paper
54 х 40
Lower right of the plate - Raoul Dufy
Raoul Dufy - French painter, graphic artist, decorator. Born 1877 and died 1953 in France. He got education in Paris Fine Arts School. The impressionist`s paintings were very close to his creative works. In 1906 was organized the first personal artist's exhibition, where he met the painter Anry Matis. The last one used in his paintings only bright, clean colors and sharp contours. The same lines were characterized to Dufy`s works in 1906-1909. The artist has not his own style until the 1920's, only later he has worked it out. His latest creative period painting style was called "scenagraphical". His water-colours and oil paintings presented the manners picture of the artist lifetime.
Dufy was a well-known and talented illustrator, the master of Decorative applied art- and monumental paintings.
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Description:
Etching on paper
21,2 x 15,5
Lower right - E. E. 57
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Description:
Lithography, thin cardboard
27,5 x 22
Lower right - H. Eelma 83.
The graphic artist Herald Eelmaa studied at the ERKI from 1953 to 1959 and made illustrations for the first part of A.H. Tammsaar's novel Truth and Justice. After graduation, the artist devoted himself mainly to high-tech printmaking.
Until the beginning of the 1970s, he practiced mostly linoleum cut in free graphics, expanding the possibilities of expressing this technique in Estonian printmaking. The prevailing realistic realism in earlier works receded in the mid-1960s towards a more decorative approach (Flowering, 1968). The transition to drawing was revolutionized in creation, and the virtuosic drawing skills characterize most drawings of the 1970s.
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Description:
Lithography, paper
59,5 x 43
On the lower left plate - E.Einmann 1945
Printed lower left - E. Einmann
Printed on the lower right - Estonian girl
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Charcoal on paper
38 õ 27
Lower right - E. Einmann 1951
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Charcoal on paper
52,2 x 39
Lower right - E. E.51
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Description:
Charcoal on paper
39 x 29
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38 x 26,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
52,8 x 37,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,5 x 36,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,8 x 44,3
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
57,2 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
54,1 x 37,9
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,2 x 34,6
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,5 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38,5 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1953
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Description:
Pencil on paper
63,5 x 43,5
Lower left - Ed. Einmann 1943
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Description:
Felt-tip pen, paper
32,4 x 46,6
Upper right - Ed. Einmann 1952
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Description:
Sangini, paber
40,4 x 28,9
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Description:
Charcoal, paper
49.8 x 35.3
Lower right - Eduard Einmann 1953.
Lower left - Selja jõe org Rutjal
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Description:
Watercolour, charcoal, paper
43 x 33,5
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Description:
Charcoal, paper
59,2 x 41
Lower right - MEinmann
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Description:
Colour lithography, paper
42,6 x 33,8
In the middle of the left - Eisvald
A. Eisvald-Ristimägi studied in 1921 A. Laikmaa, 1940/41. and 1942/43. During the school years, "Pallas" Art Schools (K. Mäe Higher Art School and Tartu Higher Visual Arts Courses). 1944 moved to sweden In the past, creativity was influenced by this expressionism. 1923 The "AGU" magazine, which has just begun to appear, is a well-crafted and rare publication.
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Description:
Graphics, paper
Lm 48 x 35,5
Km 30,1 x 32,3
Lower left - Ziema
On the centre - litograafija 3/100
Lower right - J. Elgerts -81
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Description:
Lithograph on paper
64 x 85
Lower left
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 29
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 30
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 21
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Lithograph on paper
97, 5 х 71,5
Lower left – 14/250
Lower right - Ernst Fuchs.
Ernst Fuchs is an Austrian artist famous as a co-founder of the Vienna School of Fantastic Realism and mastering and teaching the Mischtechnik to others. Many other artists have studied under and have been influenced by him and his work.
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Description:
Ink, paper
25,0 x 17,4
On the reverse - Margarete Fuks.1946
Illustratsioon lk.89.
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Description:
Watercolour, paper
28,7 x 19,1
On the reverse - The text confirming authorship. The textbook has not been published.
The aquarellist M.Fuks was born in 1921 in Leningrad, same year the family has moved to Estonia. The aquarellist. Has finished in 1935 in Tallinn начальую school. In 1940 –Comprehensive school graphic and an applied art on a specialty "Set dresser". 1940-41 it was trained at School of an applied art of J.Koort, and with 1942 for 43 of – pupil N.Mej and E.Haamer at the Tallinn School graphic and an applied art. Worked in Синди, Tallinn in Studio Myttus, 1944-83 – in"Ars". A member of the Union of Artists of Estonia with 1955. Has illustrated and has issued set of books for children and youth, and also textbooks, magazines and newspapers. Created posters, wrote city landscapes, still-lifes and portraits. In 1947 became the author of the sketch of a badge and a breastplate (together with A.Hojdre) the Holiday of a song First in the Estonian Soviet Socialist Republic.
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Description:
Engraving on wood, paper
23 x 30,5
Lower left - E v Gebhardt
Lower right – G. Heder&Kirmse X.A.
Lower in the centre - E. Von Gebhardt – Christus in Bethanien.
Eduard von Gebhardt, a professor of the Düsseldorf Academy of Arts, was born in the village of Järva-Jaani in Estonia. He reworked the style of German religious painting by visualising evangelistic scenarios in Lutheran surroundings. His works are also of substantial interest as paintings in themselves. This gorgeous, strongly and sappily modelled characteristic portrait of a person in a bright gown of the style dating back to the Reformation (16th century).
The painter Eduard von Gebhardt, studied in the St Petersburg Academy of Arts professor of Düsseldorf Academy, whose works of art have been compared to the great masters of renaissance.
Exhibitions: Tallinn, Berlin, Dusseldorf, Brussels, Dresden.
One can see the reproduction of this work in A.Rosenberg monography (1899 of page 88, repr. 87), and K.Griezi's monographies (1995. And 121).
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Description:
Lithograph, paper
34 x 60
Lower left - 11/200
Lower right - E. Haamer.
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Description:
Charcoal, paper
64,1 x 46
Lower left – Haamer
On the reverse - pihlakaoks kobaraga
Outstanding artist Erik Haamer has finished the Maximum Art School "Pallas" in 1935, under N.Triik's manual. Erik Haamer worked as the teacher painting, drawing and anatomy at the Tallinn School of an applied (1941-44). In 1944 has immigrated to Sweden where the most part of time, was the free artist. Wrote large figurative compositions, illustrated "Kalevipoeg". Works of the artist are available in many museums of the world
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Description:
Charcoal, paper
41,6 x 54,7
Lower right - E. H 66.
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Description:
Lithograph painted by a water color, a paper
Km 27,1 x 38,7
Lower left - Disegnano Lago di Garda Oct 1834 JDN
Harding was born at Deptford in 1798, the son of a drawing-master who had been a pupil of Paul Sandby. He was taught perspective by his father and had lessons from Samuel Prout. At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy.
He was apprenticed to the engraver Charles Pye, but left him after only a year to concentrate on painting watercolours, and when he was 18 he was awarded a silver medal by the Society of Arts. In 1818 he showed with the Society of Painters in Watercolours, (known as the "Old Watercolour Society or OWCS from 1831) for first time. He was to contribute to its exhibitions for the rest of his life. He was elected an associate of the society in 1820 and a full member in 1821. In 1843 he took up oil painting, and exhibited many landscapes in that medium at the Royal Academy. In 1847 he resigned his membership of the OWCS , hoping to be elected a member of the academy; but, after nine years without success, he withdrew his candidature, and was re-elected to the OWCS.
From an early on in his career Harding was a successful and popular teacher. When lithography became popular in Britain, he quickly adopted it as a means of reproducing good examples for the use of pupils and students. His first productions were drawing-books, consisting of pencil sketches and studies of trees; they were printed in tints with two stones, allowing the reproduction of more elaborate drawings. His Sketches at Home and Abroad, a series of fifty plates using this method, was published in 1836. In 1841 he published The Park and the Forest, a set of sketches drawn on the stone with a brush instead of the crayon, a technique of his own invention which he called "lithotint". His other lithographic works included A Series of Subjects from the Works of R. P. Bonington (1829–30); Recollections of India (1847, from drawings by C. S. Hardinge) and Picturesque Selections (1861).
In 1830, Harding exhibited a series of Italian views sketched on papers of various colours and textures, the syyle of which was widely imitated. His use of opaque body colourin watercolour, following the example set by J.M.W. Turner also proved influential. His drawings were praised by John Ruskin in Modern Painters. From the 1830s a range of papers was produced under the name of "JDH pure drawing paper", initially for Winsor and Newton. The papers, which proved popular amongst both amateur and professional artists, and which Harding used himself, were produced in white, and in shades of cream, buff and grey. They were marketed until around 1910. Winsor and Newton also produced pencils under Harding's name.
Harding was a prolific author of educational manuals, and his Lessons on Art, Guide and Companion to Lessons on Art, Elementary Art, or the Use of the Chalk and Lead Pencil advocated and explained, and The Principles and Practice of Art, were widely used both in Britain and abroad.[1] His Drawing Models and Their Uses (1854) describes the use of a range of solid forms which he prepared and marketed.
He was described by Gilbert Redgrave in A History of Water Colour Painting in England as "a skilful and rapid draughtsman, though somewhat mannered, and rarely rising above the commonplace."
He died at Barnes, on 4 December 1863, and was buried in Brompton Cemetery.
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Description:
Lithograph painted by a water color, a paper
Km 26,2 x 37,5
Lower left - Verona Oct 1834 JDN
Harding was born at Deptford in 1798, the son of a drawing-master who had been a pupil of Paul Sandby. He was taught perspective by his father and had lessons from Samuel Prout. At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy.
He was apprenticed to the engraver Charles Pye, but left him after only a year to concentrate on painting watercolours, and when he was 18 he was awarded a silver medal by the Society of Arts. In 1818 he showed with the Society of Painters in Watercolours, (known as the "Old Watercolour Society or OWCS from 1831) for first time. He was to contribute to its exhibitions for the rest of his life. He was elected an associate of the society in 1820 and a full member in 1821. In 1843 he took up oil painting, and exhibited many landscapes in that medium at the Royal Academy. In 1847 he resigned his membership of the OWCS , hoping to be elected a member of the academy; but, after nine years without success, he withdrew his candidature, and was re-elected to the OWCS.
From an early on in his career Harding was a successful and popular teacher. When lithography became popular in Britain, he quickly adopted it as a means of reproducing good examples for the use of pupils and students. His first productions were drawing-books, consisting of pencil sketches and studies of trees; they were printed in tints with two stones, allowing the reproduction of more elaborate drawings. His Sketches at Home and Abroad, a series of fifty plates using this method, was published in 1836. In 1841 he published The Park and the Forest, a set of sketches drawn on the stone with a brush instead of the crayon, a technique of his own invention which he called "lithotint". His other lithographic works included A Series of Subjects from the Works of R. P. Bonington (1829–30); Recollections of India (1847, from drawings by C. S. Hardinge) and Picturesque Selections (1861).
In 1830, Harding exhibited a series of Italian views sketched on papers of various colours and textures, the syyle of which was widely imitated. His use of opaque body colourin watercolour, following the example set by J.M.W. Turner also proved influential. His drawings were praised by John Ruskin in Modern Painters. From the 1830s a range of papers was produced under the name of "JDH pure drawing paper", initially for Winsor and Newton. The papers, which proved popular amongst both amateur and professional artists, and which Harding used himself, were produced in white, and in shades of cream, buff and grey. They were marketed until around 1910. Winsor and Newton also produced pencils under Harding's name.
Harding was a prolific author of educational manuals, and his Lessons on Art, Guide and Companion to Lessons on Art, Elementary Art, or the Use of the Chalk and Lead Pencil advocated and explained, and The Principles and Practice of Art, were widely used both in Britain and abroad.[1] His Drawing Models and Their Uses (1854) describes the use of a range of solid forms which he prepared and marketed.
He was described by Gilbert Redgrave in A History of Water Colour Painting in England as "a skilful and rapid draughtsman, though somewhat mannered, and rarely rising above the commonplace."
He died at Barnes, on 4 December 1863, and was buried in Brompton Cemetery.
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Description:
Hand colored etchings, paper
26 x 17,2
Lower left – „Menuett“ orig.Rad.aquarelliat)
Lower right - Kurt Hilsscher
Kurt Hilscher (1904–1980) was a German illustrator. Hilscher studied in 1924–1926 at the Dresden Academy of Fine Arts under Max Frey and in 1926 under Franz von Stuck in Munich. He lived in Paris from 1927 to 1934 where he was influenced by the work of Ludwig Hohlwein, Jean Carlu, Ch. Loupot, P. Colin, and AM Cassandre.
Since the 1920s, he has been producing attractive etchings and partially Art Deco graphics. The motifs of images appear clearly satirical, as well as circus and burlesque performers. In the following decades, he worked on graphics for advertising purposes: brochures, magazine covers, book covers.
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Description:
Etchings, paper
24,3 x 16,9
Lower left – „Promenade“ orig.Rad.)
Lower right - Kurt Hilsscher
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Description:
Hand colored etchings, paper
24,7 x 18
Lower left – „Rivalen“ orig.Rad.aquarelliat)
Lower right - Kurt Hilsscher
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Description:
Hand colored etchings, paper
24,1 x 18,7
Lower left – „Die Schäfersünde“ orig.Rad.aquarelliat)
Lower right - Kurt Hilsscher
Kurt Hilscher (1904–1980) was a German illustrator. Hilscher studied in 1924–1926 at the Dresden Academy of Fine Arts under Max Frey and in 1926 under Franz von Stuck in Munich. He lived in Paris from 1927 to 1934 where he was influenced by the work of Ludwig Hohlwein, Jean Carlu, Ch. Loupot, P. Colin, and AM Cassandre.
Since the 1920s, he has been producing attractive etchings and partially Art Deco graphics. The motifs of images appear clearly satirical, as well as circus and burlesque performers. In the following decades, he worked on graphics for advertising purposes: brochures, magazine covers, book covers.
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Description:
Watercolour, Indian ink, paper
34,7 х 29,2
Lower left – RH Venedig
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Description:
Colour etching on paper
35,7 x 25,5
Lower right – RH
R. E. von Hoerschelmann was born in Tartu, a university professor of classical philology in the family, began his art studies at Tartu continued in Munich.
Hoerschelmann created as a writer, illustrator, cartoonist and graphic designer a versatile plant, Illustrations for about 40 books and magazines Simplicissimus, Die Jugend, Youth and Flying leaves , numerous wood and paper cutouts, watercolors and bookplates and poster designs . His drawings featuring a brisk, impressionistic stroke. The hitherto neglected art form the silhouette got through Hoerschelmann a new significance in the book illustration. The book illustrations Hoerschelmanns are influenced by different creative periods of the graphic artist Alfred Kubin, by Max Slevogt . With Kubin Hoerschelmann shared a penchant for fantasy .
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Description:
Engraving, paper
Lm 28,9 x 37,4; km 20 x 26,7
Lower left - monogramm
Lower right
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Description:
Graphic, drawing style, dot style.
72 x 51
Lower on the left on a plate - Dessine par Eugene Bourgeous Eleve de M.`David,
et pensionnaire de S.M. l` Empereur et Roi.
Lower left – Grave` sous le Direction de M.`David par Noel Bertrand.
On the centre – NAPOLEON LE GRAND.
D`apre`s le Portrait en pied de S.M.l` Empereur et Roi Fait par M.` David son premier Peintre.
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Description:
Sanguine, a paper
45 x 35
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Description:
Ink, pens, brushes, paper
51, 7 x 34
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Description:
Charcoal, paper
61,5 x 43,5
Lower right - R. Kaljo 62
Beautiful work of a famous woodcut.
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Linocut, paper
Lm 41,4 x 54
Km 30,5 x 43
The right - Richard Kaljo 63
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Description:
Charcoal, paper
53,3 x 38
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Description:
Charcoal, paper
70 x 50
Lower right- R. Kaljo 22IV60
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Description:
Charcoal, paper
69,5 x 49
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Description:
Charcoal, paper
69 x 49,5
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
70 x 49
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
71 x 49
Lower right - R. Kaljo 73
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Description:
Charcoal, paper
70 x 49
Lower left - R. Kaljo 73
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Description:
Charcoal, paper
70 x 50
Lower left - R. Kaljo 73
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Description:
Charcoal, paper
53,3 x 38
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Description:
Charcoal, paper
60 x 41,5
Lower right - RKaljo
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Description:
Charcoal, paper
59 x 34,5
Lower left - III Rkaljo 62
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Description:
Charcoal, paper
59 x 34,5
Lower left - RKaljo
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Description:
Charcoal, paper
61 x 31
Lower right - RKaljo 62
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Description:
Charcoal, paper
53 x 37,5
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Description:
Charcoal, paper
53,8 x 38
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Description:
Charcoal, paper
59 x 41,5
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Description:
Charcoal, paper
59 x 41
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Description:
Engraving on wood, paper
Km 27 x 21
Lower right – RKaljo
Lower left - "Eeden" puugravüür 1967
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Engraving on wood, paper
Km 24,8 x 17,8
Lower right – RichКaljo
Lower left - “Lenin kõnelemas” puugravüür 1948
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Description:
Engraving on wood, paper
Km 30,4 x 40
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
The work is reproduced in the catalog of the personal exhibition of 1964 - no. 35. The engraving is dedicated to the restoration work in Tartu, near Vanemuine.
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Description:
Engraving on wood, paper
Km 24 x 23,5
Lower right – R.Кaljo -1942
Lower left - Tartu kivisild
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
61 x 43
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
46 x 62
Lower left – RKaljo 23.sept. 46. Bzhnis
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Engraving on wood, paper
25,5 x 32,5
Lower right – RKaljo
Lower left - Dessant Saaremale. puugravüür 1951
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Description:
Engraving on wood, paper
Km 24,2 x 18,3
Lower right – RKaljo 61
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
Work is fixed and reproduced in the catalogue of a personal exhibition of 1964 nr. Repr. 54
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Description:
Charcoal, paper
37,5 x 50
Lower right – RichKaljo 8.sept46
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Pencil, paper
29,3 x 45,7
Lower right – R.Кaljo 24.9.46
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Description:
Etching on paper
29,4 x 39,7
Lower left – Armeenia turul Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Linocut, paper
32,4 x 49,4
Lower left – Rünnakul Linoollõige 1945
Lower right - RichardКaljo
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Description:
Linocut, paper
36,6 x 51
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Description:
Linocut, paper
25 x 37
Lower right – RKaljo 63
Lower right on the plate - RK
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Description:
Etching on paper
32,1 x 41
Lower left – Suur ja väike Ararat Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Engraving on wood, paper
32,6 x 25,5
Lower left - proovitrükk 1950
Lower right – RichKaljo
A typical example in art, during the personality cult. The monument was in 1950, later the monument to Stalin was demolished, and a monument to the December 1 uprising was erected in front of the Baltic station. A small comic nuance, how different people look at the monument.
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Description:
Charcoal, paper
61 x 43
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Description:
Indian ink, paper
41, 4 × 55,7
Lower left – Sõjapõgenikud
Lower right – R.Кaljo 1966
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Description:
Etching on paper
32,9 x 24,6
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Description:
Etching on paper
21 x 28,6
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Description:
Engraving on wood, paper
Km 14,5 x 11,1
Lower right – RKaljo 1939
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
51 x 42
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
59,5 x 35
Lower left - RKaljo62
Richard Kaljo is one of the most virtuoso painters of the naked woman in Estonian art.
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Description:
Linocut, paper
29,5 x 22,9
Lower right – RichardКaljo - 1939
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Description:
Charcoal, paper
65 x 44,5
Lower left - RKaljo73
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Linocut, cardboard
32,4 x 49,4
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Description:
Etching, aquatint, paper
24,5 x 24,8
Lower left – ofort, akvatinta
Lower right - Päivikki Kallio 79
After initially studying Theoretical Philosophy and Art History at the University of Helsinki, Päivikki Kallio (b. 1952) graduated as a graphic artist and designer from the University of Art and Design, Helsinki, in 1977. After this, she studied printmaking at the Estonian Academy of Arts in Tallinn, from 1977 to 1979.
Since 1978, Kallio’s works have featured in numerous solo and group exhibitions in Finland and abroad. Her works are included in the collections of Kiasma and the Finnish state. As an artist, it is characteristic of Kallio’s works that they address the spatial elements of printmaking. Many of her works are spatial installations, in which their parts reflect the process of printmaking and in which light, in its different forms, makes up an essential part of the work.
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
34 x 45
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Description:
Graphics, paper
25.7 x 36.6
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
49 x 32
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Description:
Graphic, paper
34,5 x 45,5
Lower left – Täispurjes. (söövitus)
Lower right - Paul Kamm 1974
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Description:
Graphic, paper
26 x 35
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
46 x 30,5
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Description:
Graphic, paper
24,5 x 18
Lower left – Tuulik (söövitus)
Lower right - Paul Kamm
Paul Kamm known Estonian artist.
In 1953, Paul Kamm for the first time took part in an exhibition of amateur artists in the city of Kärdla. Years of work bore fruit and the artist was awarded the first prize. In 1961, the State Art Institute of the Estonian SSR took it under special control. His mentor was the famous graphic artist Olev Soans. In the same year, Paul Kamm was already in Moscow at the exhibition of amateur artists. There he received a diploma. In 1963 he became a member of the Union of Artists of the Estonian SSR.
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Description:
Graphics, paper
33,2 x 49,7
On the centre – Elukeskkond II. Kõrgtrükk
Lower right - Esta Kamsen 1982
E. Kamsen one of the 1980s emerged charts (she graduated from the Academy of Arts in 1977).
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Description:
Ink, paper
Lm 17,1 x30
Km 8,1 x 24,3
Lower right - Tervishoid ja kehakultuur
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Description:
Linocut, paper
25,9 x 34,1
Lower left - JK-79 "Lahemaa neet" (linool)
Lower right - J.Kangilaski 1979.
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Description:
Linocut, paper
28,8 x 34
Lower left - JK-70 "Viljandi järv" (linool)
Lower right - J.Kangilaski 1970.
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Description:
Two-color woodcut, paber
19,8 x 15,8
Lower right - Ott Kangilaski 40
Ott Kangilaski rarely painted portraits.
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Description:
Pencil, paper
Km 9,2 x 7,3
Satiric - humorous engravings are a separate page in the creation of a well - known graphic artist. In this work, the author smiles benevolently over the happiness of a young couple.
Ott Kangilaski graduated from the “Pallas” Art School in 1943, studio of Ado Vabbe, Aino Bach and Arkadi Laigo. Participated in exhibitions since 1929. Was awarded the “people’s artist” title in 1975. The artist is better known for graphic works.
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Description:
Etching, paper
Km 18,4 x 12,3
On the centre - Ott Kangilaski
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Description:
Lower left – AKasemaa
Lower right - 1966. a.
Kasemaa Andrus was born in 1941 in Tallinn. In 1962-1967 he studied at the Tartu Art School and the 1968-1972 years of the Academy of Arts. From 1974-1993 he headed the art department of the University of Tartu. In 1993-1995 he lived and worked in Australia. Since 1985 Kasemaa member of the Union of Artists.
Andrus Kasemaa known as a cartoonist, and in this area is the most powerful and original Estonian artists.
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Description:
Woodcut, paper
25,5 x 25,1
Lower left on the plate - WKaulbach
Painter and illustrator. After initial instruction from his father, Kaulbach received his principal education, from 1822 to 1826, at the Kunstakademie, Düsseldorf, under Peter Cornelius. Six months after Ludwig I, King of Bavaria, had summoned Cornelius to Munich, Kaulbach followed his tutor to the Bavarian capital, where he worked on various collaborative ventures with other pupils of Cornelius, and completed his practical training on such projects as the decoration of the Odeon (destroyed) in 1826, and of the Hofgartenarkaden, from 1826 to 1829 (now painted over). More independent work followed with 16 frescoes on the theme of Cupid and Psyche for the Festsaal of the Herzog-Max-Palais (1829-35; now Munich, Neue Pinakothek), and in the throne-room, salon and queen's bedroom of the newly erected Königsbau of the Residenz (1832-35; partly destroyed).
In 1835 he undertook a study trip to Venice and during the years 1835/39 to Rome. After being raised to the position of Court Painter to King Ludwig I he increasingly distanced himself from Cornelius. Starting 1847 he also worked in Berlin on numerous commissions from Prussia's King Friedrich Wilhelm IV. In 1849 von Kaulbach was named director of the Munich Academy and began a short time later with the plans for the Neue Pinakothek's frescoes. Kaulbach, who achieved widespread popularity through his sharp, satirical illustrations to several important literary works from, among others, Goethe and Schiller, was one of the most important and successful artists of his time. Whereas the large format of Kaulbach's major works owe much to the history paintings of Carl Theodor von Piloty, his sculptural-baroque modelling coupled with restrained coloration are directly related to the Cornelius school.
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Description:
Graphics, paper
23,2 x 58,5
Lower left - 14/25 Vasknõud
Lower right - Avo Keerend 1967
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Description:
Etching, paper
18 x 25,5
Lower left - Karjatee ofort 1956.
Lower right - Avo Keerend
Graphic artist. In 1935–1941 studied at the State School of Art and Industry, in 1940–41 at the Tartu State School of Applied Arts Jaan Koort (Pallas), 1941–43 at the Tallinn School of Fine and Applied Arts. Since 1947 he has been a member of the Union of Artists. Avo Keerend is one of the most prominent and prolific Estonian graphic artists. Early work is characterized by an academic approach to nature and the use of engraving techniques. Since 1957, he began to cultivate the technique of engraving on linoleum. In the early 1960s, Avo Keerend began creating geometric-constructive compositions.
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Description:
Graphics, paper
20 x 18
Lower left - Tallinn. linool 1957.
Lower right - Avo Keerend
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Description:
Linocut, paper
20,8 x 16,8
Lower right on the plate - AK 58
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
Graphic artist. In 1935–1941 studied at the State School of Art and Design, in 1940-41 at the State School of Applied Arts. Jaan Koorta, in 1941-43 at the Tallinn School of Fine and Applied Arts. Since 1947 he has been a member of the Union of Artists. Keerend is one of the most prominent and prolific Estonian graphic artists. Early work is characterized by an academic approach to nature and the use of engraving techniques. Since 1957, he began to cultivate the technique of engraving on linoleum. In the early 1960s, Keerend began creating geometric-constructive compositions.
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Description:
Graphics, paper
31 x 42
Lower right - Avo Keerend
Lower left - Tallinn Toomkirik. linool (1958).
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Description:
Steel engraving, paper
Lm 19,4 x 28,8. Km 10,3 x 16,5
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Description:
Etching, paper
Plm 15,4 x 19,5
Lower in the center
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Description:
Etching, paper
Plm 15,5 x 19,5
Lower in the center
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Description:
Ballpoint pen, paper
19 x 13,1
Lower left - EK. 15.XII 71.
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Description:
Linocut, paper
10,5 x 15
Lower left - Leesikmäe (linoleic plastic film)
Lower right - Ago Kivi 67
Ago Kiwi graduated from the State Art Institute in 1960, the graphics department. Then he graduated from training courses at Tallinn Pedagogical Institute.
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Description:
Linocut, paper
16,5 x 19,5
Lower left - 200- aastane Tartu Raekoda (plastikaatlinool)
Lower right - Ago Kivi -86
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Description:
Etching, paper
49,7 x 35,3
On the plate, lower right - 1934
Lower left - 1/112
Lower right - Koch Ernö
Ernö Koch graduated from the Hungarian Academy of Arts in 1921, then studied at the Leipzig Academy of Graphics and Books. In 1926 he came to Estonia and worked as a freelance artist in Tallinn. The works of Koch, of the Estonian period, consist mainly of urban works in Hungary, and from there to Bavaria. Since 1949 he lived in the United States. In America, Koch became a church interior designer, where he had many orders in Chicago, San Francisco, New York, as well as in Mexico and Canada.
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Description:
71 x 51
Graphics, paper
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Description:
Offset – litho, paper
78,5 x 58,5
Lower left – The Belly Dancer. Offset – litho 6/60 1970
Lower right - Endel Kõks
Endel Kõks – painter and graphic artist, student of Ado Vabbe, PALLAS Art School.
One of the most remarkable Estonian artists abroad. Kõks emigrated in 1944, but already at that time he was highly appreciated by art critics and connoisseurs. Endel Kõks traveled a lot and on the basis of the painted drawings, were made in the studio large-format colorful graphic sheets.Unfortunately works by Endel Kõks are rare in Estonia.
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Description:
Offset – litho, paper
44,7 x 61,8
Lower left – The Ram’s blower wailing-wall. Offset- litho 23/50 1972
Lower right - Endel Kõks
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Description:
Ink on paper
24 x18
"Of a Revolt A Jurje night 1343".
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Linocut, paper
lm 37,3 x 23,7
km 29.3 x 18,9
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
Lower left – Linoollõige
Lower centre – Vana Tallinn – (Kieck in de Kök)
Lower right - EKollom 62
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Òriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Woodcut, paper
21,5 x 30
Lower left - Harjumaa I 41/100
Lower right - EKollom 1968
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Woodcut, paper
14,8 x 23,2
Lower left - EKollom puugravüür
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Description:
Linocut, paper
lm 32,5 x 38,5
km 26 x 28
Lower left – Vana Tallinn. Tornide väljak.
Lower right - EKollom
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Description:
Woodcut, paper
km 24 x 26,5
Lower left – Puugravüür
Lower centre – Vana Tallinna panoraam
Lower right - EKollom 58
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Description:
Engraving on wood, paper
27 x 29,5
Lower centre – Tartu kivisild
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Triik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
Lower right - EKollom 37.a.
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Description:
Woodcut, paper
18,5 x 25,7
Lower left - Puugravüür – Tartu Riikliku Ülikooli Raamatukogu
Lower right - EKollom 1945.
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Description:
Black watercolour, paper
32,6 x 23,8
Lower right - EKollom 52.a.
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Тriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Charcoal and coloured chalk, a paper pasted on a cardboard
35 x 48,5
Lower right - F Koppel 1936
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Description:
a. 19 etudes from 16 to 17th century Russian ojaloo themed paintings.
pencil, paper 35,5 x 40
c. Three studies of women's fashion, the Biedermeier era
d. pencil, paper 43,7 x 31
Born in Tallinn, Kozakovskiy, he studied in 1871-73, at the Tallinn Huber Gymnasium (at T.A. Sprengel's studio). Then in the Petersburg Academy of Arts from 1880 to 1885. Received medals: in 1877 - a small and large incentive; In 1878 - a small incentive; In 1882 - 1 silver. In 1885 he graduated from the scientific course and was awarded the title of class artist of the third degree.
Since 1883, Sprengel lived in Tallinn. In the Art Museum of Estonia there is his landscape. There are also historical sketches (pencil drawings "The Episode of the Times of Ivan the Terrible" and "The Dying Prince" 1877).
In addition, two drawings made by A. Gusev
1) Reclining woman 1896. pencil, charcoal 23,2 x 17.9
2) The posthumous drawing of Johan Kohler 27 XII 1889 Pencil 17,8 x 21.7
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
21 x 30
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Description:
Graphics, paper
30 x 21
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
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Description:
Ink on paper
22 x 20
Lower centre - WvK
On the reverse - label with the inventory numbers and data about the artist.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Etching, paper
44 x 44,5
Lower left - Järvesaar (ofort)
Lower right - Kuks 74.a.
Graphic artist Viive Kuks was born in Tallinn in 1951. Received her initial art education at the Tallinn Technical School of Light Industry with a degree in Artistic Design of Fabrics, from 1966 to 1970. In the same year, Kuks began studying graphics at Tallinn University of the Arts, where her main teacher was Evald Okas. In 1976 she graduated as a freelancer and moved to Võru. Viive Kuks is a member of the Union of Artists since 1984. She began to participate in exhibitions since 1977. The theme of Viive Kuks's works is nature and man (portraits), the artist created large-scale, detailed, realistic landscapes. In addition to graphic works (etching, drypoint), the artist also used pastels, watercolors and oil paintings.
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Description:
Two-color linocut, paper
30,1 x 21,1
Lower left – Müürivahe tänav (linool)
Lower right - T. Kulles 64.
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Coloured linocut, paper
34 x 28
Lower right - T. Kulles 1969.
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
24 x 28,5
Lower right – T. Kulles
Lower left "Järve rand" (linool)
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Description:
Linocut, paper
33 x 23,5
Lower right – T. Kulles 70
Lower left – "Hoov Vene tänavale"
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Description:
Colour lithograph, paper
26,5 x 35
Lower right - T. Kulles 64
Lower left - "Metsatukk" (lito)
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Description:
Linocut, paper
37 x 31
Lower right – T. Kulles
Lower left – Kiek in de kök.1958.
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Description:
Ink, gouache, paper
Lm 27,4 X 28
Km 22,9 X 24,5
Lower right
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Description:
Ink, paper
Lm 25 x 35
Lower right
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Description:
Chalk on paber
Lm 20,9 x 29,8
Km 17,5 x 24
Lower right T. Kulles – 62.
Lower left - Vaade Toompeale (kriit)
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Description:
Linocut, paper
35,5 x 26,5
Lower right – T. Kulles 70
Lower left – "Laboratooriumi tänav" (linool)
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Ink, gouache, paper
Lm 34,5 x 25,5
Km 28,8 x 21,5
Lower right
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Description:
Ink, gouache, paper
Lm 35,6 x 28
Km 28,8 x 22
Lower right
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Description:
Ink, gouache, paper
Lm 27, 3 x 37,2
Km 20,3 x 30,1
Lower right - T. Kulles - 64.
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Description:
Lithograph, Paper
42 x 60
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Description:
Linocut, paper
30 x 23
Lower right – T. Kulles 69
Lower left – "Rataskaevu tänav"
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Description:
Pencil, paper
Lm 37,5 x 26
Lower right 4 jaan 1958 TK
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Description:
Colour linocut on paper
27,5 x 38
Lower right – T. Kulles 64
Lower left – Tallinna vaade
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Description:
Linocut, paper
30,5 x 21
Lower right
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Description:
Linocut, paper
30 x 23
Lower right
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Description:
Charcoal, paper
21,6 x 27,4
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
35 x 48
Lower right – T. Kulles 60
Lower left – Vällämägi Lõuna - Etsti. (linool)
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Description:
Ink, gouache, paper
Lm 27,1 x 18,9
On the reverse - T. Kulles
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
Initial works to etchings Toivo Kulles.
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Description:
Lithography, paper
44,5 x 59
Lower left – Гитлер капут
Lower right – В. Курдов 1944 год
On the reverse - Leht sarjast "Sõjateedel" (1944)
People's artist of the RSFSR, laureate of the RSFSR State Prize named after I.E. Repin. One of the founders and leaders of the Leningrad Studio of Satirical Poster "Boyevoy Karandash". Attended Perm Free Art Studios. During 1923-1926 studied at VKHUTEIN under A.E. Karev, K.S. Petrov-Vodkin, M.D. Matushin and A.I. Savinova. Took lessons from Kazimir Malevich in GINHUK. At the same time under V.V. Lebedev's supervision Kurdov V.I. started to illustrate books for children and juvenile sections of the State Publishing House. His artworks can be found in the State Tretyakov Gallery and other museum collections of Russia.
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Description:
Etching, paper
23,9 x 28
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Lõuna- Eesti"
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Description:
Pencil, paper
14,5 x 19,5
Lower left - Kihnu saar
Lower right - A.Kütt 1957
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Description:
Graphic, paper
Lm 28 x 35
Lower right - A.Kütt 63.a.
Lower left - "Park"
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Description:
Graphic, paper
Lm 19,5 x 31
Lower right - A.Kütt
Lower left - "Siga"
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Talv"
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Description:
Color gravure, paper
27,2 x 21,8
Lower left - AP 2
Lower right - A Kütt
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Description:
Colored linocut, paper
21 x 16,5
Lower left on the plate - AK 58
Details of the author and the work on the back. The work was in the graphic art collection in Israel.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Pencil, paper
24,4 x 17,6
Lower left - A Kütt
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Pencil, paper
24,5 x 33,9
Lower right – 1949
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Description:
Lithography, paper
40 x 27
Lower left – Litoograaf Jul. Männik
Lower right - Kütt
A rare portrait
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Description:
Lithography, paper
46,5 х 31,1
Upper left, images - Kütt 48
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Watercolor retouched lithography, paper
33,3 x 42,8
Lower right – Kütt Kütt II krs
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Description:
Aquatint, paper
46 x 60
Lower left - “Kiirus II” Akvatinta proov
Lower right - A.Kütt 79a.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Etching, paper
26,5 x 35
Lower right - A.Kütt 65 a.
Lower left - "Talu" (linool)
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Description:
Pencil, paper
25 x 23
Lower right - A.Kütt. 57 a
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Description:
Etching, paper
22 x 30
Lower right - A.Kütt 67 a.
Lower left - "Metsajärv" (linool)
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Description:
Ink on paper
14 x 11,9
Lower right - A.Kütt. 76
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Description:
Linocut, paper
17,4 x 25,5
Lower left - Saaremaa Linool
Lower right - A.Kütt 69
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Description:
Pencil, paper
20,4 x 14,6
Lower right - A.Kütt
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Description:
Etching, paper
18 x 24
Lower right - A.Kütt 64 a.
Lower left - "Otepää" (lito)
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Description:
Aquatint, paper
25 x 48,5
Lower left - "Süvendaja" (akvatinta)
Lower right - A.Kütt 62 a.
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Description:
Colour pencil, paper
27 x 39
Lower left - A.Kütt 61 a.
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-color gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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