| Art ceramics workshop Danko |
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The collection of art ceramics, presented in the gallery RIOS ART, is made in one of the most famous workshops in the Balkans, which was founded by the hereditary ceramist and artist Daniel Nikolov.
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| Baltic-German artists |
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From January 18 to February 25 in Jelgava History and Art Museum of Ģederts Eliass, an exhibition of the work of Baltic-German artists will take place, from the collection of the Rios Art gallery (100 Artworks. Tallinn Estonia).
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 10
Studied at the supreme Art School "Pallas" 1921-23, in Scharlottenburg Art - Industrial School in Berlin at H. Bengen1923-24, in Paris at C.Guirin, A.Lhote 1924-27. Till 1932 Adamson-Eric lived in Paris.
In Estonia artist begins to participate at exhibitions in the second half of 20s. Adamson-Eric is one of the most consecutive conductors of aesthetic principles of French painting School in the Estonian art.
During the war time the Estonian Art Ensembles in Jaroslavl included also a theatre group Adamson-Eric created for the artists sketch of. costumes.
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Description:
Pencil, colour pencil, cardboard
15,1 x 8,1
Lower right
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Description:
Pencil, colour pencil, cardboard
15,1 x 9
Lower right
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Description:
Steel engraving, paper
Lm 15,6 x 23. Km 11,5 x 17,3.
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Description:
Colour lithography, paper
62,5 x 36,8
In the middle of the left - P. Aren
Peet Aren, an outstanding Estonian artist. In 1923, the "AGU" magazine was published and P. Aren made a poster for him.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Ink on paper
13,3 x 9,5
Peet Aren graduated the St. Petersburg School of Art in 1913 - studio of N. Roerich, I.Bilibin and A.Rilov. From 1926 to 1930 he had been teaching at the "Pallas" Art School. In 1944 he has emigrated to Germany, then USA. Exhibitions: Riga, Paris, Helsinki, Lubek, Kiel, Cologne, Copenhagen, Rome, Warsaw, Budapest and New York.
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Description:
Indian ink on paper
19,5 x 13,5
Lower right - P.Aren 29
Graduated from the St. Petersburg School of Art in 1913 – studios of N.Roerich, I.Bilibin and A. Rylov. From 1926 to 1930 Peet Aren had been teaching at the "Pallas" Art School. Emigrated in 1944 to Germany, then the U.S.A. Died in New York. At the end
of the 1910s and in the 1920s influenced by the Expressionism that can been seen in this design of a book-cover, too. P.Aren has designed a lot of books.
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Description:
Linocut, paper
32 x 36,8
Lower left - Kaks kalurit. Linoollõige, 4/25
Lower right- H.Arrak 1961
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Description:
Engraving, paper
13 õ 22,9
Lower left - Puugravüür, 39/100
Lower right- H.Arrak 1967
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Description:
Linocut, paper
40,9 x 52,2
Lower left - Suured ja väiksed laevad Linoollõige
Lower right- H.Arrak 1963
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Description:
Brown, gray sepia, paper
30 x 37,1
Lower centre - sehr schönes Original von Baron von Stengel nr. 14
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Description:
Ink, paper
19 x 14
Lower right - Gv Bochmann 6 ten April 87
Born in Nehatu manor. G. Von Bochmann studied in 1868-71 in Düsseldorf at the Academy of Arts and worked then in Düsseldorf as a liberal painter until 1895, when he became professor of academy. He is still very appreciated in Germany and in whole word as a master of Düsseldorf School. He has participated in most of exhibitions in Düsseldorf, Munich, Vienna, Dresden, and Berlin. He has lots of medals. Bochmann imaged on his paintings his homeland- Estonian’s motives, more than once foreground of forges, because he loved and was able to image horses and their movements. He possessed watercolors, what is also improved with this work. His works are represented in in Düsseldorf’s Museum of Art, Berlin National Gallery, Dresden Art Gallery, München New Pinotek, Tretjakov Gallery in Moskow, and Estonian Art Museum in Tallinn.
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
Vm 41,5 x 30
Lower right - V.Bogatkin
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Description:
Lithograph, paper
57 x 46
Lower right - B.Bogatkin 60
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs "Leningrad in days of blockade", "Moscow invincible", "Storm of Berlin".
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
Bogatkin Vladimir Valerjanovich (1922 - 1971) - the Soviet artist and painter. Studied at Art School at the All-Russia Academy of arts in Leningrad (1936 - 1940 г.г.). Further was engaged in M.V.Nesterov workshop. Since 1944 worked in Studio of military artists as it. M.B.Grekova, having devoted the creativity to display of life of the Soviet Army. On the basis of the sketches created within Great Domestic war has executed a series of lithographs "Leningrad in days of blockade", "Moscow invincible", "Storm of Berlin".
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
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Description:
Lithograph, paper
Vm 31 x 26
Lower right - V.Bogatkin 1955
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Description:
Graphic, aquatint, paper
28 x 52
Lower in the centre, on the plate -MOSCOW Publish`d by R.Bowyer, Pall Mall, 1814.
Published by R. Bowyer in his book "An Ilustrated Record of Important Events in the Annals of Europe, during the Jears 1812, 1813, 1814 & 1815: Comprising a Series of Views of Paris, Moscow, the Krermlin, Dresden, Berlin, the Battles of Leipsic, etc. Etc.together with a History of Those Momentuous Transactions."
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Description:
Etching, paper
34,7 x 27,5
Lower left - Original - Radierung
Lower right - Max Brüning
Max Brüning - German painter, studied at the Leipzig Academy of Arts under Alois Colby graphics and Peter Helmy (he, in Munich, studied Estonian artist K. Raud). He participated in exhibitions since 1910.
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Description:
Lithograph, Paper
67 x 50
Upper in the centre - Bernard Buffet 57
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Description:
Linocut, paper
Km13,8 x 20,1
Lower left
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Description:
Lithograph, paper
28,7 x 42
Lower right on the plate – A. Calame f
Upper centre – Lower centre – Etudes progressives
Lower centre - Nr. 31 Imp. Lith Cattier rue de Lancry. 12
Lower left – Paris. Jeannin Place du Louvre.20
Lower right - Eoupil et Vibert, B. Montmartre. 15 et m. de Lancry.7.
Among the most celebrated Swiss landscape painters of the 19th century, Alexander Calame made a particular speciality of Alpine mountain scenes. Despite losing his right eye as a child, he was determined to make a career as an artist, and studied with the landscapist François Diday between 1829 and 1832. From 1828 he began producing vues pittoresques suisses in gouache, intended for sale as autonomous works of art, which allowed him a measure of financial independence. He first came to the attention of French collectors and connoisseurs at the Salon of 1839, where he exhibited a view set in the Bernese Oberland, entitled A Thunderstorm in Handeck. The painting was a great success in Paris, and was purchased by public subscription by the city of Geneva for the Musée Rath. At the Salon two years later one of his paintings, a View of the Valley of Ansasca, was purchased by the King, Louis-Philippe. By this time Calame’s success was assured. His paintings, worked up from oil sketches and drawings made sur le motif, were in great demand, and were purchased by collectors throughout Europe, and particularly in Russia. In 1854 he published a number of landscape drawings and studies in lithographic form as Leçons de dessin appliqué au paysage.
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Description:
Sepia, ink, paper (XVIII century).
15,6 x 19,9
On the reverse Record started XX centuries - Canaletto, from collection Oldekopp.
Oldekopp was the most serious collector in Estonia at the end of XIX beginning of XX century.
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Description:
Coloured lithography, paper
58 х 44,5
Lower right - Dali
Lower left - 290/300
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Description:
Steel engraving, paper
Lm 19,7 x 29,5. Km 10 x 15,4
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Description:
Steel engraving, paper
Lm 19,8 x 29,5.Km 10,1 x 14,7
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Description:
Etching, copperplate engraving, paper
39,8 x 28,8
Lower on the right, on a plate - J.Daulle Sc.
Lower on the left, on a plate - Rembrandt Pinx
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Description:
Steel engraving, paper
Lm 15,4 x 23.Km 9,5 x 15,7
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Description:
Steel engraving, paper
Lm 19,4 x 29,8. Km 9,5 x 14,6
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Description:
Steel engraving, paper
Lm 19 x 28,8. Km 10,3 x 15,4.
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Description:
Lithograph, Paper
54 х 40
Lower right of the plate - Raoul Dufy
Raoul Dufy - French painter, graphic artist, decorator. Born 1877 and died 1953 in France. He got education in Paris Fine Arts School. The impressionist`s paintings were very close to his creative works. In 1906 was organized the first personal artist's exhibition, where he met the painter Anry Matis. The last one used in his paintings only bright, clean colors and sharp contours. The same lines were characterized to Dufy`s works in 1906-1909. The artist has not his own style until the 1920's, only later he has worked it out. His latest creative period painting style was called "scenagraphical". His water-colours and oil paintings presented the manners picture of the artist lifetime.
Dufy was a well-known and talented illustrator, the master of Decorative applied art- and monumental paintings.
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Description:
Etching on paper
21,2 x 15,5
Lower right - E. E. 57
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Description:
Aquatint, paper
62,1 x 45,4
Lower left - Usbeki tütarlaps Akvatinta
Lower right - Ed. Einmann 1961
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Description:
Linocut, paper
34,3 x 43
Lower right - H. Eelma 65.
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Description:
Aquatint, paper
42.7 x 48.3
Lower right - Ed.Einmann 1961
This work was created after the artist's travel to Egypt in 1959. Next year under the impression of the performed trip he created this aquatint. "The Niles Boatman" is the most best-known of E.Einmann's graphic works. The artist finished and exhibited it in 1961 that explains different dates of copies. Reproduced in Eduard Einmann's book "In the Land of Pyramids", page 141.
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Description:
Charcoal on paper
39 x 29
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38 x 26,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
52,8 x 37,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,5 x 36,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,8 x 44,3
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
57,2 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
54,1 x 37,9
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
49,2 x 34,6
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
56,5 x 42,8
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38,5 x 27,5
Lower right - E. Einmann.1951
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Description:
Charcoal on paper
38 õ 27
Lower right - E. Einmann 1951
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Charcoal on paper
52,2 x 39
Lower right - E. E.51
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Description:
Charcoal on paper
39 x 27,5
Lower right - E. Einmann.1953
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Description:
Pencil on paper
63,5 x 43,5
Lower left - Ed. Einmann 1943
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Description:
Graphite on paper
59,9 x 42,9
Lower right - Ed. Einmann 1952
This original drawing, one of the most famous pictures of E. Eynmana "Nurse".
Studied under Paul Raud and August Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
Correspondent member of the Academy of Arts of the USSR from 1958, professor of art since 1963. Eduard Einmann's works can be found in many museums throughout the world.
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Description:
Felt-tip pen, paper
32,4 x 46,6
Upper right - Ed. Einmann 1952
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Description:
Sangini, paber
40,4 x 28,9
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Description:
Charcoal, paper
49.8 x 35.3
Lower right - Eduard Einmann 1953.
Lower left - Selja jõe org Rutjal
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Description:
Watercolour, charcoal, paper
43 x 33,5
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Description:
Etching, paper
52 x 47,5
Lower right - Ed. Einmann 1958.
Lower left - Toolse kalur autoritõmmis kuivnõel (author's copy)
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Description:
Aquatint, etching, paper
61 x 31
Lower right - Ed.Einmann 1960
This work was created after the artist’s travel to Egypt in 1959. Next year under the impression of the performed trip he created graphics in aquatint technique. The illustration was published in Eduard Einmann’s book "In the Land of Pyramids", page 141.
Studied under P.Raud and A.Jansen at the Tallinn State Art Industry School from 1928 to 1934, was a student of the Jaan Koort State Art School from 1938 to 1941. Started to take part in the exhibitions since 1934.Preferred painting in the thirties, but in the forties got interested in drawing and revealed himself as an outstanding master of portraits. Created many interesting works of art after his trips to Armenia, Uzbekistan, Egypt, Italy, Ukraine and Tadzhikistan.
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Description:
Charcoal, paper
59,2 x 41
Lower right - MEinmann
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Description:
Colour lithography, paper
42,6 x 33,8
In the middle of the left - Eisvald
A. Eisvald-Ristimägi studied in 1921 A. Laikmaa, 1940/41. and 1942/43. During the school years, "Pallas" Art Schools (K. Mäe Higher Art School and Tartu Higher Visual Arts Courses). 1944 moved to sweden In the past, creativity was influenced by this expressionism. 1923 The "AGU" magazine, which has just begun to appear, is a well-crafted and rare publication.
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Description:
Graphics, paper
Lm 48 x 35,5
Km 30,1 x 32,3
Lower left - Ziema
On the centre - litograafija 3/100
Lower right - J. Elgerts -81
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Description:
Engraving on wood, paper
23,5 x 17,2
Lower left – Linnamotiiv. Puugravüür
Lower right – L. Ennosaar 1970
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Description:
Lithograph on paper
64 x 85
Lower left
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 29
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 30
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Colour lithograph, paper
38 x 28
Lower right - F. Leger. 21
Lithograph from the series "Hommage à Fernand Leger", made shortly after his death, the famous publishing house Mourlot` litad Maeght`i. A rarity.
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Description:
Lithograph on paper
97, 5 х 71,5
Lower left – 14/250
Lower right - Ernst Fuchs.
Ernst Fuchs is an Austrian artist famous as a co-founder of the Vienna School of Fantastic Realism and mastering and teaching the Mischtechnik to others. Many other artists have studied under and have been influenced by him and his work.
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Description:
Ink, paper
25,0 x 17,4
On the reverse - Margarete Fuks.1946
Illustratsioon lk.89.
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Description:
Watercolour, paper
28,7 x 19,1
On the reverse - The text confirming authorship. The textbook has not been published.
The aquarellist M.Fuks was born in 1921 in Leningrad, same year the family has moved to Estonia. The aquarellist. Has finished in 1935 in Tallinn начальую school. In 1940 –Comprehensive school graphic and an applied art on a specialty "Set dresser". 1940-41 it was trained at School of an applied art of J.Koort, and with 1942 for 43 of – pupil N.Mej and E.Haamer at the Tallinn School graphic and an applied art. Worked in Синди, Tallinn in Studio Myttus, 1944-83 – in"Ars". A member of the Union of Artists of Estonia with 1955. Has illustrated and has issued set of books for children and youth, and also textbooks, magazines and newspapers. Created posters, wrote city landscapes, still-lifes and portraits. In 1947 became the author of the sketch of a badge and a breastplate (together with A.Hojdre) the Holiday of a song First in the Estonian Soviet Socialist Republic.
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Description:
Engraving on wood, paper
23 x 30,5
Lower left - E v Gebhardt
Lower right – G. Heder&Kirmse X.A.
Lower in the centre - E. Von Gebhardt – Christus in Bethanien.
Eduard von Gebhardt, a professor of the Düsseldorf Academy of Arts, was born in the village of Järva-Jaani in Estonia. He reworked the style of German religious painting by visualising evangelistic scenarios in Lutheran surroundings. His works are also of substantial interest as paintings in themselves. This gorgeous, strongly and sappily modelled characteristic portrait of a person in a bright gown of the style dating back to the Reformation (16th century).
The painter Eduard von Gebhardt, studied in the St Petersburg Academy of Arts professor of Düsseldorf Academy, whose works of art have been compared to the great masters of renaissance.
Exhibitions: Tallinn, Berlin, Dusseldorf, Brussels, Dresden.
One can see the reproduction of this work in A.Rosenberg monography (1899 of page 88, repr. 87), and K.Griezi's monographies (1995. And 121).
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Description:
Lithograph, paper
34 x 60
Lower left - 11/200
Lower right - E. Haamer.
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Description:
Charcoal, paper
64,1 x 46
Lower left – Haamer
On the reverse - pihlakaoks kobaraga
Outstanding artist Erik Haamer has finished the Maximum Art School "Pallas" in 1935, under N.Triik's manual. Erik Haamer worked as the teacher painting, drawing and anatomy at the Tallinn School of an applied (1941-44). In 1944 has immigrated to Sweden where the most part of time, was the free artist. Wrote large figurative compositions, illustrated "Kalevipoeg". Works of the artist are available in many museums of the world
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Description:
Charcoal, paper
41,6 x 54,7
Lower right - E. H 66.
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Description:
Lithograph painted by a water color, a paper
Km 27,1 x 38,7
Lower left
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Description:
Lithograph painted by a water color, a paper
Km 26,2 x 37,5
Lower left
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Description:
Watercolour, Indian ink, paper
34,7 х 29,2
Lower left – RH Venedig
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Description:
Colour etching on paper
35,7 x 25,5
Lower right – RH
R. E. von Hoerschelmann was born in Tartu, a university professor of classical philology in the family, began his art studies at Tartu continued in Munich.
Hoerschelmann created as a writer, illustrator, cartoonist and graphic designer a versatile plant, Illustrations for about 40 books and magazines Simplicissimus, Die Jugend, Youth and Flying leaves , numerous wood and paper cutouts, watercolors and bookplates and poster designs . His drawings featuring a brisk, impressionistic stroke. The hitherto neglected art form the silhouette got through Hoerschelmann a new significance in the book illustration. The book illustrations Hoerschelmanns are influenced by different creative periods of the graphic artist Alfred Kubin, by Max Slevogt . With Kubin Hoerschelmann shared a penchant for fantasy .
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Description:
Lithography, paper
31,7 x 45,1
Lower left - Pühajärv
Lower right - Alo Hoidre 65
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Description:
Engraving, paper
Lm 28,9 x 37,4; km 20 x 26,7
Lower left - monogramm
Lower right
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Description:
Lithography, paper
37,8 x 47,8
Lower right - Alo Hoidre 65
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Description:
Graphic, drawing style, dot style.
72 x 51
Lower on the left on a plate - Dessine par Eugene Bourgeous Eleve de M.`David,
et pensionnaire de S.M. l` Empereur et Roi.
Lower left – Grave` sous le Direction de M.`David par Noel Bertrand.
On the centre – NAPOLEON LE GRAND.
D`apre`s le Portrait en pied de S.M.l` Empereur et Roi Fait par M.` David son premier Peintre.
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Description:
Lithograph, paper
Lm 50,7 x 36
Km 49,2 x 33,6
Lower right - Johani 37 Paris
Work is fixed in the catalogue of a personal exhibition of A.Johani, in the Tallinn Art museum (1957 nr. 39).
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Description:
Sanguine, a paper
45 x 35
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Description:
Brown chalk, paper
Vm 30,4 x 22
Lower right - Johani 37 Paris
Andrus Johani one of the most outstanding Estonian artists. Art education has received at the supreme "Pallas" Art School with 1926-1929, with 1931-1933, in studio of P. Aren and A. Vabbe. In 1936-37 year went the grant-aided student to Berlin, Paris, and Amsterdam.
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Description:
Ink, pens, brushes, paper
51, 7 x 34
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Description:
Linocut, paper
Lm 41,4 x 54
Km 30,5 x 43
The right - Richard Kaljo 63
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Description:
Engraving on wood, paper
Km 27 x 21
Lower right – RKaljo
Lower left - "Eeden" puugravüür 1967
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Description:
Engraving on wood, paper
Km 29 x 22
Lower right
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Description:
Engraving on wood, paper
Km 24,8 x 17,8
Lower right – RichÊaljo
Lower left - “Lenin kõnelemas” puugravüür 1948
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Description:
Engraving on wood, paper
Km 24 x 23,5
Lower right – R.Кaljo -1942
Lower left - Tartu kivisild
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
61 x 43
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Charcoal, paper
46 x 62
Lower left – RKaljo 23.sept. 46. Bzhnis
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Engraving on wood, paper
25,5 x 32,5
Lower right – RKaljo
Lower left - Dessant Saaremale. puugravüür 1951
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Description:
Engraving on wood, paper
Km 24,2 x 18,3
Lower right – RKaljo 61
Graduated from the “Pallas” Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
Work is fixed and reproduced in the catalogue of a personal exhibition of 1964 nr. Repr. 54
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Description:
Charcoal, paper
37,5 x 50
Lower right – RichKaljo 8.sept46
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Pencil, paper
29,3 x 45,7
Lower right – R.Кaljo 24.9.46
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Description:
Etching on paper
29,4 x 39,7
Lower left – Armeenia turul Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Linocut, paper
32,4 x 49,4
Lower left – Rünnakul Linoollõige 1945
Lower right - RichardКaljo
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Description:
Linocut, paper
36,6 x 51
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Description:
Linocut, paper
25 x 37
Lower right – RKaljo 63
Lower right on the plate - RK
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Description:
Etching on paper
32,1 x 41
Lower left – Suur ja väike Ararat Ofort 1947
Lower right – RichardКaljo
In 1946, the Estonian artists were creative mission in Armenia. There Calle made a series of beautiful ink drawings. In 1947, he was on the basis of these figures, made a series of etchings.
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Description:
Graphic 44.9 x 29.3
Lower right
One of the most well-known compositions of Richard Kaljo, typical of the artist’s style. The work was displayed at many exhibitions, reproductions are also very popular.
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Description:
Indian ink, paper
41, 4 × 55,7
Lower left – Sõjapõgenikud
Lower right – R.Кaljo 1966
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Description:
Engraving on wood, paper
Km 18,1 x 26,2
Lower right – RichКaljo
Lower left - “Tartu viljasilo” puugravььr 1945
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Description:
Etching on paper
32,9 x 24,6
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Description:
Etching on paper
21 x 28,6
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Description:
Linocut, paper
29,5 x 22,9
Lower right – RichardКaljo - 1939
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Description:
Charcoal, paper
65 x 44,5
Lower left - RKaljo73
Graduated from the "Pallas" Art School, studied under A.Laigo and R.Vakher. A master of drawing, known for exquisite book illustrations. Richard Kaljo is a renowned author of landscapes, nudes and various compositions.
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Description:
Linocut, cardboard
32,4 x 49,4
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Description:
Etching, aquatint, paper
24,5 x 24,8
Lower left – ofort, akvatinta
Lower right - Päivikki Kallio 79
After initially studying Theoretical Philosophy and Art History at the University of Helsinki, Päivikki Kallio (b. 1952) graduated as a graphic artist and designer from the University of Art and Design, Helsinki, in 1977. After this, she studied printmaking at the Estonian Academy of Arts in Tallinn, from 1977 to 1979.
Since 1978, Kallio’s works have featured in numerous solo and group exhibitions in Finland and abroad. Her works are included in the collections of Kiasma and the Finnish state. As an artist, it is characteristic of Kallio’s works that they address the spatial elements of printmaking. Many of her works are spatial installations, in which their parts reflect the process of printmaking and in which light, in its different forms, makes up an essential part of the work.
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
34 x 45
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Description:
Graphics, paper
25.7 x 36.6
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
49 x 32
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Description:
Graphic, paper
26 x 35
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Description:
Graphic, paper
34 x 45
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Description:
Graphic, paper
46 x 30,5
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Description:
Graphics, paper
33,2 x 49,7
On the centre – Elukeskkond II. Kõrgtrükk
Lower right - Esta Kamsen 1982
E. Kamsen one of the 1980s emerged charts (she graduated from the Academy of Arts in 1977).
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Description:
Ink, paper
Lm 17,1 x30
Km 8,1 x 24,3
Lower right - Tervishoid ja kehakultuur
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Description:
Linocut, paper
25,9 x 34,1
Lower left - JK-79 "Lahemaa neet" (linool)
Lower right - J.Kangilaski 1979.
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Description:
Linocut, paper
28,8 x 34
Lower left - JK-70 "Viljandi järv" (linool)
Lower right - J.Kangilaski 1970.
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Description:
Two-color woodcut, paber
19,8 x 15,8
Lower right - Ott Kangilaski 40
Ott Kangilaski rarely painted portraits.
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Description:
Etching, paper
Km 18,4 x 12,3
On the centre - Ott Kangilaski
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Description:
Aquatint on paper
31,4 x 42
Lower right - Ott Kangilaski 1956
Lower right - "Keda valida?" (akvatinta)
Ott Kangilaski graduated from the "Pallas" Art School in 1943, studio of Ado Vabbe, Aino Bach and Arkadi Laigo. Participated in exhibitions since 1929. Was awarded the "people’s artist" title in 1975. The artist is better known for graphic works.
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Description:
Lower left – AKasemaa
Lower right - 1966. a.
Kasemaa Andrus was born in 1941 in Tallinn. In 1962-1967 he studied at the Tartu Art School and the 1968-1972 years of the Academy of Arts. From 1974-1993 he headed the art department of the University of Tartu. In 1993-1995 he lived and worked in Australia. Since 1985 Kasemaa member of the Union of Artists.
Andrus Kasemaa known as a cartoonist, and in this area is the most powerful and original Estonian artists.
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Description:
Woodcut, paper
25,5 x 25,1
Lower left on the plate - WKaulbach
Painter and illustrator. After initial instruction from his father, Kaulbach received his principal education, from 1822 to 1826, at the Kunstakademie, Düsseldorf, under Peter Cornelius. Six months after Ludwig I, King of Bavaria, had summoned Cornelius to Munich, Kaulbach followed his tutor to the Bavarian capital, where he worked on various collaborative ventures with other pupils of Cornelius, and completed his practical training on such projects as the decoration of the Odeon (destroyed) in 1826, and of the Hofgartenarkaden, from 1826 to 1829 (now painted over). More independent work followed with 16 frescoes on the theme of Cupid and Psyche for the Festsaal of the Herzog-Max-Palais (1829-35; now Munich, Neue Pinakothek), and in the throne-room, salon and queen's bedroom of the newly erected Königsbau of the Residenz (1832-35; partly destroyed).
In 1835 he undertook a study trip to Venice and during the years 1835/39 to Rome. After being raised to the position of Court Painter to King Ludwig I he increasingly distanced himself from Cornelius. Starting 1847 he also worked in Berlin on numerous commissions from Prussia's King Friedrich Wilhelm IV. In 1849 von Kaulbach was named director of the Munich Academy and began a short time later with the plans for the Neue Pinakothek's frescoes. Kaulbach, who achieved widespread popularity through his sharp, satirical illustrations to several important literary works from, among others, Goethe and Schiller, was one of the most important and successful artists of his time. Whereas the large format of Kaulbach's major works owe much to the history paintings of Carl Theodor von Piloty, his sculptural-baroque modelling coupled with restrained coloration are directly related to the Cornelius school.
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Description:
Graphics, paper
23,2 x 58,5
Lower left - 14/25 Vasknõud
Lower right - Avo Keerend 1967
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Description:
Graphics, paper
25 x 37,2
Lower right - Keerend
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Description:
Graphics, paper
23,2 x 58,5
Lower left - Rehielamu. linool 1964.
Lower right - Avo Keerend
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Description:
Graphics, paper
31 x 42
Lower right - Avo Keerend
Lower left - Tallinn Toomkirik. linool (1958).
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Description:
Steel engraving, paper
Lm 19,4 x 28,8. Km 10,3 x 16,5
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Description:
Etching, paper
Plm 15,4 x 19,5
Lower in the center
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Description:
Etching, paper
Plm 15,5 x 19,5
Lower in the center
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Description:
Ballpoint pen, paper
19 x 13,1
Lower left - EK. 15.XII 71.
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Description:
Linocut, paper
10,5 x 15
Lower left - Leesikmäe (linoleic plastic film)
Lower right - Ago Kivi 67
Ago Kiwi graduated from the State Art Institute in 1960, the graphics department. Then he graduated from training courses at Tallinn Pedagogical Institute.
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Description:
Linocut, paper
16,5 x 19,5
Lower left - 200- aastane Tartu Raekoda (plastikaatlinool)
Lower right - Ago Kivi -86
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Description:
Lithograph, paper
Vm 19 x 16,5
Lower right – Endel Kõks
Lower left - Theme – timide, 90/90, 1968
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Description:
71 x 51
Graphics, paper
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Description:
Graphics, paper
71 x 51
Lower right - Endel Kõks
Lower left - Spanish Ceramics. ofset-litho 55 /60 1970
One of the most remarkable Estonian artists abroad. Endel Kiks emigrated in 1944, but already at that time he was highly appreciated by art critics and connoisseurs. Unfortunately works by Endel Kiks are rare in Estonia.
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Description:
71 x 51
Graphics, paper
Lower right - Endel Kõks
Lower left - The Motador ofset-litho 34/ 60 1971
One of the most remarkable Estonian artists abroad. Endel Kiks emigrated in 1944, but already at that time he was highly appreciated by art critics and connoisseurs. Unfortunately works by Endel Kiks are rare in Estonia.
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Description:
Ink on paper
24 õ 18
"Of a Revolt A Jurje night 1343".
Please find picture on address: Tallinn, Mustamäe tee 4 room 103
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Òriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Linocut, paper
lm 37,3 x 23,7
km 29.3 x 18,9
Lower left – Linoollõige
Lower centre – Vana Tallinn – (Kieck in de Kök)
Lower right - EKollom 62
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Òriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Woodcut, paper
21,5 x 30
Lower left - Harjumaa I 41/100
Lower right - EKollom 1968
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
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Description:
Brown pencil, pencil, paper
km 29.3 x 17,5
Lower right - EKollom 38
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Description:
Woodcut, paper
14,8 x 23,2
Lower left - EKollom puugravüür
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Description:
Linocut, paper
lm 32,5 x 38,5
km 26 x 28
Lower left – Vana Tallinn. Tornide väljak.
Lower right - EKollom
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Description:
Woodcut, paper
40,8 x 25,6
Lower left – Vana Tallinn. Niguliste.
Lower right - EKollom
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Description:
Woodcut, paper
km 24 x 26,5
Lower left – Puugravüür
Lower centre – Vana Tallinna panoraam
Lower right - EKollom 58
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Description:
Engraving on wood, paper
27 x 29,5
Lower centre – Tartu kivisild
Lower right - EKollom 37.a.
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Description:
Woodcut, paper
18,5 x 25,7
Lower left - Puugravüür – Tartu Riikliku Ülikooli Raamatukogu
Lower right - EKollom 1945.
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Description:
Black watercolour, paper
32,6 x 23,8
Lower right - EKollom 52.a.
Ernest Kollom was born in 1908 in area Vyru, has died in 1974 in Tallinn. Art education has received with 1927 on 1931 in "Pallas" in work studio N.Тriik (on painting) and with 1943 on 1945 in the Moscow Art Institute under the management of P.Pavlinov. With 1933 on 1940 worked in Tartu as the free artist. In post-war time worked in various editions, and since 1956 again the free artist. E.Kollom one of renowned Estonian artists. Was engaged also in a colour engraving on a tree, preferred free to the diagram later, it is especial kinds of city.
Exhibitions: Tartu, Rome, and Budapest.
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Description:
Charcoal and coloured chalk, a paper pasted on a cardboard
35 x 48,5
Lower right - F Koppel 1936
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Description:
a. 19 etudes from 16 to 17th century Russian ojaloo themed paintings.
pencil, paper 35,5 x 40
c. Three studies of women's fashion, the Biedermeier era
d. pencil, paper 43,7 x 31
Born in Tallinn, Kozakovskiy, he studied in 1871-73, at the Tallinn Huber Gymnasium (at T.A. Sprengel's studio). Then in the Petersburg Academy of Arts from 1880 to 1885. Received medals: in 1877 - a small and large incentive; In 1878 - a small incentive; In 1882 - 1 silver. In 1885 he graduated from the scientific course and was awarded the title of class artist of the third degree.
Since 1883, Sprengel lived in Tallinn. In the Art Museum of Estonia there is his landscape. There are also historical sketches (pencil drawings "The Episode of the Times of Ivan the Terrible" and "The Dying Prince" 1877).
In addition, two drawings made by A. Gusev
1) Reclining woman 1896. pencil, charcoal 23,2 x 17.9
2) The posthumous drawing of Johan Kohler 27 XII 1889 Pencil 17,8 x 21.7
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
30 x 21
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Description:
Graphics, paper
21 x 30
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
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Description:
Ink on paper
22 x 20
Lower centre - WvK
On the reverse - label with the inventory numbers and data about the artist.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Graphite on gray paper
35.4 x 43.3
Lower right - Wilhelm Kügelgen inv.
Wilhelm Georg Alexander von Kügelgen (20 November 1802, St.Petersburg - 25 May 1867, Ballenstedt) was a German portrait and history painter, writer, and chamberlain at the Court of Anhalt-Bernburg. He is best known for his posthumously published memoirs, which have gone through many editions from seventeen different publishers.
He was the son of portrait and history painter Gerhard von Kügelgen. The home where he grew up in Dresden is now the Kügelgenhaus Museum. He attended the Gymnasium in Bernburg (Saale) and studied at the Dresden Academy of Fine Arts.
In 1833, he became the Court Painter at the Anhalt-Bernburg summer residence in Ballenstedt and remained there the rest of his life. From 1853 to 1863, he served as personal chamberlain to Duke Alexander Karl.
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Description:
Linocut, paper
24 x 28,5
Lower right – T. Kulles
Lower left "Järve rand" (linool)
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Description:
Linocut, paper
33 x 23,5
Lower right – T. Kulles 70
Lower left – "Hoov Vene tänavale"
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Description:
Ink, gouache, paper
Lm 29,9 x 38,3
Km 21,8 x 30,5
Lower right
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Description:
Colour lithograph, paper
26,5 x 35
Lower right
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Description:
Aquatint on paper
50 x 40
Lower right – T. Kulles 1961
Lower left – Tütarlaps rannakividel akvatinta
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Description:
Linocut, paper
37 x 31
Lower right – T. Kulles
Lower left – Kiek in de kök.1958.
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Description:
Ink, gouache, paper
Lm 27,4 X 28
Km 22,9 X 24,5
Lower right
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Description:
Ink, paper
Lm 25 x 35
Lower right
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Description:
Chalk on paber
Lm 20,9 x 29,8
Km 17,5 x 24
Lower right
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Description:
Linocut, paper
35,5 x 26,5
Lower right – T. Kulles 70
Lower left – "Laboratooriumi tänav" (linool)
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
35 x 25
Lower right – T. Kulles 59
Lower left – "Nooruse tänav" (linool)
Studied at the Tallinn State Art Institute of Fine Arts from 1944 to 1948. Specialized in monumental and book graphics. The artist is well-known for his landscapes and townscapes.
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Description:
Linocut, paper
27,5 x 24
Lower right – T. Kulles 70
Lower left – "Nooruse tänav"
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Description:
Ink, gouache, paper
Lm 34,5 x 25,5
Km 28,8 x 21,5
Lower right
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Description:
Ink, gouache, paper
Lm 35,6 x 28
Km 28,8 x 22
Lower right
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Description:
Ink, gouache, paper
Lm 31,6 x 22,6
Lower right
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Description:
Ink, gouache, paper
Lm 27, 3 x 37,2
Km 20,3 x 30,1
Lower right
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Description:
Lithograph, Paper
42 x 60
Lower right – T. Kulles 57
Lower left – Peipsi rand. Autolito
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Description:
Linocut, paper
30 x 23
Lower right – T. Kulles 69
Lower left – "Rataskaevu tänav"
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Description:
Pencil, paper
Lm 37,5 x 26
Lower right 4 jaan 1958 TK
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Description:
Colour linocut on paper
27,5 x 38
Lower right – T. Kulles 64
Lower left – Tallinna vaade
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Description:
Linocut, paper
30,5 x 21
Lower right
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Description:
Linocut, paper
30 x 23
Lower right
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Description:
Linocut, paper
35 x 48
Lower right – T. Kulles 60
Lower left – Vällämägi Lõuna - Etsti. (linool)
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Description:
Lithography, paper
44,5 x 59
Lower left – Гитлер капут
Lower right – В. Курдов 1944 год
On the reverse - Leht sarjast "Sõjateedel" (1944)
People's artist of the RSFSR, laureate of the RSFSR State Prize named after I.E. Repin. One of the founders and leaders of the Leningrad Studio of Satirical Poster "Boyevoy Karandash". Attended Perm Free Art Studios. During 1923-1926 studied at VKHUTEIN under A.E. Karev, K.S. Petrov-Vodkin, M.D. Matushin and A.I. Savinova. Took lessons from Kazimir Malevich in GINHUK. At the same time under V.V. Lebedev's supervision Kurdov V.I. started to illustrate books for children and juvenile sections of the State Publishing House. His artworks can be found in the State Tretyakov Gallery and other museum collections of Russia.
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Description:
Etching, paper
23,9 x 28
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Description:
Ink and gouache on cardboard
42,5 x 60
Product concerns to the large batch consisting from executed in technics of deep etching of sheets and sketches to them, representing various aspects of a life of mankind in fantastic architecturally-environment. The part of ideas has remained on stages of sketches. The scale philosophical concept of a series designated a new coil in creativity of the artist.
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Description:
Graphic, paper
38 x 48
Lower right - A.Kütt 59a.
Lower left - "Karjala motiiv"
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Lõuna- Eesti"
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Description:
Graphic, paper
Lm 42 x 52
Lower right - A.Kütt 59.a.
Lower left - "Tallinna sadam"
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Description:
Graphic, paper
Lm 52 x 44,5
Lower right - A.Kütt 81.a.
Lower left - "Bokserid"
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Description:
Graphic, paper
Lm 47 x 57
Lower right - A.Kütt 69.a.
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Description:
Graphic, paper
Lm 45 x 36
Lower right - A.Kütt 59.a.
Lower left - "Pärnu kalurid"
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Description:
Graphic, paper
Lm 28 x 35
Lower right - A.Kütt 63.a.
Lower left - "Park"
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Description:
Graphic, paper
Lm 19,5 x 31
Lower right - A.Kütt
Lower left - "Siga"
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Description:
Graphic, paper
Lm 30 x 37
Lower right - A.Kütt 64a.
Lower left - "Talv"
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Description:
Linocut, paper
17,4 x 25,5
Lower left - Saaremaa Linool
Lower right - A.Kütt 69
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Description:
Etching, paper
26,5 x 35
Lower right - A.Kütt 65 a.
Lower left - "Talu" (linool)
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Description:
Pencil, paper
25 x 23
Lower right - A.Kütt. 57 a
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Description:
Etching, paper
22 x 30
Lower right - A.Kütt 67 a.
Lower left - "Metsajärv" (linool)
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Description:
Ink on paper
14 x 11,9
Lower right - A.Kütt. 76
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Description:
Pencil, paper
20,4 x 14,6
Lower right - A.Kütt
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Description:
Etching, paper
18 x 24
Lower right - A.Kütt 64 a.
Lower left - "Otepää" (lito)
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Description:
Ofort, paper
46 x 53
Lower left - “Tsemenditehase ehitus I” (Söövitus)
Lower right - A.Kütt 63 a.
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Description:
Ofort, paper
45 x 53,8
Lower left - "Tsemenditehase ehitus III" (Söövitus)
Lower right - A.Kütt 63 a.
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Description:
Etching, aquatint, paper
41,8 x 60,5
Lower left - "Sepatsehh" (ofort, akvat.)
Lower right - A.Kütt 60
Alex Kütt, 1945, studied at the Tallinn State Institute of Applied Arts, graduated in 1949. Then he worked from 1949 to 1985, lecturer at the Department of drawing and graphics at the Art Academy of Estonia.
Especially it is known as a printmaker. Using different techniques of engraving was an experimenter in new techniques of electro-colour gravure printing and graphic hot. He liked to portray, fishermen, industrial motifs, landscapes, sports, war. In early works close to nature, in the second half of the 1960s, his work became more complex, which was attended by his imagination and became the predominant decorative style.
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Description:
Ofort, paper
41,5 x 46,3
Lower left - "Tehas I" (Söövitus 1/25)
Lower right - A.Kütt 77 a.
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Description:
Aquatint, paper
25 x 48,5
Lower left - "Süvendaja" (akvatinta)
Lower right - A.Kütt 62 a.
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Description:
Colour pencil, paper
27 x 39
Lower right - A.Kütt 61 a.
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Description:
Colour pencil, paper
27 x 39
Lower right - A.Kütt 61 a.
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Description:
Colour pencil, paper
39 x 27
Lower right - A.Kütt 61 a.
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Description:
Aquatint, paper
46 x 60
Lower right - A.Kütt 79a.
Lower left - "Kiirus II" Akvatinta
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Description:
Aquatint, paper
43 x 28
Lower right - A.Kütt 65a.
Lower left –Tallinn
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Description:
Graphic, paper
41 x 52
Lower right - A.Kütt 59a.
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Description:
Graphic, paper
41 x 52
Lower right - A.Kütt 60a.
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Description:
Pencil, paper
27 x 39
Lower right - A.Kütt 54.
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Description:
Etching on paper
55 x 53
Lower right - A.Kütt 82a.
Lower left - Informatsioon. Ofort 5/50
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Description:
Engraving on paper
27x 39
Lower right - A.Kütt 65a.
Lower left - Põhjarannik. söövitus
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Description:
Engraving on paper
34,5 x 34,5
Lower right - A.Kütt 76a.
Lower left - Kiirus III. söövitus
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Description:
Etching, paper
29 x 32
Lower right - A.Kütt 60
Lower left - "Toila rand"(ofort)
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Description:
Graphic, paper
11,5 x 17
Lower right - A.Kütt 59a.
Lower left - "Karjala"
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Description:
Graphics, paper
38,5 x 29
Lower right - A.Kütt 58.
Lower left - "Müürivahe põik" (Linool)
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Description:
Brown pencil, paper
21 x 21
Lower left - A.Kütt.
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Description:
Aquatint, paper
40 õ 50
Lower right - A.Kütt 81a.
Lower left - Ekraan. Akvatinta.
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Description:
Graphics, paper
42 x 36
Lower right - A.Kütt 62 a.
Lower left - "Toompea" 18/20 (lito)
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Description:
Graphic, paper
59 x 62
Lower right - A.Kütt 77a.
Lower left - Dokk
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Description:
Graphic, paper
41 x 56
Lower right - A.Kütt 65a.
Lower left - Tallinna sadam.
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Description:
Ink, pens, brushes, paper
19,9 x 27,8
Lower right – Osvald 60. 9pt.
Oswald Lääne one of the most talented Estonian artists.
For personal circumstances surrounding, Lääne could not finish Art School Pallas, where he studied for two years in the studio of A. Vardi. His works were exhibited at 13 art exhibitions.
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Description:
Xylograph, paper
21,8 x 14,2
Lower right on the plate - ML
Lower left – Palavik. Puulõige 1955
Lower right – M. Laarman
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Description:
Coloured xylograph, paper
28 x 42,5
Lower left – Piusa maastik.
Lower right – M. Laarman
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Description:
Lino-cut, paper
20 x 15
A graphic and painter, Myart Laarman was also occupied with teaching and literary work. In the twenties he studied at A.Laikmaa’s school, then continued his education during trips to Northern countries (Finland, Germany, Denmark and Sweden). Was a member of the Estonian Cubists and Constructivists Group, in the thirties he changed to rather realistic motifs.
Typical of his works is the laconic and decorative style in the use of colours and reserved lyrical interpretation.
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Description:
Woodcut, paper
12,1 x 9,1
Lower right - Ark. Laigo-36
Woodcut reproduction in the catalog of personal exhibition Arcadio Laigo (Tartu 1961-62) nr.52; in the catalog Arcadio Laigo - Hando Mugasto (Tallinn 1982) № 61.
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Description:
Coloured woodcut on paper
19,5 x 16,5
Lower right - AL
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Description:
Engraving on wood, paper
16,0 x 21,1
Lower right - A.Laigo
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of a cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given ксилографии.
Works Laigo were recognized at domestic and foreign exhibitions. His(its) strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
15,9 x 21,1
Lower left- A.L
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given.
Works Laigo was recognized at domestic and foreign exhibitions. His(its) strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
16 x 21,1
Lower right - A.Laigo
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933. Since 1934 it(he) is completely given.
Works Laigo was recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
Lm 20,2 x 27,2
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Description:
Engraving on wood, paper
Lm 22,8 x 30,1
Lower left
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Description:
Engraving on wood, paper
32,7 x 24,5
Lower left – Ark. Laigo
Lower right - Natüürmort
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933.
Works Laigo were recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
15 x 19
Lower right - Arkadio Laigo-35
Laigo Arkadio studied painting in "Pallas" from 1922 to 1927,by N.Triik and P.Aren. In the first years the artist mainly painted compositions, still lives, landscapes. at first in the style of New Objectivity, later - influenced by the French late Cubism and Art Déco. His manner was quite refined, nevertheless he abandoned painting and chose xylography about 1933. He was the most outstanding wood engraver in the art of 1930s beside Hando Mugasto. In 1935 the artist, living in a little town Võru, edited the portfolio "Xylographs" . The present print derives from the portfolio, the mature example oh his vigorous style in this kind of art, reflecting the common interest of "Pallas" school in the suburban life.
i
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Description:
Woodcut on paper
19,5 x 16,5
Lower right - AL
Laigo Arkadio art education has received in "Pallas" with 1922 - 1927, in workshop N. Triik ja P. Aren and item. In the first years the artist is engaged mainly in painting. These are figured compositions, still lives, landscapes and kinds of cities. They have decorative character and testify to influence of a cubism. The best in A.Lajgo's creativity has given as the engraver. A. Lajgo's first serious works in the field of an engraving concern to 1933.
Works Laigo were recognized at domestic and foreign exhibitions. His strong and serious creativity represents the important chapter in the Estonian art heritage.
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Description:
Engraving on wood, paper
16 x 21
Lower right - ALaigo 36
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Description:
Engraving on wood, paper
Lm 22,8 x 30,1
Lower left
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Description:
Coloured lithograph, paper
Plm 54 x 73
Lower right - George Lambert
Lower left - Epere de artiste
Studied at the Academy with Othon Friesz and then Edouard Mac`Avoy. The first lithographs and graphics of the artist gained recognition in the fifties. George Lambert becomes a prolific exhibitor. He participates in many shows in France, Monaco, Sweden and other European countries and attracts attention of the art critics and galleries in the USA. His use of colour and liтe is appreciated by many connoisseurs, and galleries as well as private collectors are proud to own the works of this French artist.
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Description:
Coloured lithograph, paper
43,4 x 65,6
Lower right - George Lambert
Lower left - 106/200
Studied at the Academy with Othon Friesz and then Edouard Mac`Avoy. The first lithographs and graphics of the artist gained recognition in the fifties. George Lambert becomes a prolific exhibitor. He participates in many shows in France, Monaco, Sweden and other European countries and attracts attention of the art critics and galleries in the USA. His use of colour and liтe is appreciated by many connoisseurs, and galleries as well as private collectors are proud to own the works of this French artist.
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Description:
Linocut, paper
38,3 x 28,4
Lower left – Kassari (linool)
Lower right - H. Laretei 1963.
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Description:
Linocut, paper
44, 9 x 31,7
Lower left – Mees suure kalaga (linool)
Lower right - H. Laretei 1965.
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Description:
Coloured lithography, paper
28,2 x 18,2
Lebedev Vladimir Vassilievich (1891, Saint-Petersburg – 1967, Leningrad).
People’s Artist of the RSFSR, corresponding member of the USSR Academy of Arts.
One of the founders of the Russian school for illustrating of the books for children. Attended the F.A. Russo Studio (1910-1914) and the M.D. Bernstein and L.V. Sharewood School of Drawing, Painting and Sculpture. Studied at the Saint-Petersburg Academy of Arts (1912-1914).
Collaborated with the “Satirikon’ and ‘New Satirikon’ Magazines. Was one of the founders of the propagandistic Windows of ‘ROSTa’ in Petrograd (1920-1921).
Professor of the Petrograd State Arts Studios (1918-1921).
Joined the ‘Association of New Trends in the Art’ (1922-1923) headed by V.E. Tatlin, having been considerably influenced by that. Later on was a member of the ‘Four Arts’. Created a special type of books illustration, uniting the traditions of the book illustrating drawing technique of the ‘World of the Arts’ and the futurists. In the 1920th made the satirical series ‘NEP’ (New Economical Policy), ‘New Life’, ‘Love of the Rabble’. The brilliant drawings ‘Acrobats’, ‘Ballerinas’ and ‘Guitar-players’ as well the numerous sketches of the naked appeared as the results of everyday work with the models. The artist’s illustrations to the ‘Baby elephant’ by R. Kipling and the poems of S. Marshak ‘Yesterday and Today’, ‘Ice-cream’, ‘Silly little mouse’, ‘Circus’ (all 1925), ‘Luggage’ (1926) and ‘How the Plane made the Plane’ opened a new era in the illustrated book for children. V.V. Lebedev was heading the Artistic Editorial Office of the Children and Youth literature Department of the State Edition, having converted it to the centre of creation of highly artistic books for children (1924-1933).
The works of V.V. Lebedev are kept at the State Tretyakov Gallery, the State Russian Museum and other museums.
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Description:
Coloured lithography, chalk, paper
37 x 26,9
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Description:
Coloured graphics, paper
21 x 10,2
Lower right
Recognized theatre costume designer and creator of floral compositions. In emigration circles Silvia Leitu was widely known as a distinguished master of watercolours. Works by Silvia Leitu are original in style and of high artistic value.
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