| Dmitri Dobrovolsky 55! |
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Dear art lovers! You are invited to our new exhibition dedicated to the 55th anniversary of the famous Ukrainian artist Dmitry Dobrovolsky. The exhibition is open from 10.04 to 05.05. Mon-Fri 10-18
Saturday by arrangement, tel. 5159196
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| Information by phone 5159196 |
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Dear Clients
Due to restrictions related to Covid 19, We work by prior arrangement.
Information by phone 5159196
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Description:
Oil on cardboard
49,5 x 69,5
Lower left - P. Aavik 60.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School "Pallas", in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Brown chalk, watercolour, paper
60 x 44
Lower on the center - Atlandil
Lower on the right - PAavik
The Faroe Islands (belonging to Denmark) in the North Atlantic Ocean stood in the way of the Estonian fishing fleet during the long fishing expeditions in which P. Aavik took part several times in the 1960s. The artist brought home paintings and drawings that constitute an entire chapter both in his own work and in Estonian art of the 1960s.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School "Pallas", in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Watercolour, paper
45 x 60
Lower left - P.Aavik 64.a.
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Description:
Oil on cardboard
48 x 69
On the reverse, lower right - 48 x 69 "Faroe Island" (Faroe) 1963 P. Aavik
The Faroe Islands (belonging to Denmark) in the North Atlantic Ocean stood in the way of the Estonian fishing fleet during the long fishing expeditions in which P. Aavik took part several times in the 1960s. The artist brought home paintings and drawings that constitute an entire chapter both in his own work and in Estonian art of the 1960s.
The painter saw good tools in the felt-tip pen for creating compositional designs, which can also be considered as independent works.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School "Pallas", in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Oil, pastel on paper
38,5 x 56,5
Lower left - P.A. 71.a.
One of Priidu Aavik's favorite subjects was the harbor with ships, cranes, and working people.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Oil on canvas
50 x 80
On the reverse, in the top left - Iru stronghold 1967 P. Aavik
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Description:
Oil on cardboard
54 x 65
Lower left - P. A. 86
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Description:
Oil on canvas
60 x 70
Lower left - Priidu Aavik 78.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Oil on cardboard
52 х 86
Lower left - Priidu Aavik 88
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Oil on cardboard
44 x 61
Lower right - P. Aavik 59.
During his career on the basis of the Atlantic fishing fleet, P. Aavik reached the coast of Africa. The ship "Paranu" was not given a "city ticket" for sailors, therefore, among the artist's numerous traveling paintings, there are only 4 African motifs. These exotic motifs were quite rare in Estonian art of the time.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Oil on canvas
54 x 73
Lower left - P. Aavik 59.
P. Aavik is one of the artists - E. Kits, V. Karrus, E. Tihemets, etc. – who at that time went on a creative trip to Karelia and were enthralled by the harshness and starkness of the northern landscape.
Priidu Aavik initial art education has received in A.Lajkmaa's studio. With 1934-1938 studied at Art School “Pallas”, in N.Triik 's studio. Since 1940 is engaged in teaching activity.
It was improved in 1939 in Paris. Since 1938 a member of Art society "Pallas". With 1944 -1945- director at Tartu Art Institute. Since 1947 -1948 in Tallinn the chairman of Art fund.
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Description:
Colored chalk, black paper
57,3 x 35,7
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Description:
Oil on canvas
50,5 x 32,5
Lower right - Priidu Aavik 57
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Description:
Oil on canvas
79 x 86
The painting from the collection of the artist's family.
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Description:
Oil on canvas
55 x 50
Lower right - A. Alas 58
Arnold Alas graduated from the State Art School (Estonian Academy of Arts) in 1933 with a degree in decorative painting.
From 1936 to 1938 he was Berlin as a state scholarin.
Already in 1935 the first exhibition of Alas (the government of the Foundation of Fine Arts) was held.
In 1962 Tallinn Art Hall.
In 1967 and 1981, at the Tallinn Art Museum.
Since 1943, Arnold Alas, was a member of the Yaroslavl Group of Artists and the Union of Artists of Estonia (1957-1962. Chairman of the Union of Artists).
Since 1977, he taught at the State Art Institute of the Estonian SSR (Estonian Academy of Arts).
Prizes: Soviet Estonia Prize 1948
The works of the artist are in the collections of the Estonian State and Tartu Art Museums.
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Description:
Oil on canvas
60 x 80
Lower right - E. Allik 2004
Enno Allik was born in 1936 in Viljandi.
From 1978 to 1985 he studied at the Tartu Art Museum in fine arts under the guidance of Silvia Jõgever.
Studied photography in Moscow. Freelancer since 1990.
He cultivated landscape painting, flower painting, portraits and figure compositions.
Enno Allik has exhibited in Finland, Sweden and Germany.
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Description:
Watercolour, paper
24 x 31
Lower right- E.Allsalu
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Description:
Oil on cardboard
84 x 48
Lower right - E.Allsalu 97
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Description:
Oil on cardboard
54,5 x 64
Lower right - E.Allsalu 94.
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Description:
Oil on masonite
63 x 45
Lower right - E.Allsalu 95.
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Description:
Oil on cardboard
24 x 17,9
Lower left- E.Allsalu
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Description:
Oil on cardboard
49,6 x 42
Lower left- E.Allsalu 95
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Description:
Oil on cardboard
27,5 x 27,5
Lower left- E.Allsalu 79
Efraim Allsalu has ended the State Art institute in 1954. In 60th years writes the portraits deeply revealing psychology of model. Landscapes and stilllifes involve temperaments and cheerfulness.
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Description:
Oil on canvas
30 х 50
Lower left - Анищенко
Was born in 1965 in Orsha, Vitebsk region of Belarus. He graduated from the Vitebsk State Pedagogical Institute, art-graphic faculty in 1993.
The participant of exhibitions since 1991.
1992 - Sevastopol (Ukraine)
1993 - Paderborn (Germany), a charity exhibition "MitKunstLeidLindern "
1994 - Bonn (Germany)
1998 - Gallery "China Town", Moscow
1999 - Gallery "China Town", Moscow
2002 - Central House of Artists, Moscow
2003 - "Art Salon" Central Exhibition Hall Manege
2004 - Central house of artists, Moscow
Vladimir Anishchenko is landscape painter. His style is realistic.
Pictures of the artist differ a scrupulous draw in details.
It is through the detailed elaboration of elements artist manages to create airspace, where each blade and each birch leaflet revives.
Footpaths and glades call and attract to itself the spectator. The penetrating silence of a smooth surface of the rivers captivates.
At all pictures of Vladimir is felt respectful, enthusiastic attitude to the native nature.
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Description:
Oil on canvas
50 х 70
Lower left - Анищенко 2017
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Description:
Oil on canvas
38 х 61 cm
Lower right- Anishchanka
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Description:
Oil on canvas
30 х 40
Lower left - Анищенко 2017
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Description:
Oil on canvas
30 х 50
Lower left - Анищенко 2017
Was born in 1965 in Orsha, Vitebsk region of Belarus. He graduated from the Vitebsk State Pedagogical Institute, art-graphic faculty in 1993.
The participant of exhibitions since 1991.
1992 - Sevastopol (Ukraine)
1993 - Paderborn (Germany), a charity exhibition "MitKunstLeidLindern "
1994 - Bonn (Germany)
1998 - Gallery "China Town", Moscow
1999 - Gallery "China Town", Moscow
2002 - Central House of Artists, Moscow
2003 - "Art Salon" Central Exhibition Hall Manege
2004 - Central house of artists, Moscow
Vladimir Anishchenko is landscape painter. His style is realistic.
Pictures of the artist differ a scrupulous draw in details.
It is through the detailed elaboration of elements artist manages to create airspace, where each blade and each birch leaflet revives.
Footpaths and glades call and attract to itself the spectator. The penetrating silence of a smooth surface of the rivers captivates.
At all pictures of Vladimir is felt respectful, enthusiastic attitude to the native nature.
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Description:
Oil on canvas
60 х 100
Lower left - Анищенко 2017
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Description:
Oil on canvas
24 х 33
Lower right- Anishchanka
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Description:
Oil on canvas
30 х 40
Lower right- Anishchanka
Was born in 1965 in Orsha, Vitebsk region of Belarus. He graduated from the Vitebsk State Pedagogical Institute, art-graphic faculty in 1993.
The participant of exhibitions since 1991.
1992 - Sevastopol (Ukraine)
1993 - Paderborn (Germany), a charity exhibition "MitKunstLeidLindern "
1994 - Bonn (Germany)
1998 - Gallery "China Town", Moscow
1999 - Gallery "China Town", Moscow
2002 - Central House of Artists, Moscow
2003 - "Art Salon" Central Exhibition Hall Manege
2004 - Central house of artists, Moscow
Vladimir Anishchenko is landscape painter. His style is realistic.
Pictures of the artist differ a scrupulous draw in details.
It is through the detailed elaboration of elements artist manages to create airspace, where each blade and each birch leaflet revives.
Footpaths and glades call and attract to itself the spectator. The penetrating silence of a smooth surface of the rivers captivates.
At all pictures of Vladimir is felt respectful, enthusiastic attitude to the native nature.
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Description:
Oil on canvas
24 х 33
Lower right- Anishchanka
Was born in 1965 in Orsha, Vitebsk region of Belarus. He graduated from the Vitebsk State Pedagogical Institute, art-graphic faculty in 1993.
The participant of exhibitions since 1991.
1992 - Sevastopol (Ukraine)
1993 - Paderborn (Germany), a charity exhibition "MitKunstLeidLindern "
1994 - Bonn (Germany)
1998 - Gallery "China Town", Moscow
1999 - Gallery "China Town", Moscow
2002 - Central House of Artists, Moscow
2003 - "Art Salon" Central Exhibition Hall Manege
2004 - Central house of artists, Moscow
Vladimir Anishchenko is landscape painter. His style is realistic.
Pictures of the artist differ a scrupulous draw in details.
It is through the detailed elaboration of elements artist manages to create airspace, where each blade and each birch leaflet revives.
Footpaths and glades call and attract to itself the spectator. The penetrating silence of a smooth surface of the rivers captivates.
At all pictures of Vladimir is felt respectful, enthusiastic attitude to the native nature.
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Description:
Oil on canvas
24 х 33
Lower right- Anishchanka
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Description:
Oil on canvas
60 х 100
Lower left - Анищенко 2017
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Description:
Oil on canvas
24 х 41 cm
Lower right- Anishchanka
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Description:
Oil on canvas
30 х 40 cm
Lower right- Anishchanka
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Description:
Oil on canvas
40 x 50
Lower right - SA
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Description:
Oil on canvas
40 x 50
Lower right - SA
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Description:
Acrylic on canvas
100 x 100
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Description:
Oil on cardboard
50 x 70
Lower right - E Arrak
Studied painting at the Estonian State Art Institute with intervals: from 1945 to 1947 and from 1952 to 1954. During 1950s worked for the theatre in South Estonia as a theatrical designer and also got interested in graphics. The artist is known for his portraits of famous people from the world of art and landscapes.
The nuances of cold opposite the warm colours in this work give a special impression of human feeling and harmony.
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Description:
Watercolour on cardboard
30 x 39,5
Lower right - Aunapuu 57
Herman Aunapuu (1915-1998) received his art education in Pallas. Was a student of Ado Vabbe. At the Pallas School of Art, he was compared to Elmar Kits and Endel Kõks. He was also in the same studio with Kõks until the mid-1940s. Like Kõks, Aunapuu painted landscapes, still lifes, city views, nudes and portraits with a good sense of color.
Like many other art students, Aunapuu was arrested in 1945 and sent to a forced labor camp in Vorkuta and on the shores of the White Sea, from where he returned in 1956. During the Soviet era, Aunapuu worked as a window designer for decades, his first solo exhibition in Tartu took place only in 2003
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Description:
Oil on canvas
65, 3 x 54
Lower right - Aunapuu 58
On the reverse - Aunapuu
Please find picture on address: Tallinn, Mustamдe tee 4 room 103
Herman Aunapuu studied in Tartu at “Pallas” Higher Art Courses and Tartu Art Institute. In 1945 together with Varmo Pirk the artist was arrested and sent to the prison camp.
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Description:
Oil on cardboard
18,5 x 30
On the reverse - 1942
Lower right- H. Aunapuu 39
Herman Aunapuu (1915-1998) received his art education in Pallas. Was a student of Ado Vabbe. At the Pallas School of Art, he was compared to Elmar Kits and Endel Kõks. He was also in the same studio with Kõks until the mid-1940s. Like Kõks, Aunapuu painted landscapes, still lifes, city views, nudes and portraits with a good sense of color.
Like many other art students, Aunapuu was arrested in 1945 and sent to a forced labor camp in Vorkuta and on the shores of the White Sea, from where he returned in 1956. During the Soviet era, Aunapuu worked as a window designer for decades, his first solo exhibition in Tartu took place only in 2003
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Description:
Oil on canvas
96 x 100
Lower right - A. Reinbow
www.scencyclopedia.org/sce/entries/ayers-sara-lee-harris-sanders/
On the reverse - Winter wald A. Reinbow
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Description:
Oil on cardboard
40 x 60
Lower right - Baciu
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Description:
Oil on wood
41 x 60
Lower left - K. S. Baker
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Description:
Gouache, cardboard
69,5 x 49,6
Lower right
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Description:
Oil on cardboard
50,2 x 40
Lower right - G Becker
Georges Becker - a famous French painter, a pupil of the famous artist Jean-Léon Gérôme. Graduate of the Julian Academy of Paris. At the invitation of the Romanov Imperial House, he lived and worked in Russia for a long time, where he was engaged in portraiture and wrote paintings for the orders of members of the Imperial House. The most famous of his work - "The Coronation of Emperor Alexander III and the Empress Alexandra Feodorovna", 1888, is in the State Hermitage
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Description:
Oil, canvas
42 x 32
Lower, right - Behrens
Born in Riga and trains across Europe H. von Behrens,
Georg von Behrens was born in Riga. Art education has received in 1923 - 24 years in the British Academy in Rome, 1925-26, respectively, in Florence, at the Academy of Fine Arts, then at the Academy of Fine Arts in Vienna from 1926 to 1927, the same from 1936 to 1939. Then he continued his studies in Paris. He worked in Switzerland, mainly in Grindelwald.
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Description:
Oil on canvas
40,2 x 49,2
Lower right - Hans Beyer
Swiss artist, graphic artist and sculptor. He studied in Basel, Vienna, Munich and Paris.
I mostly wrote landscapes. The works of Beyer, of high quality and mostly located in the Bern Art Museum.
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Description:
Watercolour on paper
30,5 x 44,2
Lower right - Gv Bochmann
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Description:
Oil on canvas pasted on cardboard
22,5 x 34
Lower left - Gv Bochmann
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Description:
Watercolour, paper
Vm 28,7 x 44,4
Lower right - Gv Bochmann
Born in Nehatu manor. G. Von Bochmann studied in 1868-71 in Düsseldorf at the Academy of Arts and worked then in Düsseldorf as a liberal painter until 1895, when he became professor of academy. He is still very appreciated in Germany and in whole word as a master of Düsseldorf School. He has participated in most of exhibitions in Düsseldorf, Munich, Vienna, Dresden, and Berlin. He has lots of medals. Bochmann imaged on his paintings his homeland- Estonian’s motives, more than once foreground of forges, because he loved and was able to image horses and their movements. He possessed watercolors, what is also improved with this work. His works are represented in in Düsseldorf’s Museum of Art, Berlin National Gallery, Dresden Art Gallery, München New Pinotek, Tretjakov Gallery in Moskow, and Estonian Art Museum in Tallinn.
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Description:
Oil on cardboard
12,3 x 17,7
Lower left - Gv Bochmann
His works are represented in in Düsseldorf’s Museum of Art, Berlin National Gallery, Dresden Art Gallery, München New Pinotek, Tretjakov Gallery in Moskow, and Estonian Art Museum in Tallinn.
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Description:
Oil on canvas pasted on cardboard
51,3 x 63,8
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Description:
Felt-tip pen, paper
38 x 48,5
Lower right – V. Bogatkin
On the reverse- Gurzuf
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs « Leningrad in days of blockade », "Moscow invincible"-"Storm of Berlin".
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Description:
Oil on canvas
56,3 x 78,1
Lower left - V.Bogatkin
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs « Leningrad in days of blockade », "Moscow invincible"-"Storm of Berlin".
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Description:
Oil on canvas
60,5 x 40,5
On the reverse - Vladimir Bogatkini töö 1955
Valli Lember – Bogatkina
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 ã.ã.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs "Leningrad in days of blockade", "Moscow invincible", "Storm of Berlin".
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Description:
Charcoal, watercolor, paper
26,5 x 32,1
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs « Leningrad in days of blockade », "Moscow invincible"-"Storm of Berlin".
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Description:
Oil on canvas
40 x 81
Lower left – T. Boniny
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Description:
Oil on cardboard
43 x 68,8
On the reverse - õli 43 x 69 1990.a. M. Bormeister rutja 1990 suvi koos taadiga
Probably Marju Bormester, in 1990, in the summer with her father (Märt Bormeister 1916 - 1991), was in Rutia. Which may have been involved in writing the picture.
Marju Bormester was the firstborn child of artists Magda and Mart Bormeister. Marju Bormester would say I lived half of my life in Tallinn’s Art House, which took me eau de turpentine world of colours. Marju Bormester went to study theatre design at the Estonian Art Academy. However painter switched to the Department of Painting and graduated from it. Marju Bormester have also studied interior design and various types of printmaking (etching, monotypia and other) at the Estonian Art Academy. Marju Bormester have participated in a number of different projects of relevance to teaching the monotypia technique in Estonia, Finland, Sweden, Norway, USA and Germany. Marju Bormester have taught several diplomatic corporation workers (from England, Denmark, Ireland, USA, Finland, Estonia, Russia, Poland, Norway) in my Tallinn studio.
Marju Bormester participated in a number of different projects related to the training of monotype techniques in Estonia, Finland, Sweden, Norway, the USA and Germany. Marju Bormester trained several workers of diplomatic corporations (from England, Denmark, Ireland, USA, Finland, Estonia, Russia, Poland, Norway).
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Description:
Oil on cardboard
28,5 x 40,7
Lower right – M. Bormeister Tallinn
On the reverse - Märt Bormeister Kivid Aasalaiul. 1955.
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Description:
Oil on plywood
25 x 36
Lower left – Bösel
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Description:
Oil on canvas
52 x 62
Lower right – Henri Breard
Breard, Henri-Georges, frz. Maler, *1873 Paris. Stud.: Acad. Julian in Paris bei Henri Royer und Franзois Schommer. – Portr., Genrebilder, Landschaften.
WORKS OTTAWA, Nat. Gall. of Canada.
EXHIBITIONS G: 1911-39 Paris, Salon (1934 lobende Erwдhnung).
BIBLIOGRAPHY Vo1, 1953 (Lit.). Bйnйzit II, 1976. – Schurr I, 1975.
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Description:
Oil on wood
50 x 40
Lower of centre - Re HBreul DT. Cop.1911
On the reverse - Rembrandt. Der Mann mit der Glatze. Cop. H. Breul. Märtz 1911
Heinrich Breul is a famous copyist from Kassel.
Henri Breuil is a well-known portrait and landscape painter, educated at the Kassel School of Arts and Crafts, then at the Art Academy of Kassel.
The artist copied Rembrandt's The Visiting Man in the Old Masters Art Gallery of Kassel in 1911. And it was considered the work of Rembrandt himself or his masters for some time.
https://altemeister.museum-kassel.de/33772/
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Description:
Oil on canvas pasted masonite
70.5 x 100 (oval)
Bottom left - H. Buchner
Hans Buchner (1856 Stuttgart - 1941 Munich). The artist studied: at the Academies in Stuttgart by Jakob Grünewald und Carl von Häberlin and at the Academy in Munich by Alexander Wagner. Lived in Munich since 1880. Took part in exhibitions in the "Munich glass palace" (1906) and at the Munich Secession (1908). Drew out through life near representations, category scenes and motives of flower .
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Description:
Oil on canvas.
60,2 x 80
Lower on the right – Rob. Büchtger.
R. Büchter – the landscape painter, the portraitist and the illustrator. The artist was born in St.Petersburg. He has been studying in the Polytehnical School in Riga, later – was the apprentice of known Russian artists Gavriil Kondratenko and Ivan Shishkin. In 1889 he had moved to Munich, Germany and stayed there till the ending of his life..
The pastoral mood and the sensual light transfering of the picture bewitch the spectator.
The given landscape is the highly professional work of the Munich artist.
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Description:
Oil on canvas.
90 x 116
Lower left – Rob. Büchtger.
R. Büchter – the landscape painter, the portraitist and the illustrator. The artist was born in St.Petersburg. He has been studying in the Polytehnical School in Riga, later – was the apprentice of known Russian artists Gavriil Kondratenko and Ivan Shishkin. In 1889 he had moved to Munich, Germany and stayed there till the ending of his life.
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Description:
Watercolour on paper
16 x 29
Lower left - Karl Burman 1955
Karl Burman the art education has received in Tallinn from K.Winkler, then in Moscow in Stroganov School of technical drawing, in St. Petersburg in of Shtiglits Art School. With 1902 - 1907 in the Petersburg Academy of Arts studied architecture.
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Description:
Coloured pencils, paper
40 x 28
Lower left - Karl Burman 1950.
Karl Burman the art education has received in Tallinn from K.Vinkler, then in Moscow in Stroganov School of technical drawing, in St. Petersburg in of Shtiglits Art School. With 1902 - 1907 in the Petersburg Academy of Arts studied architecture.
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Description:
Watercolour, pencil, cardboard
29,7 x 40,8
Karl Burman the art education has received in Tallinn from K.Vinkler, then in Moscow in Stroganov School of technical drawing, in St. Petersburg in of Shtiglits Art School. With 1902 - 1907 in the Petersburg Academy of Arts studied architecture.
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Description:
Watercolour on paper
Vm 24,5 x 35
Lower right- K. B.
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Description:
Watercolour on paper
37 x 40,5
Lower right - Karl Burman junior 1947.a.
The renowned watercolour virtuoso received his first art lessons from his father Karl Burman the Elder and his uncle. Karl Burman the Younger was one of the organizers of the Union of Estonian Artists in Yaroslavl in 1943.
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Description:
Watercolour on paper
Vm 32 x 26,8
Lower righ - Karl B. 41.a.
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Description:
Watercolour on paper
31 x 42
Lower left- Karl Burman juunior1963. a.
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Description:
Watercolour on paper
Vm 27,5 x 39
Lower left- Karl Burman 56
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Description:
Watercolour on paper
Vm 30,4 x 20,5
Lower left- Karl Burman juunior1963. a.
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Description:
Watercolour on paper
63,8 x 50,5
Lower right - Karl Burman junior 1969. a .
On the reverse - Karl Burman junior "Tallinn. Raekoda" AKVARELL. 1968.a -63 x 50cm
In connection with the renovation of the gallery US Art, to see and purchase paintings can be requested in advance by phone. 55643784
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Description:
Oil on canvas
56 x 56
Lower right – В. Бусыгин
On the reverse - 312 /246
Valeriy Busygin was born in Morshansk in 1952.
Graduated from the Savitsky art college in Penza, department of fine arts, in 1972.
Member of the Creative Union of Artists of Russia since 1993. Member of the international Art Fund since 2001.
Took part in the following group exhibitions:
2000, 2001, 2002 - International Art Salons, "CHA", the Central House of Artist, Moscow.
2000 - "All Colors", the Central House of Artist, Moscow.
2001 - Art Salon, Manezh, Moscow.
2001 - "Golden Brush", New Manezh, Moscow.
2001 - exhibition in Normandy, Port Bay, France.
2002 - All-Union Fund of Culture, Moscow.
Took part in the following personal exhibitions:
1990 - Stuttgart, Germany.
1993,1997,1998,1999 - Los Angeles, the USA.
1999, 2000 - the Central House of Artist, Moscow.
2000, 2002 - State exhibition hall "Tvorchestvo", Moscow.
2002 - exhibition hall "Rostokino", Moscow.
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Description:
Oil on canvas
52,5 x 78,8
Lower right - C. H. 1894
On the reverse, on a stretcher, in German - Hermitage
The picture appears to be a German artist, who in the late nineteenth century, raised decorative trends. Tranquil scenery in which chuvstvovuesh safe from wild animals.
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Description:
Gouache, charcoal, thick cardboard
28,7 x 23,3
27,6 x 22,5
Lower right red Arabic script (monogram)
The work was written by Ippolito Caffi during his trip to the Mediterranean. He was absorbed in romantic landscapes, he like many artists of that time. Caffi took part in the struggle for the freedom of Italy, and Lissa died in a naval battle. In 2018, the Caffi exhibition was held at the Sinebryhoff Art Museum in Helsinki.
He was born at Belluno. His first works were produced at the Academy of Fine Arts of Venice. By 1830, he had won awards for his vedute at the Academy. He subsequently moved to Rome, made some reputation by his treatise on perspective, as well as by his investigations on Roman archaeology. In 1843 he visited Greece and the East (Athens, Constantinople, Syria, Egypt, and Malta). The first work of his that created a sensation was Carnival at Venice. This was exhibited at Paris in 1846, and was admired for its brilliant effects of light. Other works are his Panorama of Rome from Monte Mario, Isthmus of Suez, and Close of the Carnival at Rome. He joined revolutionary movements in Venice in 1848, and had to retire into Piedmont. His aim of commemorating in paint the first Italian naval engagement was frustrated when the Re d' Italia, on which he traveled was destroyed on July 20, 1866, by Austro-Venetian fleet at the battle of Lissa, drowning him along with his comrades.
In 2005-2006, an exhibition of Ippolito Caffi was held in his native Belluno
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Description:
Lithograph, watercolour, gouache, paper
46,3 x 47,1
Lower right – Falkener XVII Jahrhundert Aquarell
On the reverse - Falkener XVII Jahrhundert Aquarell Dorschlag verkauft in Berlin 1944 an Klaus-Wieser Kriegs. Köln. Mainzerstr. 7
Paul Casberg was arguably the most talented artist working for The Eickhorn firm. In fact he is responsible for the design of the SA Feldherrnhalle Leader's Dagger, the Teno EM Hewer, Army Officers Degan, The army Officers Dagger and others. He was also commissioned to design flags and other accoutrements. His work is a huge reason for the amazing designs and collectability of third Reich edged weapons. This Framed multi piece offering is a pleasure to display. Recently professionally re-framed at a cost of over $200, it is now in a frame that compliments the value and character of the piece. The frame is 25x20 with a leather like black frame and hangers in the back. The Piece is double sided. The reverse shows a picture of Casberg at work, an original signature and a blurb: "Master artist Paul Casberg at work in his studio (from the only known photograph of Casberg). Original photograph courtesy of Co. James P. Atwood (Ret.). Artwork by Brian Molloy." The obverse, or front is an original rendering of Casberg by artist Brian Molly. It is signed and dated '78. Finally the main attraction, the original artwork for an Army officers degan By Casberg. I cannot express the level of detail and skill in this piece of art. The use of color to show depth and shadows is magnificent. This is truly a special offering that a serious collector will enjoy for many years.
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Description:
Oil on wood
39,5 x 60
Lower right - J. ten Cate
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Description:
Tempera, cardboard
58,5 x 45
Lower right - H. Darmstädter 48
On the reverse - Hannes Darmstädter Krefeld - Forswald Bellenweg 171 Stilleben I
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Description:
Gouache, paper
19,5 x 30,2
Lower right - Deiker Düsseldorf
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Description:
Oil on canvas
40,7 x 32,3
Lower right - L. Destigny Merle
French artist, a student of Jean Raymond von Lazerges und Adolphe Yvon, participated in the Paris Salons in 1865-68, with interior and figure compositions.
Professional work, probably in Italian painting.
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Description:
Oil on canvas, gold
90 x 70
Lower left – Dobrovolska
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Description:
Oil on canvas, gold
60 x 90
Lower left – Dobrovolska
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Description:
Oil on canvas
70 x 60
Lower right – Dobrovolsky 21
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Description:
Oil on canvas
60 x 80
Lower left – Dobrovolsky
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Description:
Watercolour, paper
60 x 50
Lower left – Dobrovolsky
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Description:
Watercolour, paper
50 x 70
Lower left – Dobrovolsky
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Description:
Oil on canvas
60 x 90
Lower left – Dobrovolsky
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Description:
Oil on canvas
70 x 90
Lower left – Dobrovolsky
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Description:
Oil on canvas
50 x 60
Lower left – Dobrovolsky
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Description:
Oil on canvas
60 x 100
Lower right – Dobrovolsky 12
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Description:
Oil on canvas
50 x 70
Lower right – Dobrovolsky 17
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Description:
Oil on canvas
60 x 80
Lower right – Dobrovolsky 20
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Description:
Oil on canvas
60 x 50
Lower right – Dobrovolsky 21
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Description:
Oil on canvas
50x70
Lower right – Dobrovolsky 14
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Description:
Oil on canvas
70 x 80
Lower left – Dobrovolsky
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Description:
Oil on canvas
90 x 60
Lower left – Dobrovolsky
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Description:
Oil on canvas
50x70
Lower right – Dobrovolsky 14
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Description:
Oil on canvas
70 x 90
Lower left – Dobrovolsky
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Description:
Oil on canvas
50x70
Lower right – Dobrovolsky 14
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Description:
Oil on canvas
40x80
Lower right – Dobrovolsky 14
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Description:
Oil on canvas
70 x 70
Lower right – Dobrovolsky 16
He was born in Kiev in 1968, graduated from the local High School for Applied Art and Design in 1988 as designer and from the State Academy of Figurative Art and Architecture in 1994 as painter-monumentalist. Well-known painters-academicians V.Zabashty and V.Storozhenko were among his professors. He is member of the Union of Ukrainian Artists since 1998.
The first one-man-show of D.Dobrovolsky took place in Kiev in 1994. During the following twenty creative years he has taken part in more than 20 local and international expositions: In the Ukraine – in Kiev, in United Kingdom – in London, Cambridge and Edinburgh, in Germany – in Kassel, in Russia – in Moscow, in the U.S.A. – in Chicago, in Estonia – in Tallinn and Kuressaare. His works are in the private collections and museums of European countries as well as of the U.S.A. and Canada.
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Description:
Oil on canvas
100 x 80
Lower right – Dobrovolsky 22
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Description:
Oil on canvas
65 x 80
Lower right – Dobrovolsky
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Description:
Oil on canvas
70 x 100
Lower right – Dobrovolsky 22
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Description:
Oil on canvas
50x70
Lower right – Dobrovolsky 14
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Description:
Oil on canvas
50 x 80
Lower right – Dobrovolsky 16
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Description:
Oil on plywood
70 x 50
Lower right - Donadini, Radebeul
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Description:
Oil on canvas pasted on cardboard
49 x 73
Lower right – Donadini,Radebeul
On the reverse - DDR- 3952 Donadini. Isola San Polo, Venedig m. Perlenfischer 73 x 49
Ermenegildo Antonio Donadini (born June 19, 1847 in Spalato , Dalmatia , † October 14, 1936 in Radebeul ) was an Austro-German history painter, restorer, photographer, royal Saxon councilor and art collector. Among other things, he taught Queen Carola to draw.
Donadini was born in 1847 in Spalato in the Austrian Empire , today's Split in Croatia . His father Giovanni Battista Donadini came from Venice. He was a judicial officer in Spalato.
Ermenegildo Antonio Donadini is studying with a scholarship for “training as an artist” at the Academy of United Fine Arts in Vienna . He finished his studies in Vienna with Eduard Engerth and Christian Ruben with a diploma in history painting.
Then he moved his studies to Venice. There he met the painters Hans Makart and Heinrich Lossow , with whom he went to Munich. In 1872 he became a master student of Carl Theodor von Piloty , a well-known genre and history painter , at the Munich Academy .
In 1877 Donadini became a professor at the Kunstgewerbeschule in Vienna. Since he was dissatisfied with his work in Vienna, he switched to the professorship for figurative painting and the management of the studio for theater decoration at the Academy of Applied Arts in Dresden, based on Antonsplatz . Under the protection of the Saxon regent couple, Donadini was a respected artist there for over 30 years.
Donadini created numerous monumental wall and ceiling paintings with mythological and historical themes for the Villa Bleyl, the Villa Eschebach and the Wettinersaal in the Dresden City Palace, most of which were destroyed in the Second World War. He restored numerous frescoes by Louis de Silvestre , Moritz von Schwind and Friedrich Preller the Elder in Dresden and Leipzig . In addition, Donadini wrote several works on Saxon art history.
Hofrat Donadini was a pioneer of photography, and many of his glass negatives came into the possession of the German Photo Library of the Saxon State Library in the 1980s and 1990s .
In 1882 he bought a vineyard house in the Rietzschkegrund of Zitzschewig , a current district of Radebeul , as a summer residence and studio . In the following years he expanded the building with a studio building and a collection building. After his retirement in 1913, he settled there completely.
His house became a museum-like repository for his ever-growing collections, one of which was the admiration for Napoleon.
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Description:
Oil on masonite
26,5 x 37,5
Lower left - W. Donaubauer
German artist - landscape painter. Studied at the Munich Academy of Arts in architecture, painting and art history.
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Description:
Gouache, cardboard
27,2 x 36,9
Lower left - E. Dücker
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Description:
Watercolour, paper
17,7 x 25
Lower right - E.Dücker
Professor. Academician. Estonian painter. Eugen Dücker, a resident of Estonia and a professor of Düsseldorf Academy of Arts, was born in Kuressaare, where he acquired his basic training in art. Thus, it is only natural that an artist from island Saaremaa liked, above all, to paint the sea and coastal landscapes. In his realism, Dücker approached impressionism with the sheerness and sensitivity that are clearly visible in this masterpiece “Sailboats on an evening bay”. His landscapes reveal a careful observation of nature – this painting also hides a luminous sea surface under the darkening sky. The brushwork is economical and precise.
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Description:
Oil on cardboard
44,4 x 33,7
Lower right - MD
On the reverse - Bliebernicht, M
( Probably the painting belonged to Mary Bliebernicht, wife of the owner of the brewery in Pärnu , Artur Bliebernicht.)
Art education culvert Maria , the sister of the famous landscape painter Eugene Ducker (1841-1916) , professor at the Düsseldorf Art Academy, also received at the Düsseldorf Art Academy . She wrote a lot in Pärnu, where she taught . The artist was a master of still life. Her work has been presented at the first art exhibition in Pärnu in 1901 and the exhibition of the Baltic Union of Artists in 1911 and in Pärnu. Critics of the time, her paintings are considered as one of the most interesting and valuable in the exhibition.
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Description:
Oil, gold, canvas
80,5 x 40
Lower right – by arm. Initials and signature of the artist
On the reverse - by arm. and Eduard Edigaryan
Eduard Edigaryan was born in 1943 in the Armenian city of Gjumri. His studies included attendance at the Arts School in Gjumri, the Arts Faculty in Erevan, and the Arts Institute in Erevan. From 1970 to 1974 he was the main set designer in the Dramatic Theatre in Gjumri, and in 1974 was accepted in the Artists Union in the Soviet Union. In 1987 he was declared a National Artist and in that same year he created costumes and set decorations for over 40 plays at Erevan Opera and Ballet Theatre. Sadly, in 1988 an earthquake destroyed nearly all his works, including 200 costume designs for the Armenian Opera "David Sasunci". He moved to Prague in 1966.
He has had personal exhibitions in Germany, the Netherlands, Norway, Italy, and Belgium, and his work can be found in private collections and galleries in the United States, Australia, Canada, England, Scandinavia, and South Africa. His works are rich both from the drawing and color points of view. Edigaryan paints mainly sitting or lying woman figures, whose symbolic meaning achieves an uncertain Oriental touch through the impact of golden and ultramarine colors. There is very personal artistic language, where figurative elements intentionally mix with a dense combination of symbols, where some of them copy the contours of human figures.
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Description:
Oil, gold, canvas
80,5 x 40
Lower right – by arm. Initials and signature of the artist
On the reverse - by arm. and Eduard Edigaryan
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Description:
Watercolour, gouache, cardboard
64 x 50
Lower right - Ed. Einmann
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Description:
Watercolour on paper
53 x 36
Lower left - Ed. Einmann 1959
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Description:
Oil on mazonite
54 x 65
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many drawings and paintings (pastels)after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan. Cultivated oil painting. incl. still-lives, especially in his late period
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963.
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Description:
Pastel on paper
25,5 x 30,5
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Description:
Pastel on paper
37,5 x 54,2
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Pastel on paper
65 x 50
Lower left - E. Einmann 1980.
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Description:
Watercolour, paper
41,7 õ 31,5
Lower left - E. Eimann 1955
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Pastel, black paper
43,7 x 30,3
On the reverse - Ed. Einmann 1975.
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Description:
Pastel on paper
26 x 34
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Description:
Watercolour on paper
54,2 х 37,6
Lower right - E.E.1959a.
The work is published in the book "Earth Pyramids" (1963), page 64.
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Description:
Pastel on paper
36,7 x 48,9
Lower right - Andrus Einmanni tõendus autorsuse kohta
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Watercolour on paper
27,1 x 37,3
Lower right - E.E.1965a.
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Description:
Oil on canvas
47,5 x 44
Lower left - Susanne Eisendieck
Suzanne Eisendieck was born at Holzraum Platz 2B in Danzig (now Gdańsk in Poland) to German parents Karl Eisendick and Anna Eisendick - maiden name Klegus. [
At the age of 12, Suzanne Eisendieck became one of the youngest pupils of the painter Fritz August Pfuhle. When she was 21, she went to study for three years at Berlin State Academy for Fine and Applied Arts, attending the class of Maximilian Klewer, and whilst there took part in an exhibition with over 1400 objects displayed in a group collection. Only 9 were sold and 3 of these were her canvases. This successful show in Berlin enabled her later to travel to Paris where she took residence in a tiny attic of Latin Quarters near the Place St. Michel and started painting. It was a continuous financial struggle for Suzanne until one friend organized for Madame Zak to visit her small studio. She immediately purchased 6 of her paintings and put them in her gallery, Galerie Zak, at the Place Saint Germain des Près. There they were so much admired that she arranged for the first exhibition of Suzanne Eisendieck works. That was followed later by a few others in the Leicester Galleries London.This was also the end of bitter hardship for young artist and the start of great success.
Artistically her work was inspired by the French Impressionists and is in many private collections mostly in America. Majority of her drawings are rapid chalk or pen sketches due to the high demand for new artworks. Suzanne Eisendieck painted in a unique style using oil paint and occasionally pastels.
She became best of friends with Dietz Edzard. It was he who originally introduced Madame Zak to her art. They started painting so much alike that some had difficulty in telling their work apart.
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Description:
Oil on candboard
51 x 61
On the reverse
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| Article: 3676 |
(*) new work of art |
Description:
Oil on cardboard
101x82,5
On the back - Aksel Eist Tartu s. 1930 “Natüürmort”
Aksel Eist, member of the Tartu Union of Artists, whose life is connected with two vocations: painting and medicine. Axel Eist was born on September 18, 1930 in Paide. After graduating from Kehra High School, he studied medicine at the University of Tartu from 1957 to 1963 and then worked as a psychiatrist in Tartu. In parallel with his studies at the university, he studied painting at the school-workshop of Erich Arrak. Axel Eist has been performing at general exhibitions since 1965. Several solo exhibitions of his work were held in Tartu and Tallinn, as well as in Finland. Member of the Estonian Artists' Union since 1989. Landscapes, still lifes and portraits are based on pastel colors.
Axel Eist's works are in art collections in Estonia and Tartu, as well as in private collections in several foreign countries. Their creator was able to provide support as a doctor, and his paintings instill a calm wholeness.
A pasty, temperamental work by Axel Eistt, a doctor-painter.
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Description:
Oil on canvas
81 x 100
On the reverse – Aksel Eist s. 1930 „Saarеmaa rand“
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Description:
Oil on canvas
45,5 x 55
On the reverse – Aksel Eist s. 1930 „Natüürmort“
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Description:
Oil on canvas
65 x 81
On the reverse
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Description:
Oil on cardboard
65 x 82
On the reverse
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Description:
Oil on canvas
65 x 80
On the reverse – Aksel Eist s. 1930 „Natüürmort“
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Description:
Oil on canvas
51,5 x 63,3
On the reverse – Tolstoi tänav A. Eist
Pastose, temperamental work of Axel Eistt, a medical painter, a well-known artist in the artistic life of Tartu, who studied painting in 1959-64. In the workshop of E. Ya.M. Arrak and was a member of the Artists' Union of Estonia since 1989.
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Description:
Oil on canvas
52,5 x 85,3
Lower right – E. Rudolff
Elsbeth Rudolff, born in the town of Valga, studied in Dresdn from 1891 to 1893 and in the school of Anton Ažbè in Munich from 1898 to 1899. She lived and worked in Tartu and was valued portraitist in Baltic German circles.
The works of Elsbeth Rudolf are rare, and their sophistication has been the focus of museologists.
The collection of the Estonian Art Museum also contains valuable and wonderful works by the author.
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Description:
Oil, masonite
45,8 x 60,7
Lower left - O.Eslon
A student of professor A.Hengeler in Munich (in 1918 and 1919). As grant-aided leaves for Italy in 1926, then came Paris and London in 1935. Moved to Sweden and afterwards to Canada.
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Description:
Watercolour on paper
28 x 19
Lower right - Nigul Espe 64
Graduated from the "Pallas" Art School in 1932, Ado Vabbe's studio. Member of the Artists Union from 1945. Participated in shows since 1929. Exhibited in Riga, Rome and Budapest.
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Description:
Watercolour, paper
23,2 x 33
Lower right - N. Espe
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Description:
Oil on cardboard
35 x 25
Lower right - Nigul Espe 58
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Description:
Watercolour on paper
32 x 23
Lower left - Nigul Espe 65
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Description:
Oil, plywood
28 x 40,6
On the reverse – Nigul Espe Tartu
Graduated from the "Pallas" Art School in 1932, Ado Vabbe's studio. Member of the Artists Union from 1945. Participated in shows since 1929. Exhibited in Riga, Rome and Budapest.
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Description:
Watercolour, paper
23,3 x 31,2
Lower right - Nigul Espe 1965
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Description:
Watercolour, paper
22 x 32
Lower right - N. Espe 1963
Graduated from the "Pallas" Art School in 1932, Ado Vabbe's studio. Member of the Artists Union from 1945. Participated in shows since 1929. Exhibited in Riga, Rome and Budapest.
This landscape, painted with free strokes, is one of the best works of Nigul Espe.
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Description:
Oil on canvas
90 x 120
Lower left – Evi 86
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Description:
Oil on canvas
41 x 33,5
Lower right – Farge
Pierre Farge is a Parisian artist, mainly painted cityscapes. He has performed at the Salon of Independent Artists since 1927 and at the Salon Tuileries since 1930. Place du Tertre is a square in Montmartre where many artists traditionally sell their paintings. In style, Farge resembles the famous Parisian artist Maurice Utrillo.
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Description:
Oil on mirror
50,1 x 37,5
On the back - the artist's biographical data.
He graduated from the Dusseldorf Academy of Arts, under the leadership of P. Jansen, A. Myunzera and Professor E. von Gebhard.
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Description:
Oil on canvas
70 x 105
Lower left - K. Feiter
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Description:
Oil on cardboard
24,7 x 21
On the reverse - Genre – ou Portaitmaler Fichher Coburg 1865 Skizze zu dem Bilde „Die wiedergerwonnem Ruhe Geschenk seises Sohnes Sohnes des Bildhauers Bruno Hermann Lindegau 1881
Ernst Fischer is the father of the famous sculptor Bruno Hermann Fischer (1860 - 1932). Ernst Fischer was a painter and a lithographer from Dresden. His father was an artist in porcelain painting. Ernst Fischer, studied in the years 1866-69 in the Dresden Academy, and in the atelier of the famous Adrian Ludwig Richter, in Dresden, from 1873 to 1880. Beautiful little work.
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Description:
Gouache on paper
18.5 x 10.5
Lower right - Fiol.
Lovely watercolor famous Spanish masters.
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Description:
Gouache on paper
18.5 x 10.5
Lower right - Fiol. Granada XXV
Lovely watercolor famous Spanish masters.
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Description:
Gouache on paper
18.5 x 10.5
Lower right - Fiol. Sevilla XXV
Lovely watercolor famous Spanish masters.
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Description:
Oil on canvas
69 x 37
Lower left – A. Ducat
Fischhof first studied architecture, but later devoted himself to painting and studied at the Vienna School of Applied Arts and in Munich. After his return to Vienna, he shifted his work to painted imitations of tapestries. Common themes are Dutch coastal and harbor views, Italian waterfront landscapes, and rural scenes with a stream or path. In almost every work there are sketches of people / children with facial features only indicated, often a column of smoke from a chimney and seagulls in flight in seascapes, in Italian views umbrella acacias and cypresses.
Fischhof used a variety of pseudonyms, including A. Acciaja(o), J. Claiton, A.Ducat, Johann Ducat, J.v.d. Helder, Fabre, L. Fabretto, C. Kaufmann, C. Leutner, Rosini, K. Schwartz, A.L. Terni, J. Tomann, Toretti, John Wagner, J. Wagner, Joh. Wagner, H. Wagner, Th. Wagner
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Description:
Oil, masonite
53 x 41
Lower right - E. Foerster
Erwin Foerster was born in Tallinn, Riga, K. Purvitise art education at St. Petersburg in 1916-17 and Professor V. Mate at 1921 A. Jegorovi us. He appeared in exhibitions since 1923, mostly landscapes and city views. In 1920-the 30th from Foerster Estonia became known as a painter of landscapes. His impressionistic fresh, flavor is somewhat held back at a good level, this represents a kind of still life. In 1940 E. Forster left Estonia. Died in Northern Germany Maas, Buchholz.
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Description:
Oil on wood
39 x 30
Upper right – EvGebhardt
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Description:
Oil on wood
119,5 x 44
Lower right – EvGebhardt
On the reverse - E. Gebhardt Nachlass
The work was apparently designed for a specific wall and for people close to the artist.
The painter Eduard von Gebhardt, studied in the St Petersburg Academy of Arts professor of Düsseldorf Academy, whose works of art have been compared to the great masters of renaissance.
Exhibitions: Tallinn, Berlin, Dusseldorf, Brussels, Dresden.
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Description:
Oil, canvas pasted on a cardboard
46 x 33
Upper right – EvG
The portrait shows Gebhardt's mastery in this genre, the model has been passed on very suggestively. The white shawl is very well painted; a fairly rigorous range of colors brings a bit of delicate pink handkerchief.
The painter Eduard von Gebhardt, studied in the St Petersburg Academy of Arts professor of Düsseldorf Academy, whose works of art have been compared to the great masters of renaissance.
Exhibitions: Tallinn, Berlin, Dusseldorf, Brussels, Dresden.
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Description:
Oil on wood
49 x 62
Lower left – EvG
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Description:
Pastell, paper
44 x 64
Lower left - Max Fritz
On the reverse - Max Fritz "Abendstimmung im Hafen" M. 650
The German artist of the beginning of 20 centuries, fruitfully working in the USA.
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Description:
Oil on canvas
55 x 57
Lower left - SFukora
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Description:
Watercolour, paper
47 x 33
Lower left - M. Fuks
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Description:
Watercolour, paper
46,7 x 33
Lower left - M. Fuks 40
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Description:
Gouache on paper
29, 7 х 23,5
On the reverse - The text confirming authorship. The textbook has not been published.
The aquarellist M.Fuks was born in 1921 in Leningrad, same year the family has moved to Estonia. The aquarellist. Has finished in 1935 in Tallinn начальую school. In 1940 –Comprehensive school graphic and an applied art on a specialty "Set dresser". 1940-41 it was trained at School of an applied art of J.Koort, and with 1942 for 43 of – pupil N.Mej and E.Haamer at the Tallinn School graphic and an applied art. Worked in Синди, Tallinn in Studio Myttus, 1944-83 – in”Ars”. A member of the Union of Artists of Estonia with 1955. Has illustrated and has issued set of books for children and youth, and also textbooks, magazines and newspapers. Created posters, wrote city landscapes, still-lifes and portraits. In 1947 became the author of the sketch of a badge and a breastplate (together with A.Hojdre) the Holiday of a song First in the Estonian Soviet Socialist Republic.
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Description:
Oil on canvas
87 x 76
Lower right
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Description:
Oil on paper
40 x 33
Lower right – E. Gailit 78
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Description:
Oil on cardboard
49 x 68
Lower right– E. Gailit 81
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Description:
Oil on canvas
65 x 55
Lower left – E. Gailit 88
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Description:
Oil on cardboard
78,5 x 49,5
Lower left
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Description:
Oil on canvas
60 x 50,1
Lower right – E. Gailit
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Description:
Oil on cardboard
50 x 74
Upper right– E. Gailit 81
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Description:
Oil on cardboard
50 x 37
Lower right – E. Gailit
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Description:
Oil on cardboard
60 x 41
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Description:
Oil on cardboard
58 x 46
Lower right– E. Gailit 89
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Description:
Oil on cardboard
70 x 50
Lower left– E. G.
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Description:
Oil on canvas
70 x 70
Lower right - Noel
Finished department of art at Moscow Technological Institute. Thereupon worked as sculptor-monumentalist at Ukrainian Art Foundation until it was closed in 1996. Taught 20 years academic painting and drawing. During the studies in Moscow began to exhibit her works in Moscow, on all-union exhibitions and abroad. Her paintings can be found in the private collections of Ukraine, Moldavia, UK and USA. 12 books have been published with her illustrations. Lives since 2019 in Estonia, works as freelancer.
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Description:
Oil on canvas
54 x 65
Lower right - V. Galloit
Masterfully written still life of the French artist Victor Galloit.
Still life, one of the most popular genres in painting at all times.
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Description:
Oil, wood
19,2 x 12,8
Lower left - Gatchet
The Swiss artist and engraver, was very famous in Bern. A nice work that exudes the post-romantic spirituality of the French Revolution.
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Description:
Oil on cardboard
26, 5 x 37
Lower left - Rattenberg park (Kiriku eeskoda)
Please find picture on address: Tallinn, Mustamäe tee 4 room 103
Karl Gebhard has ended the Munich Academy of Arts, then was improved in Rome.
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Description:
Oil on cardboard
26 x 34
Upper right - Tasfers 96
Please find picture on address: Tallinn, Mustamäe tee 4 room 103
Karl Gebhard has ended the Munich Academy of Arts, then was improved in Rome.
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Description:
Cecilia von Gegerfelt was born on June 5, 1885 in Boulogne-sur-Seine, France, died on October 8, 1971 in Stockholm, was a Swedish artist (painter
Gegerfelt studied art in Dresden in 1901-1902 and at the Danish Academy of Arts in 1902-1906, with Karl Wilhelmson in 1906-1908, and during study trips to Italy. Her art consists of landscape motifs in oil or watercolors. She painted street motives, the busy streets of Paris, Rome and Venice. Among Swedish motives, she mainly depicted various views of Halland Vedero and Torekov. The artist's works are presented at the National Museum of Sweden.
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Description:
Oil on canvas
50,2 x 61
Lower left - H. Gerhardt
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Description:
Oil on cardboard
33,8 x 44,7
Lower right - S. Wieren
Decorative at a professional level in floral arrangements. The author’s signature is hard to read.
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Description:
Oil on wood
35 x 43,5
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Description:
Oil on canvas
49,5 x 40,9
On the flip side - the monogram and 78
Grebenshikov Boris , composer, author, singer, film actor.
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Description:
Oil on canvas
31,5 x 46
Lower left - P.Greeff
Greff studied at the Düsseldorf Academy from 1881 to 1882 and at the Karlsruhe Art School from 1889 to 1890. The artist was a member of the Malkasten Artists' Association in Düsseldorf and an exhibition association. He performed in major German art centers. Birches were one of his favorite motifs. He was a friend of the famous Estonian artists Kristjan and Paul Raud, who studied at the Art Academy in
Düsseldorf.
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Description:
Oil on canvas.
57,7 x 47,5
Above on the right –Greenberg
Ilmar Ojalo collection
J. Greenberg was born in Järvamaa, in Estonia. His artistic studies had began in 1904-1905, wheh he entered famous artist Ants Laikmaa School-studio. Till 1913 he continued his training
In Germany. Lived in Tallinn permanently since 1920, but repeatedly visited different European countries. He was working as a drawing teacher, an independent artist, a lecturer, a restorer.
Apparently a restoration had been just what co-operated J.Greenberg and the restorer Ilmar Ojalo
The result of artists co-operation - I. Greenberg´s works in different collections.
In spite of not finished work, the portrait painting style and colouring are typical for his
works of period 1920-s.
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Description:
Oil on canvas
62 x 41
Lower left
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Description:
Oil on canvas
62 x 41
Lower left
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Description:
Oil on masonite
46 x 90,5
Lower left - H. Grimm 65
A German artist from Upper France studied with Paul Klee (!) At the Munich Academy of Art. Between 1939 and 45 he was a propaganda-drawer (German term), and in 1945 he was taken prisoner by the Americans. 1959-62 worked in the US, painted presidents D. Eisenhower and J. Kennedy. 1965 made an Egyptian trip where this motif comes from. In 1976 he was visited by Walther Scheel, President of the SFV in Wunsiedel.
http://www.heinergrimm.de/pages/reisen.html
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Description:
Oil on canvas
36,5 x 57
Lower left - Th. Groll.
On the reverse – label 18 Skaliger schloss am Gardasee
Theodor Groll is a famous landscape painter and architect. He was well known at the time and was widely exhibited in Germany.
Theodor Groll graduated from the Berlin Academy of Architecture, then turned to painting. He quickly established himself as a strong artist. He was presented with his paintings several times at the Düsseldorf art exhibition, as well as at the Berlin Great Art Exhibition, became a member and then chairman of the Düsseldorf Association of ArtistsFrom 1892 to 1895, Groll worked in the United States. He was also a jury at the World Columbia Exhibition in Chicago. Together with Flamm and Aachenbach, Groll belonged to the great Italian artists of the late Dusseldorf School of Painting
Theodor Groll’s work has been offered at auctions several times, priced from $ 1,000 to $ 63,361, depending on the size and volume of the artwork. Since 2008, the record price for this artist at auction has been $ 63,361 for midday in Venice, sold at Van Ham Fine Art auctions in 2013.
https://www.invaluable.com/auction-lot/groll-theodor-dusseldorf-1857-1913-644-c-15340e991d
https://www.dorotheum.com/en/l/2342662/
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Description:
Oil on canvas
60 x 80
Lower right - H GROTUSS 1940.
Hugo Karlis Grotus studied at the studio Yu Madernieka and the Central School of Technical Drawing Stieglitz in St. Petersburg.
He worked as an art teacher in the Petersburg school was headmaster Shuvalov - Ozersky.
In 1920, JC Grotus returned to Latvia.
He was a member of Unity of Independent Artists, also a board member, participated in exhibitions of the group (1921 - 34).
In 1984 he organized a memorial exhibition.
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Description:
Oil, canvas
75 x 96
Signature
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Description:
Oil on cardboard
101 x 19,5
On the reverse
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Description:
Oil on cardboard
50 x 80
On the reverse
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Description:
Oil on canvas
34,5 x 49
On the reverse - Voldemar Haas
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Description:
Oil on canvas
34,5 x 49
Voldemar Haas has been from 1923 to 1937 a stage designer at the "Vanemuine" Theatre in Tartu and from 1937 to 1956 – at the "Estonia" Theatre in Tallinn. Since the study at the “Pallas” Art School in Tartu (1919-23), the easel painting occupied an important place in his oeuvre, as well. He often painted the views of Tallinn – not so much the old town, as the modern city, revealed the interest in light effects, characteristic for an artist of theatre. Exquisite and fresh, this sketch is a fine example of the artist's talent in painting nature.
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Description:
Oil on canvas
44 x 55
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Description:
Oil on canvas
38 x 61,3
Lower left – VHaas
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Description:
Pastel, paper
45 x 46
Lower right - Ülo Habicht 1987.
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Description:
Pastel, paper
58 x 46
Lower right - Ülo Habicht 1988.
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Description:
Pastel, paper
44,7 x 40,9
Lower right – H. H.
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Description:
Oil on cardboard
18,2 x 24,7
Lower left– HHalliste
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Description:
Oil on wood
36 x 46
Lower right
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Description:
Pastel, paper
38,1 x 26,5
Lower right – H. H.1961
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Description:
Oil on wood
36 x 46
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Description:
Pastel, cardboard
58,5 x 48,5
Lower right - Hallop
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Description:
Oil on canvas
40 x 54
On the reverse - Guido Hampe 1839 - 1891 Bergsee
Paul Friedrich Gustav Guido Hampe is a German landscape painter. He mainly worked in Thuringia, Black Forest and Switzerland. Also visited Greece, Italy and Spain. From 1862 he exhibited his work at the Royal Prussian Academy of Arts, as well as in Dresden and Frankfurt am Main.
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Description:
Oil on canvas
45 x 65,5
Lower right – Korfod v. Hansen pan Ander
K. von Hansen famous Danish landscape.
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Description:
Oil on canvas
34,8 x 27
Lower left - Lilian Härm
Please find picture on address: Tallinn, Mustamäe tee 4 room 103
Lilian Harm in 1950 has ended the Estonian State Art Institute.
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Description:
Colored chalk, paper
32,5 x 39,5
Lower right- Lilian Härm
Lilian Harm in 1950 has ended the Estonian State Art Institute.
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Description:
Oil on wood
40,7 x 27
On the reverse - Josef Heilimar Nachklass) Obergriebach 1849 – 1923 München (Heritage of the artist).
South - Bavarian artist.
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Description:
Oil on cardboard
23 x 34
Lower right
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Description:
Charcoal, sanguine, white swept, paper
33,5 x 47
Lower right
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Description:
Oil on, canvas
54,5 x 75
Lower right - H. Herzog 1894
On the reverse - Hafen Ausflug Riva am Lago Garda H. Herzog
Hermann Ottomar Herzog was born in Bremen, Germany and entered the Düsseldorf Academy with Andreas Achenbach, who promoted a refined and detailed technique. During the 1850s and ‘60s, Herzog traveled throughout Europe, depicting various sublime landscapes with raging waterfalls and roiling skies. Such early works garnered favorable attention at the Paris Salon and at the Pennsylvania Academy of the Fine Arts and attracted distinguished patrons, including the Countess of Flanders, Emperor Alexander II of Russia, Queen Victoria, and Duke Ernest of Saxe-Coburg and Gotha.
Herzog’s paintings are in numerous museum collections nationwide, including the Metropolitan Museum of Art, New York; Smithsonian American Art Museum, Washington, D.C.; Museum of Fine Arts, Boston; Crocker Art Museum, Sacramento; Cincinnati Art Museum; and Reading Public Museum, Reading, Pennsylvania.
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Description:
Oil on masonite
49,6 x 60
Lower left- J. N. Heydendahl.
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Description:
Oil on canvas
60,5 x 81
Lower right - J. Heydendahl Df
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Description:
Oil on canvas
56 x 67
Lower right - Joh Heydendahl.
Heydendahl basically worked in London, was known as the marine painter.
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Description:
Oil on wood
30 x 40
Lower right - Dahl-Heiden
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Description:
Oil on canvas
60,5 x 80,5
Lower left – A. Hilgers
Adolf Hilgers has ended Düsseldorf Art Academy
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Description:
Oil on canvas
85,5 x 111
Lower right - A. Hoeffler
Johann Adolf Hoeffler was among the Frankfurt and Kronberg painters particulary close to Burger and Burnitz. He received a profound education at the Städel Institute as well as at the Munich and Düsseldorf Art Academies.
Hoeffler however felt wanderlust and spent the years between 1848 and 1853 travelling to North America and Cuba. He brought back many drawings and oil studies before he finally returned home and, from the 1860's onwards, concentrated on landscape motifs in the surroundings of Frankfurt.
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Description:
Oil on canvas
60 x 80
Lower left - Ad. Hoffann
Adolf Hoffmann is an Austrian artist, graduated from the Vienna Academy of Fine Arts.
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Description:
Oil on canvas
52,5 x 72
Lower left
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Description:
Oil on canvas
67,2 x 56,8
Lower left - Theo Hoffmann. 1923
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Description:
Oil on canvas
60 x 90
Lower right – O. Hofmann 42
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Description:
Oil on canvas
30,5 x 20,5
Lower left - A. Hollaender
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Description:
Oil, cardboard
35,4 x 25.9
Lower right - A.H.
On the reverse - "Mittagsonne" (July) (Henkersforst) 1914. A. Holz.
Düsseldorf artist, animal painter and landscape painter Albert Holtz is a student of Christian Kröner, and Georg Khachkov. The latter taught in the theater decoration class at the Academy of Arts from 1919–28. Then he worked as an artist in the city theater. The artist created landscape panoramas for the Dusseldorf Zoo. Holz mainly created landscapes and genre depictions of village life in the Vamlin and Moselle regions.
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Description:
Watercolour, paper
47,5 x 33,5
Lower right - H. J. Horn
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Description:
Oil on canvas
80 x 100
Lower right
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Description:
Oil, zinc plate
vm 15 x 11,5 (Oval)
Lower right – CH
On the reverse - Carl Hübner
The known Düsseldorf artist.
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Description:
Oil on canvas
98,3 x 118,8
Lower right - Ida Anton-Agu
On the reverse - Ida Anton-Agu Interjöör saksa fašistikust vanglast I. (I variant) Teostatud 1947/48.a. Tartus
One of the most original representatives of the "Pallas" Art School (graduated in 1935). Some art critics compare her works – interiors and landscapes – with the works by Nikolai Kummits.
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Description:
Oil on canvas
60 x 73
Lower left – S. Inkatov
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Description:
Oil on canvas
55 x 50
Lower left – S. Inkatov
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Description:
Oil on canvas
70 x 60
Lover right – Inkatov
On the reverse – Inkatov Vladimir Georg. The East- Still-Life. C. Oil 1994 Tallinn
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Description:
Oil on canvas
70 x 60
Lover right – Inkatov
On the reverse – Inkatov Vladimir Georg. The East- Still-Life. C. Oil 1994 Tallinn
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Description:
Oil on cardboard
36,2 x 24,2
At all times people admired female beauty and the beauty of the dance. It is possible that the mirror and candle are a dancer allegorical subjects.
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Description:
Oil on cardboard
38 x 28
At all times people admired female beauty and the beauty of the dance.
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Description:
Oil on canvas
92,2 x 77,5
Lower on the center - JAHN-HEILIGENSTADT
The artist was born in Mengelrode near Heiligenstadt and studied at the art school at the Museum of Applied Arts in Berlin. Interior and church painter. This work is at a good professional level.
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Description:
Watercolour, paper
23,8 x 31,7
At the upper left - Frünling in Darmstadt 14 V 922 J. Jakimov
In 1906 has left abroad. Studied in Academy F. Kolarossi in Paris and at S.Holloshi's Art School in Munich. Some time carried out in London, then worked in A.Matiss and A.Burdelja's Art studio in Paris. In 1913 participated in the Exhibition of the French Art in Art interior on the Big Dmitrovka in Moscow.
Personal exhibitions: Berlin, gallery Gurlitt (1919), Hertzel (1924), Spanier (1924), Tannendaum (1932), etc.
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Description:
Watercolour, paper
31,7 x 23,8
Lower left - J. Jakimov 13 V 922 DST
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Description:
Tempera, paper
Vm 32,5 x 43,5
Lower right – A. Jegorov
From the collection of Julius Gens
https://et.wikipedia.org/wiki/Julius_Genss
Studied in St. Petersburg at the School of the Society for Promoting Arts and then entered the Academy of Arts (after passing the exams brilliantly). He graduated from the Academy in 1909 as a student of I.Repin and D.Kardovsky. Started exhibiting in shows of the Watercolour Artists Society and the “Peredvizhniki” Union. A member of the A.Kuindzhi Society from 1911. A distinguished painter, A.Yegorov took active part in many exhibitions in Russia and Estonia.
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Description:
Tempera, paper
Vm 33 x 48
Lower right - A. Jegorov
Lower right From the collection of Julius Gens
https://et.wikipedia.org/wiki/Julius_Genss
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Description:
Oil on canvas
71,4 x 95
Lower left
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Description:
Monotype, paper
Plm 56 x 79
Lower right - H. Jõerüüt
Co-student of J. Sooster in Tartu at the "Pallas" (1943 - 1951) and at the Art Institute. Helga Jõerut graduated from the Tallinn Art Institute in 1951 as an artist and is known for both watercolor and monotype. This large-format monotype is distinguished by subtle nuances. The artist was able to quite accurately predict the result, working on the plate. The spacious northern landscape attracts here with its harsh beauty.
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Description:
Oil, canvas pasted on a cardboard
62,5 x 86,5
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Description:
Oil, cardboard
31 x 47,5
Lower right - Jõgever
On the reverse - S. Jõgever „Varakevad aias“ 1959.
In this work Silvia Iegever shows the two opposite ideas: live elements against the artificial world of geometry.
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Description:
Pencil, watercolor, paper
42 x 37,8
Lower right - A. Johani. 1925
This work of art is an interesting point of view of the methodology of teaching in Art - industrial School, and, of course, is also an example of the beginning of the art of the artist.
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Description:
Oil on plywood
14,8 x 23,4
On the reverse - Prof. J. Junghanns
Julius Paul Junghanns was born in 1876 in Vienna into a Saxonian family living in this city. Very soon after his birth, his family returned to Dresden, where the future artist was to spend his childhood. In 1895, he graduated from an art school as a lithographer. In the next (1896) year he began studying in the Dresden Academy of Fine Arts; in 1899 moved to Munich, in order to become a pupil of animalist painter Heinrich von Zügel at the Munich Academy. Junghanns studied at the Munich Academy of Fine Arts until 1904. In 1904, recommended by his teacher von Zügel, he (he was 28 then) became the Head of the Animalist and Open-Air Painting of the Dusseldorf Academy. Two years later he received the title of a Professor. He taught at the Dusseldorf Academy until his retirement in 1945.
Julius Paul Junghanns has had several gallery and museum exhibitions, including at the KODE Art Museums of Bergen. Many works by the artist have been sold at auction, including 'Spring' sold at Christie's Amsterdam 'Nineteenth Century Art' in 2000 for $8,052. The artist died in 1958.
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Description:
Watercolour, gouache, paper
33,5 x 24
Lower right - Abramzevo 2 ...
On the reverse - A.Jürgenson 1926
Aleksandra Jurgenson was the daughter of Tchaikovsky's publisher Pyotr Jurgenson. Tchaikovsky knew Aleksandra well and when she joined the Moscow School of Painting, Sculpture and Architecture, he insisted that she should paint his portrait. Tchaikovsky dedicated L'espiegle No12, of the Eighteen Pieces Op72 1893 to Aleksandra. Her portrait of fellow painter Surikov can be seen in the Tretiakov Gallery, Moscow.
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Description:
Watercolour, gouache, paper
25, 1 x 17,6
Upper left – A. Snegirjova
Upper centre -
Lower left - Abramzevo 27
Aleksandra Jurgenson was the daughter of Tchaikovsky's publisher Pyotr Jurgenson. Tchaikovsky knew Aleksandra well and when she joined the Moscow School of Painting, Sculpture and Architecture, he insisted that she should paint his portrait. Tchaikovsky dedicated L'espiegle No12, of the Eighteen Pieces Op72 1893 to Aleksandra. Her portrait of fellow painter Surikov can be seen in the Tretiakov Gallery, Moscow.
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Description:
Oil on cardboard
21 x 47
Lower right - A.Juškevitš 2001
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Description:
Oil on canvas
101 x 111
Lower right - A.Juškevitš 2005
In 1994 has ended The Tallinn Art Academy, branch of painting.
1995 - Feodosiya, gallery it Aivazowsky
Works are: In a museum of a history on Maarjamae, in a museum of Feodosiya, in private collections in France, Germany, Finland, Sweden, Holland.
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